tag:blogger.com,1999:blog-67696286259746012882024-02-18T20:24:51.757-06:00Mortville Noisegamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.comBlogger103125tag:blogger.com,1999:blog-6769628625974601288.post-21649734910565329082018-10-03T21:53:00.002-05:002018-10-03T21:53:44.498-05:00MORT:112 CAPTAIN THREE LEG / STINKHOLE - "Neighborhood Watch / Aural And Olfaction Butchery" CD<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE0ARIDMacH_dDdK61metwWtluipJoJKMZj5qrJd0Kn6DZjiO99aHgd2AR8R_39RMh4uLjltRP44WrEypQhZr-bFiU_sA1cfbShAdf-JJ4MORUnslM9EsNrTNiLCNQTh6HXL7ei0I7JsY/s1600/Stinkhole.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1199" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE0ARIDMacH_dDdK61metwWtluipJoJKMZj5qrJd0Kn6DZjiO99aHgd2AR8R_39RMh4uLjltRP44WrEypQhZr-bFiU_sA1cfbShAdf-JJ4MORUnslM9EsNrTNiLCNQTh6HXL7ei0I7JsY/s320/Stinkhole.jpg" width="318" /></a></div>
<span style="font-size: small;"><span style="font-family: Georgia, "Times New Roman", serif;">CAPTAIN THREE LEG (USA) / STINKHOLE (USA) - “Neighborhood Watch /
Aural And Olfaction Butchery” split CD... 63 trax of savage noisecore
brutality from C3L with bits of harsh noise mixed in for texture;
shorter, faster and harder than anything else in their catalog.
Stinkhole assaults two senses at once with 157 trax of improvised
noisecore crud with pants shitting where the vocals should be. Recorded in 1996 and 2005 and originally slated for a 7" release that never happened, this noxious mess is finally
available<span class="text_exposed_show"> for consumption. Limited to
300 CD version available now from Housepig and Mortville Noise for $3.00
+ shipping. </span></span></span><br />
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<div class="MsoNormal">
<span style="font-size: small;"><span style="font-size: large;"><a href="https://mortvillenoise.bandcamp.com/album/neighborhood-watch-aural-and-olfaction-butchery">BUY
IT HERE</a></span><span style="color: black;"></span></span></div>
<span style="font-size: small;"><span style="font-family: Georgia, "Times New Roman", serif;"></span></span><span style="font-size: small;"><span style="font-family: Georgia, "Times New Roman", serif;">
</span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia, "Times New Roman", serif;"> * The CD is packaged in a poly sleeve with a standard 4 panel insert.
If you feel you must put it inside of a jewel case, a printable tray
card is included with the Bandcamp download. </span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Georgia, "Times New Roman", serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3905831055/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/neighborhood-watch-aural-and-olfaction-butchery">Neighborhood Watch / Aural And Olfaction Butchery by Captain Three Leg / Stinkhole</a></iframe> </span></span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-19687874980764266862018-10-03T21:40:00.001-05:002018-10-03T21:44:41.928-05:00MORT: 114 TRAFFIC DEATH - "Four Disc Pile-Up" CD<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-MdkEkWAw5C5F2cZP3T2mhSMe4CPVP015vN3jISK7yJrgIF6wfv0tz4STzEFrY9tEfdSQej4RABgtRWQygIx1N-ZxZB0lZkh6Y9oNptiGwkg921eSaU6gMpYVOJABmtGEJLFtdKwsEQ/s1600/new+cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="1417" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-MdkEkWAw5C5F2cZP3T2mhSMe4CPVP015vN3jISK7yJrgIF6wfv0tz4STzEFrY9tEfdSQej4RABgtRWQygIx1N-ZxZB0lZkh6Y9oNptiGwkg921eSaU6gMpYVOJABmtGEJLFtdKwsEQ/s320/new+cover.jpg" width="320" /></a></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1385110168433460&extragetparams=%7B%22__tn__%22%3A%22%2CdK-R-R%22%2C%22eid%22%3A%22ARAzH_4an9M307o40FWKKMZMUgC-ZfW_qe2PfG5lw1JsPqvscfffgHsb1rdJtPz9KjiH7E6vGBIvgLQ8%22%2C%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/TrafficDeath/?__tn__=K-R&eid=ARAzH_4an9M307o40FWKKMZMUgC-ZfW_qe2PfG5lw1JsPqvscfffgHsb1rdJtPz9KjiH7E6vGBIvgLQ8&fref=mentions&__xts__%5B0%5D=68.ARBiOCoipb1kMmBSNZp5xj28CQKb5MeetoPzc90E4_ndgjDAlhFlTI5-tScpNA85_S_2XJiO-BjExXIBZzBe4mW87CWsGhSud_O2YSPWfyu5ltHBPrZMqwMvWJS01xa11SMiZul4a7r1mxHEub6sNdwYSBxmB9QhUxNUfGYN0dGszhBNJWo4">Traffic Death</a> are a violent crossover thrash band with veterans of the Des Moines, IA
extreme metal and punk scenes. Their music is a summary of their
musical past, fusing together several sub-genres of metal, punk and all
points between. Before forming in 2013, their members had already played
hundreds of shows with their previous bands Black Market Fetus, Dark
Mirror and Nancy Grace Death Squad. Their experience shows, both
recorded and on stage.In their five years as a band, they’ve released
two LPs, a 7” and a split 7” with Ft. Wayne horror punks, The Lurking
Corpses. “Four Disc Pile-Up” compiles all of their recordings on one CD
that includes a 12 page booklet with all of the lyrics and art from the
original vinyl releases. It’s the perfect soundtrack for a vehicular
homicide, or for the drive home from dropping off the little ones at
school, depending on your temperament. 32 tracks / 59 minutes, $5.00 +
shipping. </span></span><br />
<br />
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<span style="font-size: small;"><span style="font-family: Georgia, "Times New Roman", serif;"><span style="font-size: large;"><a href="https://mortvillenoise.bandcamp.com/album/four-disc-pile-up">BUY
IT HERE</a></span></span></span></div>
<span style="font-size: small;">
</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2171897419/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/four-disc-pile-up">Four Disc Pile-Up by Traffic Death</a></iframe><br /></span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-32019754518003232802018-10-03T21:32:00.000-05:002018-10-03T21:43:37.017-05:00MORT:113 NEE! - "Nee!'s Finest: Does Noise Belong In Music?" CD<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEt6O9o0VXiOzw-4cd8LWo8oczPwN7iHtxvVQNYrVTbpYNJ_CnQErb-F-0ro2fWWTacg7w1z46LsGEJnDltzVlvukCCAohIElLsx2tAiuEaKpR6TJB64PSmpveXu3WHtQ6Gkngd0lQxtQ/s1600/cover+image.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="1417" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEt6O9o0VXiOzw-4cd8LWo8oczPwN7iHtxvVQNYrVTbpYNJ_CnQErb-F-0ro2fWWTacg7w1z46LsGEJnDltzVlvukCCAohIElLsx2tAiuEaKpR6TJB64PSmpveXu3WHtQ6Gkngd0lQxtQ/s320/cover+image.jpg" width="320" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Unfortunately for Nee!, most people’s introduction to the band was their
split 7” with Warsore - arguably the greatest band in grindcore. Their
drummer once told me he thought the record was a mistake, but I
wouldn’t have asked them to do it if I thought the two bands weren’t
evenly matched. Though they were absolutely buried by what ended up
being Warsore’s best material, Nee!’s “30 Song Demo” was grind/noise
perfection. It was everything I loved about grindcore, and I wanted more
people to hear them. Twenty years later, Mortville is proud to reissue
the band’s entire recorded output in one package. Collected on this CD
is their “Nee Means No” CD, “30 Song Demo”, split w/ Warsore 7”, split
w/ Pissed Off Orgasm cassette, tracks from the “Three Bean Salad”
compilation, “Unearthed” compilation, plus unreleased live and studio
material. It’s 119 tracks / 77 minutes of unhinged, bulldozing,
blast-driven Dutch grind/noise on a 98 track CD. $5.00 + shipping. </span></span><br />
<br />
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</xml><![endif]--><span style="font-size: large;"><a href="https://mortvillenoise.bandcamp.com/album/nee-s-finest-does-noise-belong-in-music">BUY
IT HERE</a></span><br />
<br />
<span style="font-size: small;"> </span>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=2746148183/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/nee-s-finest-does-noise-belong-in-music">Nee!'s Finest: Does Noise Belong In Music? by Nee!</a></iframe>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-77986717343313299092016-11-14T19:14:00.000-06:002016-11-14T19:16:08.015-06:00MORT:105 WADGE "The End of Ethnology" CD Out Now!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7RvycncEOdkxBhTG42ZoPFZ8znqgB14FxxRUf3Rke1no66Etak_bp-qP5PJ0_EYEaIC2tqIdJ5QGZOfhCsqo2xv-FYpTE5v8wN8iyFaUsERzs6pMpbiPjBwjigun3W1ZA4McdiRo0SF0/s1600/ethnologycover+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7RvycncEOdkxBhTG42ZoPFZ8znqgB14FxxRUf3Rke1no66Etak_bp-qP5PJ0_EYEaIC2tqIdJ5QGZOfhCsqo2xv-FYpTE5v8wN8iyFaUsERzs6pMpbiPjBwjigun3W1ZA4McdiRo0SF0/s320/ethnologycover+copy.jpg" width="320" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">I thought I was done with physical releases, but the opportunity of releasing the new Wadge full-length was too good for me to pass up. It took a while for it <span style="font-family: "georgia" , "times new roman" , serif;">to come together, but </span>I couldn't be happier with the results.</span><br />
<span style="font-size: small;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;">"Ethnology" is defined as the study of the characteristics of
various peoples and the differences and relationships between them. When
we examine those characteristics, especially within certain
subcultures, we don't always like what we see. "The End of Ethnology" is
a 32 part commentary on the world and all of its <span class="text_exposed_show">ugliness.
Its lyrical content is as sharp and abrasive as the music. This album
is for those who value the ability to freely speak your mind over the
modern worry of tiptoeing through the misguided muck of feelings. The
anti-fascists have become the fascists. Modern day witch hunters
trampling through life with stakes in their eyes. Redefining language
and soothsaying thought. No one is immune from their delusional social
arson, but only you can decide whether or not you burn. Stop, drop and
roll, motherfuckers. </span></span><br />
<span style="font-size: small;"><br /></span>
<br />
<div class="text_exposed_show">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"> The
CD and download both have exclusive content. The are four extra tracks
on the CD, whereas the download comes with a 35 page PDF with lyrics and
graphics for each song. Buying the CD through Bandcamp is the only way
to get all of the content for one price. </span><br />
<br /></div>
<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3727653614/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/the-end-of-ethnology">The End of Ethnology by Wadge</a></iframe>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-88758348729754517232013-09-17T22:32:00.000-05:002013-09-17T22:32:04.040-05:00Two New Captain Three Leg Releases<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLQGVsUGPo3OFz9LMVGGBK8cdxwrnY58kARlLkh7qhkwAMD7nGJrEIQDK8XOK2j4LPXWY5axrgZFx7t8QwApvUOCtI3Q7qtOKvb9zvs03pUgcFVTJfSG8GmZQYwCbKM8czuUUZJvM7DJI/s1600/cover.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLQGVsUGPo3OFz9LMVGGBK8cdxwrnY58kARlLkh7qhkwAMD7nGJrEIQDK8XOK2j4LPXWY5axrgZFx7t8QwApvUOCtI3Q7qtOKvb9zvs03pUgcFVTJfSG8GmZQYwCbKM8czuUUZJvM7DJI/s320/cover.jpg" width="316" /></a></div>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;">"Coming Up Short" is the world's shortest full-length; 40 cover songs in less than 4 minutes.I was listening to The Dehumanizers and it made me think of all the atypical micro-songs from bands who normally played normal length songs. I thought it would be cool to collect them all in one place, but decided to just record our own versions of those songs instead. The bands we covered considered these to be proper songs, so we consider 40 of them to be a proper full-length. It's an exercise in futility.</span><br />
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;"><br /></span>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;">1. SOCKEYE - Chant (0:00-0:07)
<br />
2. BAD ACID TRIP - Painful Exclaimation (0:07-0:08)
<br />
3. BAD BRAINS - Intro (0:08-0:20)
<br />
4. AGNOSTIC FRONT - Fight (0:20-0:33)
<br />
5. THE DEHUMANIZERS - Cigarette Death (0:33-0:38)
<br />
6. GANG GREEN - Fuck in A (0:38-0:39)
<br />
7. INTENSE DEGREE - Intense Degree (0:39-0:52)
<br />
8. DISMEMBERED FETUS - untitled (0:52-0:58)
<br />
9. MALICIOUS GRIND - Dot (0:58-1:00)
<br />
10. F.Y.P. - Bring It On (1:01-1:07)
<br />
11. WEHRMACHT - Everb (1:07-1:09)
<br />
12. CEMENT - Six (1:09-1:16)
<br />
13. KILLERCRUST - Killercrust (1:17-1:20)
<br />
14. LAWNMOWER DETH - Egg Sandwich (1:20-1:28)
<br />
15. GO! - Mom (1:28-1:29)
<br />
16. NEGATIVE APPROACH - Pressure (1:30-1:38)
<br />
17. LAWNMOWER DETH - Nothingness (1:38-1:40)
<br />
18. RIPCORD - You Don't Care (1:40-1:45)
<br />
19. S.A.S. - Royalty (1:46-1:51)
<br />
20. M.O.D. - Ruptured Nuptuials (1:52-2:05)
<br />
21. WHITE PIGS - Kill a Kop (2:05-2:16)
<br />
22. NEON CHRIST - Yoof (2:16-2:17)
<br />
23. NAPALM DEATH - You Suffer (2:18-2:18)
<br />
24. NEGATIVE FX - Punch in the Face (2:19-2:33)
<br />
25. PATARENI - Splašena Song (2:24-2:27)
<br />
26. PATARENI - Sekunda (2:27-2:29)
<br />
27. WHITE CROSS - Nuke Attack (2:29-2:44)
<br />
28. WHITE PRIDE - Fuck You (2:44-2:50)
<br />
29. SATANIC MALFUNCTIONS - Beanfeast Death (2:50-2:52)
<br />
30. SATANIC MALFUNCTIONS - My Mate John Peel (2:52-2:59)
<br />
31. DESCENDENTS - All (3:00-3:01)
<br />
32. PROTES BENGT - Vingmutter (3:01-3:09)
<br />
33. RED KRAYOLA - Listen to This (3:09-3:12)
<br />
34. GO! - Tree of Life (3:12-3:14)
<br />
35. SOCKEYE - Ode to an Autistic Child (3:14-3:20)
<br />
36. WARDS - In This World (3:20-3:35)
<br />
37. S.O.D. - Diamonds and Rust (3:36-3:37)
<br />
38. UNISEX - Hi-C (3:38-3:39)
<br />
39. SORE THROAT - Heath (3:40-3:42)
<br />
40. YOUTH OF TODAY - Standing Hard (3:42-3:55) </span><br />
<span style="font-size: small;"><br /></span>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;">Download it </span><span style="color: purple; font-size: small;"><a href="http://grindcorekaraoke.com/album/coming-up-short">HERE.</a></span><br />
<span style="color: black;"><br /></span>
<iframe seamless="" src="http://bandcamp.com/EmbeddedPlayer/album=3279833141/size=medium/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://grindcorekaraoke.com/album/coming-up-short">Coming Up Short by Captain Three Leg</a></iframe><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsS2L9dShOeD9oUrhubGmAvEKHpuiqVF_Qs33gDALqZrYH_NHN2Oc7bon0gfoLj_5M0iXq9YsQ6RtyVMaT7-fcdDB1NPWybugwrPLwpmWbqpu0-0O5PIVxjRsMM_qiZpbJM2FSbl-5x6g/s1600/C3L+%252B+Green+Terror.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsS2L9dShOeD9oUrhubGmAvEKHpuiqVF_Qs33gDALqZrYH_NHN2Oc7bon0gfoLj_5M0iXq9YsQ6RtyVMaT7-fcdDB1NPWybugwrPLwpmWbqpu0-0O5PIVxjRsMM_qiZpbJM2FSbl-5x6g/s320/C3L+%252B+Green+Terror.jpg" width="320" /></a></div>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;">Also released is our split with GREEN TERROR from California. Nate from BLACK MARKET FETUS handled all of the vocal duties on this split and gave these songs an entirely different sound. The music was all written and recorded over the span of a couple of hours and has more of a crusty HC sound than usual.There's a couple of Sore Throat covers thrown in the mix, too. GREEN TERROR have been at it for a couple of years now and they get better with each release. Recently Ben from GORGONIZED DORKS has taken over behind the kit, so this is their last release with the old drummer. Intense, spastic grindcore with ridiculous samples and a decent sense of humor.</span><br />
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;"><br /></span>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: small;">Download it <a href="http://grindcorekaraoke.com/album/c3l-green-terror-split">HERE.</a></span><br />
<br />
<iframe seamless="" src="http://bandcamp.com/EmbeddedPlayer/album=1361577512/size=medium/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://grindcorekaraoke.com/album/c3l-green-terror-split">C3L / Green Terror Split by Captain Three Leg / Green Terror</a></iframe>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-69825750326218835442013-08-20T06:41:00.000-05:002013-08-20T06:41:02.547-05:00Dismembered Fetus Demo and Rarities Collection<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KCx5Cq3JqB_FtrEirXyxPggL4eOrLyKnb5fI9ZFodOJuTgRLAicNVg8sGnFi2VqUZQWQRra6CJ5ql7bOouBGZGwZDw9QihpbAkERRvnfSsUK9T-M8CCZWnRot_KSF_TnU9M2dGRCKLw/s1600/DF1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KCx5Cq3JqB_FtrEirXyxPggL4eOrLyKnb5fI9ZFodOJuTgRLAicNVg8sGnFi2VqUZQWQRra6CJ5ql7bOouBGZGwZDw9QihpbAkERRvnfSsUK9T-M8CCZWnRot_KSF_TnU9M2dGRCKLw/s320/DF1.jpg" width="317" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWjtmByXgQlfDDuEhK2cFymrxGpog-0ZPKmaSawI8lf_uH-1m7PVKevZxcIeKXotU_WsGpmCM2uyMqrvajZvkuX0BiPS-bFGJVO7XX9N3QU1fFeiN2zdO2Qf3mR_0yO4p0deA44VE0X7E/s1600/DF2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWjtmByXgQlfDDuEhK2cFymrxGpog-0ZPKmaSawI8lf_uH-1m7PVKevZxcIeKXotU_WsGpmCM2uyMqrvajZvkuX0BiPS-bFGJVO7XX9N3QU1fFeiN2zdO2Qf3mR_0yO4p0deA44VE0X7E/s320/DF2.jpg" width="320" /></a><span style="font-family: Georgia,"Times New Roman",serif;">This stuff needed to be collected, plain and simple. For the sake of the
music, yes, but also to pay tribute to Joshua "Ace" Stough's
contribution to extreme music. I've been a fan of Dismembered Fetus and a
friend of Josh's since 1995 and I haven't heard half of these
recordings until recently. It's criminal how underrated Dismembered
Fetus were as a band and how difficult it was for me to track down their
earliest material. I considered myself to be one of the people in the
fold (well, maybe just on the fringe), but it alluded me for nearly 20
years. Even in the Internet age, precious little information has turned
up about them and only low resolution scans of Foetusgrubber's beautiful
artwork could be found. There wasn't much to work with when compiling
this collection, but with help from a friend and hours of plundering
through fanzines untouched for almost two decades - here is the bulk of
their work. The music is as visceral today as it was in the 90s and
finally hearing the first two demos gave me a whole new appreciation of
their evolution as a band. Literally all of it, though, is absolutely
crushing. This hatred they captured on tape sounds genuine, too, and
nobody since has been able to duplicate this sound. This is truly angry
music, menacing and ugly. Fuck, I miss the 90s.
<br />
<br />
This release is dedicated to Joshua "Ace" Stough. Though you're gone in
form, the memories and your music will live on forever. RIP, 1975-2008. </span><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;">These two volumes compile the following releases:</span><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Dumpster Days" Demo (1992)</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Broken Neck" Demo (1994)</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Hate" Demo (1994)</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"I Don't Feel So Fucking Good" Demo (1995)</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Mutilated God" split w/ Drogheda (1997)</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Rotted Head Meat Supply" Compilation</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Attacked By Bees..." Compilation</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Hymns For The Hearing Impaired Vol.1" Compilation</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">"Pigeoneck.... 8 Years Of Unreleased Shit" Compilation</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">+ Unreleased material </span><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;">Download the first part (MORT:072) </span><a href="http://mortvillenoise.bandcamp.com/album/first-course-fetus-platter">HERE</a><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;">...and the second part (MORT:073) <a href="http://mortvillenoise.bandcamp.com/album/anthropophagus-anthology-vol-2">HERE.</a></span><br />
<br />
<iframe seamless="" src="http://bandcamp.com/EmbeddedPlayer/album=519166301/size=medium/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/first-course-fetus-platter">First Course: Fetus Platter by Dismembered Fetus</a></iframe>
<iframe seamless="" src="http://bandcamp.com/EmbeddedPlayer/album=3914721856/size=medium/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/anthropophagus-anthology-vol-2">Anthropophagus Anthology Vol. 2 by Dismembered Fetus</a></iframe>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com3tag:blogger.com,1999:blog-6769628625974601288.post-54645678147418278812013-08-20T05:53:00.001-05:002013-08-20T07:17:18.145-05:00MORT:074 RUPTURE - "Last Call" Free Download<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwWMEcTJjfEq65cticFGnrcy3tidDFA_6kqle4C9lNa_KrGZQT5Of1FPo_hMFUfWdoOeOfJdpGCcgRL7osbdO5ib1swcn-PZb-4JXImy77dsPE3zK19W2UJXIY-ScDHNYWCZKuyvT9Q5s/s1600/MORT074.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwWMEcTJjfEq65cticFGnrcy3tidDFA_6kqle4C9lNa_KrGZQT5Of1FPo_hMFUfWdoOeOfJdpGCcgRL7osbdO5ib1swcn-PZb-4JXImy77dsPE3zK19W2UJXIY-ScDHNYWCZKuyvT9Q5s/s400/MORT074.jpg" width="400" /></a></div>
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<![endif]--><span style="font-family: Georgia,"Times New Roman",serif;">This Arthouse show was the first and only gig they played after my trip
to Australia, recorded months after my return to American soil and
months before Gus' death. Had they played while I was there, it's likely
this mess is what I would have witnessed. A "mess" is the only way I
can describe this, really. This has been floating around the Internet
for years now on file sharing sites, and I've listened to it heaps of
times before asking to release it. Before reading Zombo and
Stumblefuck's notes, I had no idea that the *thwock* sound that occurs
throughout the recording was the sound of Gus bashing the microphone
against his face. Even with a face full of blood, he managed to keep it
together most of the time. It may not have been what the Melbourne grind
syndicate was looking for in a Rupture performance, but for fan of
going on 20 years, even at their worst, it's satisfying.
</span>
<span style="font-family: Georgia,"Times New Roman",serif;"></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><br />
A few of these songs appeared on their split 7" w/ Opposition Party, but
here it is in its entirety with the audio cleaned up as well as
possible.
</span><br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><i>"By our final gig we were pretty burnt out, the band was a
train wreck, we were all jobless alcoholics and rehearsals were basically fist
fights. It was going nowhere. Gus was off the rails, but then again we all were
really at that time. We played drunk & sloppy. I was playing through some
shitty little practice amp with a banana shoved down my jeans. During a song I
took it out and peeled it and threw it at some girls in the crowd, but they
ducked & it hit the bar chick in the face. She was furious. She hated me,
our band, everything to do with Rupture. Mullschlucka were a very short-lived Geelong thrash band doing
Dayglo Abortion covers. The Kill had Neil on vocals. I don't think Corruption
even played, no idea who they were. Neil bloodied himself up on stage, so not
to be outdone, when Gus got on stage he spent more time smashing his face with
the microphone than actually singing. The gig was a total fucking mess. But
hey, afterwards I had a few Geelong
crew slap me on the back laughing, so maybe at least a few folk found it
entertaining. In hindsight this gig accurately reflected where the band was at
the time - in the process of total meltdown. RIP Gus." </i>(Stumblefuck, 2013)</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Download it </span></span><a href="http://mortvillenoise.bandcamp.com/album/last-call">HERE.</a><br />
<br />
<br iframe="" seamless="" src="http://bandcamp.com/EmbeddedPlayer/album=1846275819/size=medium/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 120px; width: 100%;" /></div>
<iframe seamless="" src="http://bandcamp.com/EmbeddedPlayer/album=1846275819/size=medium/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/last-call">Last Call by Rupture</a></iframe>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-748455902669919952013-08-20T05:43:00.001-05:002013-08-20T06:55:20.866-05:00MORT:075 WUZOR - "WUMUTHAFUCKINGZOR" Free Download<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXxIMSLzkUMFnHWI9B_aAzdQBpZIIZ2jvTDwl3o2nJ_Iu8_wWS-33mXvGrtaB3yuJc8k_Ra-Q7m52LE65fuvCdY1msj5pih1m9WzVTOcaYFs3wWG_z309UFYAgAoPlYsVM9CwSnxzph6g/s1600/cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXxIMSLzkUMFnHWI9B_aAzdQBpZIIZ2jvTDwl3o2nJ_Iu8_wWS-33mXvGrtaB3yuJc8k_Ra-Q7m52LE65fuvCdY1msj5pih1m9WzVTOcaYFs3wWG_z309UFYAgAoPlYsVM9CwSnxzph6g/s400/cover.jpg" width="400" /></a></div>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Wuzor recorded a decent chunk of music during their short existence, and
it was consistently good. Dave and I were trading records at the time,
so I acquired all of their records as they were released. The last
package I got from him had a CDR of his new band, Funeral Shock, and a
letter saying Wuzor had disbanded. We lost contact after that, but those
records were in heavy rotation at my house for a couple of years. I
forgot all about Wuzor until I listened to all of my CDs last year and
found a disc with some unreleased tracks on it. Listening to it inspired
me to get in contact with Dave to see about releasing it, but I only
knew him as "Dave". Even today, I still don't know his last name.
Googling combinations of Dave + Wuzor + Wolfman Records + Funeral Shock
turned up nothing. A month prior to this I refused a friend request from
Dave on Facebook because I didn't recognize the name. Eventually, he
sent me a message and everything fell into place. It's funny how these
things come together sometimes.
</span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br />
Wuzor's music is many things at once and reflects what I can only assume
were their influences at the time. It's as sludgy as Sloth (but less
stupid), as epic as Neurosis (without the pretense), as heavy as Floor
(minus the pop tendencies), and rocks as hard as the Melvins (without
the comedy hairstyles). Because all of this stuff was recorded at the
same studio, it plays like the full-length album they never recorded. </span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"> Download it </span></span><a href="http://mortvillenoise.bandcamp.com/album/wumuthafuckingzor">HERE.</a><br />
<br />
<iframe seamless="" src="http://bandcamp.com/EmbeddedPlayer/album=2718002156/size=medium/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://mortvillenoise.bandcamp.com/album/wumuthafuckingzor">WUMUTHAFUCKINGZOR by Wuzor</a></iframe>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-74803892873107960642013-08-18T12:28:00.001-05:002013-08-18T12:28:54.470-05:00New Mortville Compilation In Progress, Accepting Submissions<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmcKwUgnwwUTs2tEX33Khyphenhyphen_BvjXh72qklEUeJJX61dGJSxUoNBxpX_LhsYA8b_V-3LicBXEYTAr8zVNfZmtB2JbKe2DcID_FL7faEbDEMuPH72hJS-AhfMweGxxUMDegmdCxLfbXykba4/s1600/4-smart-startup-lessons-from-ecoatm.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmcKwUgnwwUTs2tEX33Khyphenhyphen_BvjXh72qklEUeJJX61dGJSxUoNBxpX_LhsYA8b_V-3LicBXEYTAr8zVNfZmtB2JbKe2DcID_FL7faEbDEMuPH72hJS-AhfMweGxxUMDegmdCxLfbXykba4/s320/4-smart-startup-lessons-from-ecoatm.jpg" width="320" /></a><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="userContent" data-ft="{"tn":"K"}">I'm looking to do a compilation of material recorded entirely on cellular phones.30 seconds or less of audio, any style/genre and it has to be recorded
using the "Voice Recorder" feature on your cell phone. Other than
trimming, there is to be no manipulating the sound once it's off of your
phone. What you record is what you submit. 30 minutes is probably too
long for this kind of a thing, so let's set the cu<span class="text_exposed_show">t-off
at 50 submissions. There are no deadlines or saved slots. I'll stop
taking submissions once I get 50. Send wav file and 12cm square graphic
to be embedded in the file to: mortvillenoise at gmail dot com. I'm
accepting anything, so even if you have no prior experience with a
recording project and want to submit found sound, etc, that's okay.<br /> <br />
There won’t be a physical release, just something I release as a free
download on my Bandcamp page. You guys in bands should get in on this.
It'll be really stupid once it's finished.</span></span></span></span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-20336716978073908312013-05-20T20:47:00.000-05:002013-05-20T20:51:43.738-05:00My Two Cents: Box of Skinnies, Pt. 4<br />
<a href="http://i17.photobucket.com/albums/b60/gamma693/skinnies_zps79e96717.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="http://i17.photobucket.com/albums/b60/gamma693/skinnies_zps79e96717.jpg" width="400" /></a><i><span style="font-family: Georgia,"Times New Roman",serif;"> </span></i><br />
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<i><span style="font-family: Georgia,"Times New Roman",serif;">Continuing
adventures through the box of CDs I rarely listen to because of their
odd packaging. I typed these up months ago, but was too lazy to post them until now. I don't consider myself to be a writer or an
expert on anything. These synopsizes are a product of too much time on
my hands at work and nothing else to do. I contradict myself often and
find myself typing the same things over and over again. </span></i><br />
<i><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></i>
<br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">ANAL CUNT - "Morbid Florist" CD (My first exposure to Anal Cunt and still my
favorite A.C. release ever. This would have been my first exposure to noisecore,
but I had already been listening to Sore Throat for years without knowing what
the hell genre they were playing. My little brother made a video diary of my old
band Gristle while we were recording our first demo in my basement and during
one of the breaks. I had this cranked on the stereo, talking excitedly about
how great it was. This was 1994, I guess. "Morbid Florist" was life-changing for
me, and it's the whole reason Captain Three Leg formed. Thanks to Sore Throat I
had already been recording 2-3 second long noise songs with my own bands, but
Anal Cunt was the primary inspiration for C3L in the beginning. Our ratio of
noise to structure on our earliest recordings matched this CD pretty closely.
"Morbid Florist" is the perfect marriage of savage noisecore and structure and
the recording is clean without being too produced. Seth's vocals were at his
peak on this CD, both with his lows and his ear-piercing highs. It was all
downhill from here, in my opinion. I love all of the releases from here on out,
but none of them touch this. Not even close.)<br /><br />ANTI-CIMEX - "Anarkist
Attak" 7"<br />SHITLICKERS - "1982" PD12"<br />HEIST - s/t 7"<br />HEIST - "Pain is
Causing Life" 7"<br />ARSEDESTROYER - "Teen Ass Revolt" LP <br />(Another CDR of
stuff I transferred from vinyl. The Anti-Cimex record is a bootleg of their
demo. Good stuff, but they got way better on their next two releases.
Shitlickers are one of my favorite D-beat bands. I was pretty excited to hear
the recordings in the B-side, but they ended up being a bit disappointing. Still
really noisy, though. Heist were amazing. Everything they recorded was great,
even their goofy CD they released at the end of their existence. As a young-<span style="font-size: small;">u</span>n' I
favored their first 7" over the second, but I've flipped since. This
Arsedestroyer LP is one of the greatest albums ever. I can't tell you how many
times I've listened to that thing.)<br /><br />ASS - "Bye Cactus and Heads" CDR (I
just did a big trade with 100% Zero and took the opportunity to snag a bunch of
single copy things for my own collection being that I'm not looking for distro
stock anymore. Ass is Poopy Necroponde and Matt from 100% Zero doing some nice
bass and drums noisecore. It's not particularly "brutal" sounding or fast, but
it's entertaining. They both share vocals, often sounding like Minch. It's funny
to hear such a clean, great recording for music this stupid, but it really does
sound fantastic. The second half was recorded live and suits this style of noise
better, in my opinion. The bass has been switched out for a guitar tuned so low
it enters Anal Massaker territory. Come to think of it, if this had different
vocals on it, you could easily fool someone into thinking it wan an Anal
Massaker release. This live stuff rules.)<br /><br />ASS - "Hello Grecian Postherd"
CDR (Sounds like a 4 track recording this time around. That wonderful de-tuned
guitar is here again and the vocals are more frequent than on the above disc.
With a little more structure these guys could be one of my favorite bands. Some
of the slower, longer songs drag on longer than I would prefer, but this is
mostly really good.)<br /><br />AWESOME COLOR - s/t CD* (I got this from my friend
Travis. If I remember correctly, he saw them open for Dinosaur Jr. and liked
them enough to buy a disc. I don't think I've listened to this before today and
I was fully expecting to hate this because Travis' musical tastes rarely overlap
mine, but this is pretty good. They have a nice, minimal rock thing going on not
unlike those old Stooges albums. The guitars have a nice fuzz to them and the
riffs are simple and clean. The vocalist was kind of irritating at first, but he
quickly grew on me. It's too bad there isn't saxophone on the whole album like
there is on "Hat Energy". That was the highlight of this disc for me, though the
last song and it's 8 minutes of minimal retardation was nice, too. I could see
myself listening to this more than once.)<br /><br />BUCKSHOT FACELIFT - "Demo" CDR
(I have a copy of this in a jewel case, too, and recently I obtained a copy of
this demo on 7" that was released by a label in Florida. I didn't pay for any of
them, it's weird that I would have it three times. This is pretty good. It's
almost HC or powerviolence, but it's way heavier than that. It's not quite
metallic enough to be considered grindcore, but the vocals are fucking vicious
and extreme. There's some discordant stuff going on in a few of the songs, too.
The recording is appropriate for this kind of stuff and noisy enough to accent
everything in the right ways. A solid demo, yes, but I don't think they recorded
anything after this. Too bad.)<br /><br />CACASONICA / KRIMINALISTIKA - split CDR
(This sounds like a rehearsal recording, but it's fairly good sounding. It just
lacks the punch of their other recordings. A couple of the guys in Cacasonica
are also in Colico and this recording sounds like most of Colico's do.
Cacasonica are great, the perfect mix of hardcore and noisecore. They're
probably my favorite band from that Ecuador scene. The guitarist of Cacasonica
is also in Kriminalistika, who aren't so great on this release. Drum machine
grindcore with direct-sounding guitars and gore vocals. I don't remember them
sounding like this on the other releases I have.)<br /><br />CAPTAIN THREE LEG /
DISTANT TRAINS - split 3" CDR (While sifting through C3L master tapes, I found a
bunch of songs we recorded for our split tape with Homogenized Terrestrials that
were never released. We recorded a bunch of harsh noise stuff and only ended up
using about half of it, so I asked my friend Charles if he wanted to do a split
with them since they wouldn't fit in with any of our other leftover songs. Some
of these leftover songs aren't terrible, but a couple of them are
one-dimensional and boring. Distant Trains give us two tracks. The first is sort
of a digital HC song with a nice trumpet break and a droney part towards the
end. The second is a longer sound collage with a repeating sample from Emil of
Cock ESP. It's a forced pairing for a split, but it works okay. We made 50
copies of this thing, still a bunch left. You should buy one so Charles doesn't
regret releasing it through his label.)<br /><br />CAULIFLOWER ASS & BOB -
"Ruinin' Yore Songs" CDR (Usually one of my favorite WCFOM projects, but this CD
of cover songs doesn't come close to touching the greatness of their original
songs. That miserable, sloppy, sad-stack style only works when it's applied to
songs about desperation and <span style="font-size: small;">drunkenness</span>, not cover versions of punk rock songs. I
don't listen to this one very often.)<br /><br />CAULIFLOWER ASS & BOB - "Songs
in the Key of Drunk" CD (How fitting is it that Menace to Sobriety released this
collection of the most drunk and miserable folk music ever? The best bits of
CA&B's expansive catalog were chosen for this gem of a release. Normally 78
minutes would be way too long for just about anything, but this is quality
entertainment from start to finish. This probably fell on deaf ears when it was
released, unappreciated by most everyone, but it's the easiest to digest of the
CA&B releases. Lovely hand stamped brown paper bag packaging adorns this
thing, as minimal as the music is.)<br /><br />CEDRIC'S LETTUCE - "Motel Broslin"
CDR (I dreaded listening to this thing once I saw how long it was, so I've put
it off for a few weeks now. I've run out of things to listen to on my iPod, so I
finally listened to it today. It's as painful as I thought it would be. Not bad,
just really fucking harsh and super long. I can do about 20 minutes of harsh
noise before I've had my fill, so 77 minutes was a real endurance test. There
was plenty of variety throughout, but all of it was
unrelenting.)<br /><br />CEDRIC'S LETTUCE / EAT YOUR PETS - split CDR (Drum machine
blasts, harsh noise, guitar, stupid keyboard breaks and pissed, screaming
vocals. This Cedric's Lettuce stuff would have fit in perfectly on the Stupidity
Records catalog back in the 90s. Maybe it's because I've been talking about
Billy a lot recently, but this sounds like some of the T.L.L.N. stuff. Not the
great shit-talking stuff, but his other noisy efforts. 20 minutes or so in
length, much easier to digest than the above CDR. Eat Your Pets is a solo
project of Jason from Deep Fried Embryo. They're not too different, actually,
just with a drum machine instead of a live drummer. It's total chaos the whole
time, 20-30 second chunks of noisecore.)<br /><br />COLICO / AUDICION IRRITABLE -
split CDR (I love Colico, but all of their recordings literally sound the same,
like they all could have been done at the same session. Their tracks, or course,
are all super short and really stupid with crazy vocals, all around 5 seconds
long. I'm really digging this because I haven't listened to them in a while.
Audicion Irritable were one of the first noisecore bands I ever heard and
they're legends in the South American noise scene. Their tracks on here are
great. The vocals are inhuman sounding, guitar barely audible and the drums are
doing snare-only blasting most of the time. I'm not familiar enough with them to
know if this is exclusive material or not, but most of their stuff would be
impossible to find today anyway, so fuck it. Great split!)<br /><br />COLICO /
CACASONICA - "Clitorisario" CDR (This split was inevitable seeing as they share
members. Colico tracks are great, like always, but the above description could
be dropped in here and it would be fitting. I've said it before, but Cacasonica
were one of the best bands in recent years. This stuff is great, really noisy,
but with lots of great HC parts that hold everything together. I had a bunch of
these for sale at one point and got a lot of feedback from people who loved
it.)<br /><br />COLICO / KUSARI GAMA KILL - split CDR (Fuck it, I'm not writing
about Colico again. See above... KGK, from Denmark, are great. It's nice hearing
a new approach to noisecore. I assume all of this stuff is constructed on a
computer and vocals are added later. There are "riffs", but no guitars. Lots of
wacky shit going on at all times and heaping amounts of noise dumped over
everything. I don't own a lot of their releases, but I love everything I have. I
hope to do something with them soon on Mortville.)<br /><br />COLICO / MENSO NOISE -
split CDR (See above re: Colico. Menso Noise are also from Ecuador. I have a
couple of their releases, but couldn't get into any of them. This stuff is
really, really sloppy and jokey - cut up with Metallica covers (?). Sounds like
it might be a solo project. It's not terrible, but it's also not something I'd
chose to listen to willingly.)<br /><br />CRIMPSHRINE - "The Sound of a New World
Being Born" CD* (I have most of this stuff <span style="font-size: small;">o</span>n vinyl, but downloaded this to
listen to in my car. As a teenager I loved these guys. I don't like it as much
now, but I still enjoy a good chunk of their music. That late 80s Berkley scene
was the first real underground music I got into after thrash metal and
Crimpshrine were one of the better bands in that scene. I still have all of my
old Lookout 7"s I bought as a teenager. As I got older I came to realize their
lyrics were pretty stupid, but the drumming and bass playing was always really
good. Jeff's vocals are raspy and a strange pairing with this music, but it
works somehow. My attention started to drift half way though this, though. 10
minutes at a time? Sure, but 72 minutes is way too long. I may have listened to
this 3 or 4 times after burning this CD. I doubt I'll listen to it again anytime
soon.)<br /><br />CROSS, DAVID - "Shut Up You Fucking Baby" CD (My friend Mike sent
me a promo copy of this years ago, but I don't think I've listened to it before
today. I've never watched Mr. Show because I don't pay for premium channels, I
was sick of people telling me how awesome it was all the time and, frankly, I
could never get past David Cross' stupid fucking face to give it a chance. So I
listened to this today with a closed mind and didn't enjoy it at all. I think I
cracked a smile once or twice, but there were no laughs to be had.)<br /><br />DEEDS
OF FLESH - "3 Song Promo 1999" CD (How in the fuck did I acquire this one?
Accepting demos and promos is all part of running a label. Most of the time
they're terrible, but I try to listen to all of them all the way through. I
can't imagine anyone from the band sent me this, and I was never in contact with
Unique Leader Records, so my possession of this is a mystery to me. Well, the
drumming is really solid on here. It's a bit boring, but precise. The guitars
aren't really doing anything interesting and I can't hear the bass guitar at
all. The vocals are okay, I guess, most of the time, but the pitch-shifted
vocals on the third song are really stupid.)<br /><br />EAT YOUR PETS / ANAL CAKE -
split CDR (E.Y.P. is a solo noisecore project from Jason of Deep Fried Embyro.
I think I prefer E.Y.P. over his other band, to be honest. It's the same sort of
thing, but shorter and noisier. It does sort of suffer from every track sounding
the same, but it's noisecore and 4 minutes long, so who gives a shit. Anal Cake
(fuck, what a dumb name) don't sound all that different. The drum machine is
more prominent in the mix and the vocals are pitch-shifted, but it's a complete
mess just like E.Y.P. is.)<br /><br />ELECTRO-MUD - "The Lounger" 3" CDR ("The
Lounger" is one sprawling, 20 minute piece of Sonic Youth meets Flipper. The
first 10 minutes is a tense build-up with noisy guitar solos and a barely
audible distorted voice that took me a while to figure out what it was, exactly.
It gives way to some noise and heavily treated vocals at the halfway mark that
take us to the end. Essentially, Electro-Mud and Ass are the same band as they
consist of the same two people. I've never understood why people need to start a
different project for a genre change, but Electro-Mud are great. Their CD, split
LP and this 3" have all been great. I hope Matt and Poopy record more stuff like
this.)<br /><br />EQUILIBRIUM / MALEVOLENT SNEAKER TOOTH - "Remittance of Pain" CDR
(Equilibrium does sort of an instrumental Godflesh type thing, but without the
ambient guitar overdubs. It's really minimal, guitar heavy and with lots of
emphasis on repetitive, pounding drums. I've written about M.S.T. before and I
had a difficult time describing them then. Same here. It's very 90s sounding,
sometimes sort of power metal-ish, occasionally doomy. These three songs were
really good, though.)<br /><br />F2RC - "Rapture of the Deep" CDR (I didn't notice
the "Fresh Farm Raised Catfish" stamp on the label until this morning when I
loaded this on my iPod. No clue if that's what F2RC stands for or not, but it
blew my mind seeing it today. This is a short CD with no cover art, just a
postage stamp-sized insert with a track listing and contact info inside of a
sandwich bag. Not quite noise, but definitely experimental music that sounds
like it was all recorded with a drum machine, bass and a guitar with a lot of
effects. This is loose and jammy with no real structure, but it doesn't feel
directionless. It's all fairly mellow, so I enjoyed listening to it. It's hard
to judge this on it's musicianship or skill because neither are showcased here.
Just noodling and tinkering around with sounds.)<br /><br />FUNERARY BOX - "2012
Promo" CDR (Doug and Poopy are back with more primitive, blackened death metal.
I've listened to this 4 or 5 times since getting it and it's solid. I played it
for my friend Brian on the drive back from seeing Deicide, told him who was
involved with the project, and he was taken aback by how "straight" it sounded.
The guitars have a nice Swedish death metal tone on these
recordings.Occasionally the riffing is a little too black metal sounding for me,
but it slips right back into sludgy, chunky Autopsy-like death metal
effortlessly. The drumming is tighter than on the other promo I have, too. My
only real complaint is that the vocals are a little overbearing, but I suppose
that was intentional. There's almost always two vocals tracks at any given
moment, sometimes three or more. This is really good other than
that.)<br /><br />KNIGHT, DAN & THE DON BLEW TRIO - "Together Again... Again!"
CD (Take whatever I wrote about this group in the last update and apply it here.
This one was recorded live, too, but sounds a little hollow compared to the
Christmas album they did. The playing is all rock-solid on this. I'd prefer that
this was all instrumental, but Dan sings on a couple of songs. His voice is a
full baritone and he sings well, but I'm not crazy about vocals over jazz
music.)<br /><br />KNURL / KORYPHAIA - "Triflura / Longomontamus" CD (If I remember
correctly, Knurl was a project of the guy behind Weird Vision, Krush and
Spasmoparapsychotic Records. I can't remember his name now, but we used to trade
in the 90s and chatted a bunch on Yahoo. This is great harsh noise stuff before
the "wall" was added to the genre rag and everything became boring. Noisers used
to harsh out and still add some variety to their sounds once upon a time. His
tracks went by quickly and held my interest throughout. Koryphaia are more
ambient sounding with lots of slow, scraping metal sounds. The second track is a
long, sizzling piece of electronics. This whole this was great.)<br /><br />KOLOB
TRUST FUND - "Gummo" CDR (Kolob Trust Fund is Matt from Electro-Mud, Ass, 100%
Zero Records, etc and Erik Disorder. I think either Food or Poopy might be
involved with this, too, but I'm not sure. Matt threw this in with the trade as
it was just released. Erik's voice sounds a lot like Food's. I never noticed how
close they sounded until today. This was only 30 minutes long, but it was
difficult to listen to. I lost interest in it after a couple of songs. The Pink
Floyd cover was a lot of fun, though. Sorry guys...)<br /><br />LETTUCE VULTURES -
"There's Nothing Weirder Than Real Life" CDR (Fuck, I have a lot of Lettuce
Vultures releases. Luckily, they're all entertaining. The more I hear, the more
I appreciate it. These songs are well written and catchy, even if the the
playing is sloppy most of the time. Food's lyrics are clever and funny and his
lazy vocal delivery fits this sloppy punk perfectly.)<br /><br />LETTUCE VULTURES -
"You Can't Make a Living Off of Punk Rock" CDR (The recording is a lot better on
this one and the vocals have that same distorted, distant sound that the
Brainbombs have on their recordings. Other than that, it's consistent with the
above release. My copy says this is limited to 10 copies with a color
cover.)<br /><br />MAHLER HAZE - "Coming Events Cast Their Shadow Before" CDR (If I
remember correctly, these recordings are older than on the disc below. They're
just as good, in my opinion. This is mostly droney, but there's lots of texture
within. A couple of the tracks have sort of a mid eastern feel, though not sure
if that was intentional or not. I'm guessing these things just sort of develop
as they may depending on the day. Klaus Schulze + Cosmic Jokers comes to mind
while listening to this stuff, and that's a good thing.)<br /><br />MAHLER HAZE -
"Final Vapour" CDR (Man, this CD is fantastic! I've been in it's grip since I
started playing it. Nice, lush ambient drone drenched in 1970s kraut influence.
The sounds are so fucking clean on here and everything sounds perfect. Lots of
buzzing, disturbing bits throughout and passages that remind me of the summer
segment from Wendy Carlos' great "Sonic Seasonings" 2LP. The Cluster influence
is undeniable, but this isn't a straight-up copy. It's a lot darker, more moody
than anything I've heard Cluster do. No clue what he used to create these
sounds, but there's some sparse guitar here and there that brings this back down
to Earth reminding us that a human is responsible for these extraterrestrial
sounds. Totally captivating stuff here, no kidding.)<br /><br />NIHILIST COMMANDO -
"Noisecore Genocide Demo 2006" CDR (Even faster and angrier than the previous
demo. The gaps between songs are tightened-up and the recording is more powerful
sounding, too. One of the best noisecore bands going, if he's still going, that
is. Incredible..)<br /><br />OFFAL / BOWEL FETUS - split CD (I think Offal are from
Brazil, but I can't remember for sure. It's too metal for me, just not my thing
at all. Sitting through their songs was worth it to get to the great Bowel
Fetus. These songs are a little less "pro" sounding than the other releases I
have, but the songs are just as great as they always are. Sounds like a live
drummer, too. I know at one point Jayde from Viscera was drumming for Bowel
Fetus, but without the cover with me I have no way of knowing if it's him or
not. Nice old school death metal riffs paired with doom parts and vocals that
sound like a clogged toilet. Great stuff!)<br /><br />PATISSERIE - "A Preview of
Gore Whirlwind Autopsy Holocaust to Come: Special 2007 Tour" CDR (I love all of
the Patisserie stuff, but it's so much better with a live drummer. While I was
playing with Scat, Patisserie played a show with us in Ottumwa, IA and I was
gifted this CD at the show. 4 songs in less than 3 minutes, I need not tell you
how brutal this grindcore is. It's easily the best thing I've listened to
today.)<br /><br />PENIS GEYSER - "A Tribute to The Smiths" CDR (26 "songs" in just
over a minute. Probably the shortest CD I own, and I own this demo on cassette,
too. Penis Geyser are one of the best current noisecore acts, but this is too
short to even write about, really.)<br /><br />PISSED CUNT - CDR (Pavel has been
writing me since the 90s. We used to trade tapes of grind demos then, now we
trade links occasionally. His love of grindcore hasn't faded any since those
days. Pissed Cunt were a really good grindnoise band, similar to what PTAO does,
but without the avant garde elements. Just straight-up noisecore blasts that
follow short, structured parts. I'm sure more people would be aware of them had
they gotten better recordings, but this lo-fi sound isn't off-putting at all. In
fact, I'd say it enhances this somewhat. This CDR is a collection of previously
released material, including the compilation they gave me for "Where's Your
Beard?". 72 minutes was an awful lot of this to sit through, but I made it
okay.)<br /><br />POOPY NECROPONDE - "We're All Going to Tax You" CDR (With every
new solo release Poopy does, I'm surprised at how great they are. It's easy to
forget how good of a musician he is when so much of his output is silly and
cranked out quickly, but when left alone to tinker with his recordings, the
results are phenomenal. The first song makes up half of this disc, and it's a
creepy, noisy, jazzy song with lyrics reminding us of how fucked we are,
basically. The 20 minutes went by quickly and held my interest the entire time.
The "Corn Syrup Song" is musically similar, and while the vocals are somewhat
irritating, the lyrics are thought-provoking in that they connect the dots of
how we're all being fucked by corn syrup. A good chunk of this sounds like that
great, early, jazzy German rock (think Brainticket and Amon Düül) stuff that I
love so well. Really tense and desperate sounding. I really enjoyed this
one.)<br /><br />SEPTIC INCUBATION / ANAL DEATH FETUS - split CDR (I'm not into this
Septic Incubation stuff at all today. My sense of humor is blown after listening
to Nihilist Commando, I guess, and this just sounds stupid. Lots of gore vocals,
drum machine blades and harsh noise. No thanks. Not today, anyway... Anal Death
Fetus are even worse. I have a sneaking suspicion the same guy is responsible
for both of these atrocities.)<br /><br />SNUFF PEDDLER / MENSTRUAL NOISE MADNESS /
DIGITAL FLATULENCIA - 3 way CDR (I've been putting this one off for a while
based on the dumb song band names, but it's a lot better than I thought it would
be. Snuff Peddler kind of sound like Slough, but with better production and
pitch-shifted vocals. The intros before the songs are annoying because they're
as long as the songs are, but the songs themselves are pretty good. M.N.M. do a
ton of really short noisecore songs with two people screaming over guitar noise
and a hyper-fast drum machine that sounds like it's playing the same blast for
each song. I enjoyed their songs more than Snuff Peddler's. Digital Flatulencia
were the least enjoyable for me, but that whole cyber-gore stuff never interested
me. There's some interesting stuff going on sonically throughout, but the music
itself isn't my thing.)<br /><br />STRADION - "Gayboys From St. Louie" CDR (I
listened to this once when I got it a few years ago and remember laughing at how
terrible it was with my friend Brian, but today it seems to be a lot more
enjoyable. This is one of Jeremy from SATAN GOD'S bands. The guy has been around
as long as I have and we've traded some tapes over the years. We're not quite in
the same scene, but we have some shared contacts, I guess. Anyway, this is one
long track, nearly 9 minutes in length. The cover says this line-up formed
specifically to write and record this piece, then broke up the next day. The
song itself is a sprawling opus of thrash, death metal, doom and other
experimental sounds. It's quite ambitious and often doesn't work very well, but
there are a lot of moments where it does. The recording is decent, but thin
sounding, and the cover is printed on hot pink paper. Yep, this is a strange
one. It'd be interesting to know more about where their heads were when they
doing this CD.)<br /><br />TEA PARTY VIOLENCE / GRUESOME TOILET - split CDR (T.P.V.
is a lot less noisy than I remember it being. This sounds like the sort of sound
experimentation you'd hear on those old Eerie Materials compilations back in the
early 90s. It's both interesting and irritating. There's lots of repetition,
some breakbeat drums and a few blastbeats that only last a few seconds. Very
little going on by way of vocals, but when they do pop up they're always odd
sounding like they're pitched up or treated somehow. Strange stuff, but I like
this. Gruesome Toilet is a great one man project from Oklahoma. Complete sewage
noisecore with filthy sound, lots of blasting and inhuman sounding
vocals.)<br /><br />VISCERA - "Promo CD 2003" CDR (This is the exact same material
as the "Body Basics" CDR released on Prolapse Records. I've already written
about that one, so I'll skip it here.)<br /><br />WITHIN A MIND - "7 Songs" CDR (No
clue if this was released or not. The drummer/singer sent it to me a long time
ago with some Mongoloid Witchcraft stuff he was working on. This stuff is
difficult to describe. It's occasionally thrashy, but sometimes crosses over
into death metal territory. There are a lot of progressive and technical moments
throughout. There's a Misfits cover on here and an 18 second long Voivod cover.
The musicianship is rock solid, but the recording is a little rough. Maybe this
was a rough mix? I'm not really sure after all these years.)<br /><br />ZOMBIE HATE
BRIGADE - "Demo 2006" CDR (I distinctly remember trading this away years ago
thinking I could find another copy, but I never got around to ordering another
copy. Since then the band has disowned it and has stopped selling it. Today I
found it in this box. Weird.... ZHB cane about after Yeast Infection fell apart.
I believe three of the guys from Yeast Infection are in this demo. This does
sound different from the stuff that came later, but it's not terrible. It's less
chunky and more melodic. It sounds like a less brutal version of Yeast
Infection. The recording is decent for a demo and Paul's drumming is strong. Not
a bad starting point for a band, but if you're missing this in your collection,
you're not missing much.)<br /><br />V/A - "Wild Asparagus Igloo Lamentations" CDR
(Another WCFOM compilation, as if you couldn't have guessed from the title.
Turkey Shoot start things off with a mellow country song about whiskey barrels
that sounds like it could have been lifted from one of Daniel Johnstons' albums.
Slop Cake contributes a single track of noise stuff that sounds as if it has
been pitched down quite a bit. Interesting stuff, sonically. Dick Panthers are
great, as always. If they've never had the opportunity to play this stuff at a
Holiday Inn at some point in there history, things aren't right in the world.
Socialistic Johnny Goblet give us a 12 minute mess of guitar solos, samples and
various noises. I'm at a loss as to how to accurately describe this stuff. I
suppose that's an accomplishment in itself. Dreemweeverz sounds like so many of
Food's other projects: his lazy vocals over guitar with no percussion. I can
only assume that Timmie J. Malmsteem's Rising Pants is Tim from That One Band
doing a power metal pisstake. The vocals are super annoying on these tracks. The
Loving Couples are pretty good, really cheesy keyboard stuff with ridiculous
vocals and splashing water sounds (?). That One Band are always great, like a
more metal version of Sockeye. Cauliflower Ass & Bob also also great here
with three drunk, miserable country songs.)</span></span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-72615113440552996922013-03-29T07:09:00.000-05:002013-04-02T07:06:56.988-05:00Midget Fetish + Kusari Gama Kill Releases Online<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXLKv-8zbl7UCO_C9btwuJaJwZxqlAP9HAt2gbTMz969MjgCENoiQ6KUV5IDN4i1yhKPbD65mx3BXrLOJ7Xdz9iX4PuX5ffALUgnN1cVJfrKGoyQCYz3koKzriyL1U9jihuobwvl9lCI8/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXLKv-8zbl7UCO_C9btwuJaJwZxqlAP9HAt2gbTMz969MjgCENoiQ6KUV5IDN4i1yhKPbD65mx3BXrLOJ7Xdz9iX4PuX5ffALUgnN1cVJfrKGoyQCYz3koKzriyL1U9jihuobwvl9lCI8/s400/front.jpg" width="398" /></a></div>
<h5 class="uiStreamMessage userContentWrapper" data-ft="{"type":1,"tn":"K"}">
<span style="font-size: small;"><span style="font-weight: normal;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="messageBody" data-ft="{"type":3}"><span class="userContent">I've
been wanting to release a Midget Fetish discography CD for years, but I
lost contact with their singer for well over a decade and was never
able to make it happen. Recently we've re-connected and I convinced him
to send me his master tapes to make transfers from. Unfortunately, they
didn't sound any better than the demos I bought 16 years ago, so we've
done the best we could with them. Pretend it's the 90s again and you're
listening to a fuzzy tape and you'll be okay.</span></span></span></span></span></h5>
<h5 class="uiStreamMessage userContentWrapper" data-ft="{"type":1,"tn":"K"}">
<span style="font-size: small;"><span style="font-weight: normal;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="messageBody" data-ft="{"type":3}"><span class="userContent"></span></span></span></span></span></h5>
<h5 class="uiStreamMessage userContentWrapper" data-ft="{"type":1,"tn":"K"}">
<span style="font-size: small;"><span style="font-weight: normal;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="messageBody" data-ft="{"type":3}"><span class="userContent"><span style="font-size: large;"><b>EDIT:</b></span> A lot of work ha<span style="font-size: small;">s been done to <span style="font-size: small;">clean up the audio since I<span style="font-size: small;"> originally posted <span style="font-size: small;">this a few days ago. <span style="font-size: small;">Even if you've already downloaded it, I urge you to do so again. It sounds heaps better now. </span></span></span></span></span></span></span><br /> <br /> Aussies seem to
hate being compared to Blood Duster, but so often that comparison works.
Midget Fetish comes off like a mixture of Blood Duster and Impetigo,
but heaps more fun. These demos were on heavy rotation at my house for
years and they're just as much fun today. There's a whole generation of
grinders today who've never heard of them, though. Here's your chance to
rectify that. Chances are this wont be tight, fast or clean enough for
them to get into, but those people have never been my audience. </span></span></span></h5>
<h5 class="uiStreamMessage userContentWrapper" data-ft="{"type":1,"tn":"K"}">
<span style="font-size: small;"><span style="font-weight: normal;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="messageBody" data-ft="{"type":3}"><span class="userContent"> <span style="font-size: small;">Download it<span style="font-size: small;"> </span></span></span></span></span></span><span style="font-weight: normal;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://mortvillenoise.bandcamp.com/album/a-short-time-later">HERE.</a></span></span></span>
</h5>
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=1918144893/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://mortvillenoise.bandcamp.com/album/a-short-time-later">A Short Time Later by Midget Fetish</a></iframe>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1plJemBZ6SOXv6pb0BXAT62Ez589WuaU1j_KGApog_IMCBQacLbns-R1VOgphGdZxfA3ZxyCZurp4odNuHbLvXLBMGXd8BG1OBtZq3yB7lF7BX5vUhyphenhyphenIrh2an1C6OrV45tRhzV9Id1Zo/s1600/cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1plJemBZ6SOXv6pb0BXAT62Ez589WuaU1j_KGApog_IMCBQacLbns-R1VOgphGdZxfA3ZxyCZurp4odNuHbLvXLBMGXd8BG1OBtZq3yB7lF7BX5vUhyphenhyphenIrh2an1C6OrV45tRhzV9Id1Zo/s400/cover.jpg" width="400" /></a></div>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="userContent">Danish-noise duo KUSARI GAMA KILL have recorded an EP of experimental sounds specifically for Mortville Noise with sounds <span class="text_exposed_show">spelling
out a tragic tale of space exploration gone wrong. While this may be a
departure from what people expect from KGK, it’s every bit as harsh as
their previous sonic attacks. No beats, very few vocals, no "core" - just dark and creepy noise with plenty of tension. </span></span>I've listened to this thing a bunch already and it's quickly becoming one of my favorite releases. Don't let my lack of writing skills and inability to accurately describe this kind of stuff keep you from checking it out. <span class="userContent"><span class="text_exposed_show">Download it for free, crank it up nice and
loud and lose yourself in the noise. </span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="userContent"><span class="text_exposed_show">Download it </span></span><a href="http://mortvillenoise.bandcamp.com/album/space-travel-ep">HERE.</a></span></span><br />
<br />
<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=934142587/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://mortvillenoise.bandcamp.com/album/space-travel-ep">Space Travel EP by KUSARI GAMA KILL</a></iframe>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-49917237870670137062013-03-10T07:56:00.001-05:002013-03-10T08:16:06.187-05:00"Incident at Ape Canyon" CD Out Now!<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9oKDwYBJhOub0lHZ-itDhviW9bKxVIu_2ry_8JSBH0eNeZWdOye4slH37288B2aJO30YgfcsvniaWdf5sylTKXoCQ-88RECpR_AERcYmvL1lf4SylvlFlIuNZlMKw1NTmYSt315ZKk6Y/s1600/2013-02-23_14-05-07_15-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9oKDwYBJhOub0lHZ-itDhviW9bKxVIu_2ry_8JSBH0eNeZWdOye4slH37288B2aJO30YgfcsvniaWdf5sylTKXoCQ-88RECpR_AERcYmvL1lf4SylvlFlIuNZlMKw1NTmYSt315ZKk6Y/s400/2013-02-23_14-05-07_15-1.jpg" width="400" /></a><!--[if gte mso 9]><xml>
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</xml><![endif]--><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">"Incident at Ape Canyon" CD is out now and available for purchase - a solid 80 minutes of unreleased and exclusive material from Violent Headache (Spain), Captain Three Leg (USA), Wadge (Canada), Iron Butter (USA), Rupture (Australia), Fossil Fuel (USA), Pantalones Abajo Marinero (Japan), Whoretorn (France) + Dysmorfic (Italy). The feedback coming in so far has been overwhelmingly positive. Don't just take my word for it, though. Check out the promo video posted below and make up your own mind. You can also listen to all of Captain Three Leg's tracks from this release <span style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><a href="http://captainthreeleg.bandcamp.com/album/incident-at-ape-canyon">HERE. </a></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">With the recent postage hikes in the USA, I encourage people to buy from the label closest to them to save on shipping costs. <span style="font-weight: normal;"><span class="messageBody" data-ft="{"type":3}"><span class="userContent">For North American orders, contact DIY Noise
and Hurts to Hear. For European orders, contact
At War With False Noise and Pure Fckn' Hate Prod. For Asia<span style="font-size: small;">n</span> and Australian orders, contact Luchacore Records. I have a few copies for sale<span style="font-size: small;">, too. </span> </span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-weight: normal;"><span class="messageBody" data-ft="{"type":3}"><span class="userContent"><br /></span></span></span></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-weight: normal;"><span class="messageBody" data-ft="{"type":3}"><span class="userContent">Thanks again to everyone who made the release happen. It turned out great. </span></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Available from the following labels:</span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><br /></span></span><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://www.atwarwithfalsenoise.com/">At War With False Noise (UK)</a>
<br /><span class="text"><a href="mailto:e.carrillo91@gmail.com">DIY Noise (USA)</a> </span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="text"></span><span class="text"><a href="mailto:hthrecords@gmail.com">Hurts to Hear Records (USA)</a> </span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="text"></span><span class="text"><a href="mailto:purefckn8@gmail.com">Pure Fckn' Hate Prod. (France)</a> </span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="text"></span><a href="http://www.facebook.com/playfastflyhigh">Luchacore Records (S.Korea)</a>
</span></span><br />
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<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/VMs8b9YPDpQ" width="420"></iframe>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-24975320181343082722013-02-25T07:18:00.000-06:002013-02-26T05:59:18.618-06:00The Imminent Release of "Incident at Ape Canyon" CD<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghSuhaias1FnltO0qpvVtGzlMfu5vtszsa_zzM61xTQ26HG7XrIfZyoTBxRZMRFmKxDT2rVq5g4ijizqjPhwAmX6mJad5AOEntT8_94v6zLkew28etiVdPEMwUZZNLxhMR8DrxjCvyvqw/s1600/2013-02-23_14-05-07_15-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghSuhaias1FnltO0qpvVtGzlMfu5vtszsa_zzM61xTQ26HG7XrIfZyoTBxRZMRFmKxDT2rVq5g4ijizqjPhwAmX6mJad5AOEntT8_94v6zLkew28etiVdPEMwUZZNLxhMR8DrxjCvyvqw/s400/2013-02-23_14-05-07_15-1.jpg" width="400" /></a></div>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The CDs arrived from the plant this past weekend and they both look and sound great! It's nice to see this thing come to fruition after more than a year of hard work and endless delays. It's well worth the wait, I think. I'm thrilled to share a CD with 8 of my favorite bands and to have had the chance to work with some of the coolest / nicest people ever.</span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">I'm sending the finished CDs to the labels who paid for it this week, so it's just a matter of time before it's available for purchase. Until then, here's a short promo video I made to get the juices flowing.</span></span><br />
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Available SOON from the following labels:<br /><br />At War With False Noise (Scotland) -- www.atwarwithfalsenoise.com<br />DIY Noise (USA) -- e.carrillo91@gmail.com<br />Hurts to Hear (USA) -- hthrecords@gmail.com<br />Pure Fckn' Hate Prod. (France) -- purefckn8@gmail.com<br />Luchacore Records (South Korea) -- www.facebook<span style="font-size: small;">.</span>com/playfastflyhigh </span></span><br />
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<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/VMs8b9YPDpQ" width="420"></iframe>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-34539497188499211012012-12-29T16:44:00.001-06:002012-12-29T16:44:50.857-06:00Lots of New and Old Mortville Titles Added to the Bandcamp Page<span style="font-family: Georgia,"Times New Roman",serif;">I've been adding some of the older, out of print titles to the Bandcamp page as time allows. Recently, though, I've been busy cranking out new Captain Three Leg releases, not all of which were released on Mortville. Instead of making a separate post for each release, I'm dumping them all here. While you're at the Mortville Noise Bandcamp page, scroll through and pick up anything you might have missed over the years.</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><br /></span>
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<b><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://mortvillenoise.bandcamp.com/album/second-wave-of-terror">SECOND
WAVE OF TERROR – s/t (2012)</a></span></b></div>
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<b><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://mortvillenoise.bandcamp.com/album/split-2012">CAPTAIN
THREE LEG / BLOOD SUCKERS - split (2012)</a></span></b><br />
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<b><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://captainthreeleg.bandcamp.com/album/split-cdr-2012">CAPTAIN
THREE LEG / HYPEREMESIS - split (2012)</a></span></b></div>
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<b><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://captainthreeleg.bandcamp.com/album/split-rehearsal-demo-2002-2012">CAPTAIN
THREE LEG / CAVERNOUS SORES – Split Rehearsal Demo (2002 / 2012)</a></span></b></div>
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<b><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://captainthreeleg.bandcamp.com/album/drink-hard-grind-harder">CAPTAIN
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gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-66920965081091874692012-11-30T07:11:00.001-06:002012-12-01T12:57:27.865-06:00My Two Cents: The Box of Skinnies Pt. 3<div class="separator" style="clear: both; text-align: center;">
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<i><span style="font-family: Georgia,"Times New Roman",serif;">Continuing
adventures through the box of CDs I rarely listen to because of their
odd packaging. Again, I don't consider myself to be a writer or an
expert on anything. These synopsizes are a product of too much time on
my hands at work and nothing else to do. I contradict myself often and
find myself typing the same things over and over again. </span></i><br />
<i><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></i>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">ABORT MASTICATION / PATISSERIE - split CD (A.M. play straight up death metal.
Not really my thing, but the vocals are comically high in the mix and make this
more entertaining than it would be otherwise. The music is solid, just not the
sort of thing I'm into. Patisserie's trax are awesome, as always. Super fast,
technical, brutal and sick - like everything else they've released. Spotless
production, too.)<br /><br />ANAL MASSAKER - "Old Ass Fuck" CDR (Anal Massaker are
one of my favorite bands. With the exception of the 2006 demo at the end I
already owned all of the releases on this collection, but it's nice to have
digital copies of them. The split live tape with Barcass makes up half of this
CD. The sound is excellent except that the kick drum is the loudest thing on the
recording and during the blast parts it creates a pulsing "woosh woosh" sound
that drowns everything else out. The split 7" with Barcass is on here as well,
along with the "Ka-Ka" 7", their trax from the "Noise Against the Machine" 7",
the split 7" with Deche-Charge, the aforementioned "372 Trax" 2006 demo and
songs from another compilation tape I forgot the name of. Everything is recorded
with vetting sound quality, but mostly pretty good. The guitars are always out
of tune and dropped down so low the strings are floppy. The song structures are
minimal with lots of blasting. Yep, this stuff is great. Another winner from
R.O.N.F..)<br /><br />ANAL MUSTARD / PERMANENT DEATH - "Drenched in Noise" CDR (A.M.
play super noisy short blasts of goregrind. On every one of their trax the
samples before the songs (all from South Park) are way longer than the songs
themselves. This sounds like a boombox recording, maybe 4 track, but things are
clear enough to make out all of the instruments. They'd be way better without
the stupid samples, though. It's difficult to make out what's going on with this
Permanent Death material. It sounds like a full band playing, but everything is
completely maxed out and it sounds like harsh noise when they play fast parts.
It's so over-the-top it's impossible not to like it. This CDR is less than 12
minutes, the perfect length for this kind of stuff.)<br /><br />ASTRO LAXATIVE
STRETCH - "The Rats in the Walls" CDR (This is pretty decent, another solo
affair from Food Fortunata, I think. Its a bunch of short, sloppy punk songs
with stupid vocals and junk rock solos. The addition of drums would help this
greatly, but it's still fairly enjoyable without them.)<br /><br />BACON AXE
DECISION - CDR (This is a bunch of fun, upbeat punk songs with programmed drums
and memorable riffs. Food's vocals are pretty good this time around, though it's
difficult to make out what's being said most of the time. I've got nothing else
to say about it. Sorry.)<br /><br />BARNACLE BEAK - "Songs For the Workin' Man" CDR
(Another one from the Wheelchair camp. This one is great. It's just vocals and
acoustic guitar with electric guitar solos over it, but Food's vocals are really
lively with funny lyrics and the guitar playing is really aggressive. The
acoustic guitar is being strummed so hard it sounds like strings should be
breaking. The electric leads over everything are directionless and really
sloppy. I'm not doing this stuff justice by describing it. It's really dumb, but
really enjoyable.)<br /><br />BEARTRAP / CUNTS - "Tokyo Kuso Noise Grind Split" CDR
(I've written much about Beartrap and what makes them great elsewhere on this
blog. This stuff sounds like it was recorded during rehearsal and there aren't
any of Tim's spoken introductions on this recording. The guitar could be louder,
but the noisecore blasts on here are sloppy and fun. Cunts are also from Japan
and are a two man outfit consisting of just drums and vocals. They're normally
pretty good, but this recording is lousy and doesn't show how powerful they
usually sound. I picked this CDR up at a record store in Tokyo years ago. It was
because of this CD that I asked Beartrap to be the other band on the Stab!
split.)<br /><br />BERMUDA TRIANGLES - "Terror in the Tropics" CDR (Jason from CNP +
Suppression sent me this as part of a trade a few years ago. I really like that
Jason kept at it once the bottom fell out of that whole powerviolence scene,
experimenting with different styles and shifting the focus of his label to
releasing projects he and his friends do. This is one such project, and it's a
tough one to pin down. Most of it seems to have been recorded using vocals,
synth and a drum machine. If this were less weird it could be labeled synth-pop,
but it's strange enough that this would be right at home in the Wheelchair Full
of Old Men catalog. The arrangements are really minimal, sometimes borderline
industrial sounding. This whole thing sounds like it could have been recorded in
the mid-80s, actually. I can't say I enjoyed this very much. I'd rather hear his
more aggressive stuff.)<br /><br />BÊTE NOIRE / BOWEL FETUS - "Death By Static" CDR
(I was in contact with the guy that did Bête Noire years ago, but I only
acquired this CDR recently. It's been a long time since I've listened to any of
his releases, and to tell the truth, I picked this up for the Bowel Fetus
material. Harsh noise is a genre I want to like more than I already do, but my
short attention span won't allow it. I think the problem is that I tend to
listen to music intently, not as background. Focusing too much attention on
sounds that rarely changes for more than 10 minutes at a time wears me out. As
harsh noise goes, this is pretty good. There's some nice use of stereo effects
and while the sounds are mostly one-dimensional, there's some interesting
texture throughout. Bowel Fetus are a terrific one-man drum machine death metal
band from Australia with the most exaggerated gore vocals ever. The riffing
often sounds like old Autopsy and there's lots of blasting. As with most of his
releases, the recording sounds great. This stuff is great.)<br /><br />BILLY CRYSTAL
METH - "6 Song Promo" CDR (We recorded this less than a month into our existence
as a band on my 4 track. Everything was recorded live in one take without any
overdubs, so it sounds pretty crummy and there are fuck-ups all over it. The
other members had no idea we were even recording the day they showed up to
practice. I just mic'ed everything quickly and recorded it so we'd have
something to give away at shows. The last song was made up on the spot. It's
strange hearing these songs before everything was slowed down. This isn't
pretty, but it served it's purpose.)<br /><br />CADAVER REMOVAL TECHNICIAN -
"Knick-Knacks for Neceophiliacs" CDR (I'm pretty sure I got this from Ern/Vomit
Spawn, though I can't remember if he had a hand in this or not. I thought I
recognized his voice as backing vocals towards the end. It's a fairly decent
rip-off of Catasexual Urge Motivation, and that's not an easy thing to pull off.
The riffs and bass sounds are similar anyway. The vocals are kinda weak and a
couple of the songs suck, but everything else about this is okay.)
<br /><br />CEDRIC'S LETTUCE / ANAL SADNESS - split CDR (I was kind of worried about
having to write about C.L. because I like the guy behind the project and I know
he reads my posts regularly. Luckily, this is pretty good. With the exception of
every song sounding the same, I really liked this. I may have gotten the bands
reversed when I labeled this, but I don't remember C.L. having drums. The
combination of primitive harsh noise and drum machine blasting is great. I'm
sure there are other projects like this, but I haven't heard any. Anal Sadness
is pretty dumb, though. Sounds like someone fucking around with a cheap keyboard
through tons of distortion.)<br /><br />C.S.M.D. / GORGONIZED DORKS - split CDR (I'm
really happy with how this release turned out. C.S.M.D. sound different on most
of their recordings, but they're always great. Their stuff on here sounds like
it might have been improvised, but it all flows together really well. It's
cosmic and almost psychedelic sounding. Their first track on here is one of my
favorite noisecore recordings. Gorgonized Dorks like to switch things up as
well. This stuff is fairly psychedelic sounding, too. There's nice use of delay
throughout and the keyboard pushes this into sci-fi territory, or maybe low
budget horror soundtrack territory. Either way, this is really good. It's nice
to hear different approaches to a genre that's mostly devoid of
innovation.)<br /><br />DeSALVO - "Tonguescraper Pts 1&2 / Get in the Black Van"
CDR (After searching for a copy of the first Stretchheads LP for 10+ years, I
finally found a copy on eBay. I found P6's email address online somewhere and
fired off a proposal to do a CD version of it on Mortville. He wrote back
explaining that the masters were owned by the label and wouldn't be released
without a ridiculous amount of money and a percentage of each CD sold going to
the label. Fuck that... Anyway, he was kind enough to send me this demo of his
new band through the post and it ended up being great, too. The "singer" and
drummer both came from Stretchheads, so there's enough of that old noisy sound
retained to make me instantly like this. It really does sound like Stretchheads
covering old Helmet. Just think about that for a minute and how awesome that
would be... These songs eventually found a home years later on Rock Action
Records and they released a killer full-length CD.)<br /><br />GRÜNT GRÜNT - "Promo"
CDR (These same songs are on their s/t CD and I wrote about it earlier. I love
this stuff. It's crazy metal-free grindcore from France, spastic and all over
the place with ridiculous vocals. I still have some of their stuff for sale in
my distro. People have no idea what they're missing out
on.)<br /><br />ENBILULUGUGAL - "Cultivating Goat Vomit" CDR (What a mess... I'm not
sure why, but I thought these guys would sound like Gonkulator. When this
started playing I thought it was harsh noise with vocals over it, but the longer
it played I started hearing guitar riffs (I think they were guitars anyway) and
the faint sound of a drum machine. Everything in this recording is fried to the
point of being almost Merzbow-like in sound. By the end of this I was completely
sold. The horribly awesome MS Paint cover art ties everything together nicely.
I'm glad I picked this up, though I should have done so years
ago.)<br /><br />EXIT-13 / HEMDALE - split CD (I used to have this on 7", too, but
sold it because I didn't really need it on both formats. I wish I had kept it
now. This CD has live bonus tracks, so I kept it instead. I used to have a bunch
more Exit-13 stuff, but this seems to be all that remains now. I like the studio
songs just fine, but the live bonus songs are shit, really. Oh well... I bought
this for the Hemdale tracks. Since hearing their demo in the mid-90s they've
been one of my favorite bands in this style. In 1997 my friends and I drove to
Illinois and suffered through an all day metal fest just to see them and it was
totally worth it. These tracks are a little thin sounding, but the songs
themselves are great. Lots of double bass action, blasting, stupid vocals and
muddy guitar riffs. "Demented Surgical Incest" is one of their best songs and
it's reason alone to check this out. The live tracks sound great, as good as the
studio tracks do. This stuff rules.)<br /><br />FOOD FORTUNATA - "François Echidna
and the Terrible Rash" CDR (The cover says this is the accompanying CD for the
book of the same name. I don't remember if I have the book or not, but I must.
I'm sure Food wouldn't send me one without the other. This CD is really, really
good. It sounds as if a lot of effort went into this one. The songs are strong
and catchy and the recording is better than usual. Food's vocals are interesting
throughout and the lyrics are always either funny or clever. When Food is on,
he's untouchable.)<br /><br />FOSSIL FUEL - "Christmas Album" CDR (For the longest
time if asked who my favorite WCFOM band were I could answer Fossil Fuel without
hesitation. They might have been edged out by Breathilizör in recent years, but
I've spent a good chunk of the past 15 years listening to Fossil Fuel. When I
still lived with my parents I blasted all kinds of horrible noise from my stereo
and Fossil Fuel were the only band they complained about. My stepfather would
open my door and yell "What in the FUCK is this SHIT you're listening to?!?"
It's great when they can provoke a reaction like that in a sea of all the other
crap I was listening to. That's impressive. This was recorded after a period of
inactivity, but you'd never know by listening to it. It's just as awesome as any
of the old cassettes. Drunken, twisted versions of all the holiday favorites
plus a ton of original songs - all stupid and awesome. My copy came affixed to a
red Christmas card with a lovely drawing of a reindeer being stabbed in the head
with a knife. That sort of thing will get you in the holiday spirit real
quick.)<br /><br />FUCK OFF AND DIE - "Tentative Incisions" CDR (These guys play
decent grindcore. Not particularly fast or flashy, but they're certainly capable
musicians. The recording is a little thin and the drums sound like plastic
Tupperware bowls, but the songs are pretty good. There's a lot of chunky death
metal parts on here, more so than I remembered there being when I've listened to
this in the past, but this is primarily grindcore. Nothing great, but I've
certainly heard mountains of CDs that were worse. Worth checking out,
anyway.)<br /><br />FUNERAL MONGOLOIDS - "Swastika of Love" CDR (Finland's F.M. are
one of the better noisecore bands in recent years. All of their stuff sounds
like it could have been recorded in the late 80s. Their releases are
consistently good, this one is no exception. 16 solid minutes of sloppy
blasting, noise and amplifier destruction. I've had this CD for a few years now
but didn't notice the yellowed with age, German language, folded up page from
"Mein Kampf" inside the packaging until I went to put this on my iPod. I already
loved this CD, but that makes me like it even more. Do yourself a favor and
check them out.)<br /><br />GROSS / VOMIT SPAWN - "White Claudia / Live Boot From a
Keg Party" CDR (No clue who Gross is, but it's super lo-fi and harsh. The
guitars sound like they might be keyboards ran through a distortion pedal, the
vocals are one dimensional screaming and they drums sound like they came from a
Casio keyboard. Everything is pushed into the red and maxed out. I already had
this Vomit Spawn stuff on cassette, but bought this CDR recently because I hoped
it would sound better on CDR. It doesn't. Even with the lousy sound, these guys
sound really fucking intense. Vomit Spawn were one of the greatest grind bands
ever.)<br /><br />GRUPA X - "Fuck D(emo)" CDR (It took some work figuring out who
these Russians were. All of the text on the cover was in Cyrillic. I had no
recollection of acquiring this when I pulled it out of the box just now, no clue
what it would sound like. It was a nice surprise to find some catchy grindcore
on this thing. It's a bit on the primitive side with a lot of HC influence and
there are moments that remind me of Patereni, but without all the dazzling
guitar work. It reminds me of Irritate, too. This is meat and potatoes stuff,
solid all the way through and the recording is perfect. I always feel stupid
when I find I've been sitting on something great for years.)<br /><br />GRUPA X /
K.P.I.P.S.E.N.B.D.S.M. / SAUERKRAUT - "All We Need is Slivovitza" CDR (I guess
Trifon from Sauerkraut sent me the above CD along with this one. I didn't make
the connection until I translated Grupa X's name into English characters. Grupa
X's material isn't recorded as well this time around, but the playing and style
is consistent. Still somewhat primitive making it more appealing to me than it
would be otherwise. Sounds like a 4 track recording. Other than the floor tom
maxing out every time it's hit, everything sounds pretty good. The second band
is a lot noisier with a live recording of really short songs, most of which
would be considered HC, but there's a load of short noisecore songs, too. Not
terrible, but nothing to get excited about either. Sauerkraut are the best of
the three with a raw rehearsal recording of short grind/noise songs. The
drumming seems to be tighter than usual this time around and you can hear the
band laughing at themselves between some of the songs. I love it when stuff like
that is left in.)<br /><br />HOMOGENIZED TERRESTRIALS - "The Amazing Knife Throwing
Monkeys of Pluto" CDR (Thinking back on it, Homogenized Terrestrials was
probably the first ever noise or experimental music I heard, all thanks to my
friend Brian's older brother working with the guy behind H.T. at our local
grocery store for a brief period in the early 90s. I acquired a bunch of his
tapes, either directly or by inheriting them from friends, but this was the
first CD - released right at the beginning of CDR technology, and among the very
first burned CDs I owned. The material on this CD was originally released on
cassette back in 1986. I'm still not sure how this stuff is created. A lot of it
sounds like looping and sound collage, but this was recorded before digital
editing and sounds as if it would have been a lot of work editing it together on
tape. Regardless of how it was created, this stuff is often nightmarish in
sound, like a bad acid trip. Snippets of indistinguishable audio repeat under
layers of reverb and feedback creating a thick, dense, dream-like mood; one
track bleeding into the next. This is so much better in my 30s than it was in my
teens.)<br /><br />IMMOLATION - "Providence" CD (I know fuck all about Immolation.
Growing up and buying death metal cassettes with my lunch money there were a lot
of important bands I didn't get to hear. Once I started listening to grindcore
and Sore Throat I lost interest in death metal and never got around to checking
out a lot of bands people consider to be crucial. I've also never once heard
Malevolent Creation and, outside of their collected 7"s on those Relapse
compilations, I've never heard Incantation. My friend Brian liked Immolation
back in high school, though, so we went to see them when they played in Des
Moines - the first time since the early 90s, apparently. This EP, released by
Scion, sounds great and the songs are crushing. I don't often have the urge to
listen to death metal, but this stuff is great. I guess you don't get to record
for a car company if you're shit. I don't like it enough to want to check out
more of their releases, but I'll enjoy the shit out of this CD for
free.)<br /><br />JAPANESE TORTURE COMEDY HOUR - "50,000 JTCH Fans..." CD (I had
this playing in the background while I was paying bills this morning, worried
about finances and I'm sure it made my mood even worse. I was sweating with
concern and this was the worst possible thing to be listening to at the time.
Plain and simple, this CD is filled with walls of noise. Not one constant sound
like HNW, but there's never a break from unpleasant noise. This was recorded
back when JTCH was still just Scott Hull's project and there's fuck-all
information in the liner notes.)<br /><br />KNIGHT, DAN & THE DON BLEW TRIO -
"Christmas!" CD (It's strange, but the only Christmas music I like are the jazzy
albums. Dan Knight is a concert pianist I know nothing about. Don Blew, however,
is a legendary figure in Ottumwa's music scene. I'm not old enough to have seen
him in his heyday, but I jumped at the chance to see him when they played a
Christmas concert at our high school years back. I know his son, Tony, through
my parents. He's a funny guy, really nice and easy to get along with. He's a
talented musician, gifted artist and pretty good with a paint brush. Don and his
two sons provided the instrumental support for Dan that evening and on this CD.
These are jazz arrangements of Christmas songs with solo trade-offs between the
piano and guitar. Both Dan and Don play with fluidity. The recording is live,
but with a pretty decent mix. This is excellent.)<br /><br />LÄRM - "Extreme Noise"
CD (I haven't listened to this in years, but when I got it I was hugely into it
and listened to it almost constantly. My friend Zeno had dubbed me a bunch of
their stuff and I loved it, but the only release I was ever able to track down a
legit copy of was their live 7". When this CD was released it was a blessing and
I jumped on it. I must have one of the earliest copies because there's an insert
apologizing for the fucked up track listing and gave the correct listing on the
opposite side. I've since seen this in jewel case packaging, but mine is in a
pocket folder with a booklet. Upon revisiting it today for the first time in
nearly a decade I found it to be a lot sloppier and less "brutal" than I
remembered it being. Everything is so out of tune, mistakes all over the place,
shitty recordings, etc. It's amazing people hold them in such high regard when
there are other bands that achieved that same accidental noisecore sound and are
almost completely forgotten. I remember listening to this and thinking how
extreme it was. Today it still sounds extreme, but equally sloppy. It does
tighten up slightly towards the end, I guess. Still really enjoyable, but not at
all like I remembered.)<br /><br />LETTUCE VULTURES - "Another CD Full of Songs That
No One Really Wants to Hear" CDR (This is the newest release and it sounds
different than the others, like there's a new drum machine and someone else
playing guitar. Stylistically this is pretty much the same, but it's updated
sonically.The lyrics are a lot easier to make out and I like the addition of
backing vocals this time around.) <br /><br />LETTUCE VULTURES - "Patrick" CDR (The
cover says this was recorded for one of their/his friends, Patrick, who died
recently and the first song deals with the subject. The rest of this CD is
business as usual, the same punk rock with great, sloppy guitar solos and lyrics
dealing with politics and current events. Food's vocals sound as if they were
recorded in the bathroom on this one. There's a strange hollow sound on this
entire disc. This is pretty good, like all the other Lettuce Vultures
stuff.)<br /><br />LETTUCE VULTURES - "This is Why We Don't Do Long Songs / I'm a
Little Bit Disappointed in the Current State of the World" CDR (Compiled here
are the first two Lettuce Vulture cassette releases. I'm really enjoying this
today. The first demo is slow and noisy and the guitar sound is really scratchy.
Lots of stupid, noisy solos on here, too, like he's channeling Greg Ginn or Ted
Falconi. Food's vocals are really lazy and are a stark contrast to the angry,
sarcastic anti-authority lyrics he's singing. The songs are all between 4 and 6
minutes long and are really repetitive. On the second tape the songs are all
less than 2 minutes long, but more or less sound the same. The vocals are a
little more inspired and the guitar isn't quite as noisy, but little else has
changed. This CDR was very enjoyable.)<br /><br />MALACHI / THE BASTARD NOISE - "The
Immortals" CD (I really liked the Malachi half of this CD. It's really heavy,
dynamic and dark sounding. Usually the addition of cello sends my eyeballs
rolling into the back of my head, but it was a nice touch on this stuff. Their
second track is a long atmospheric kraut-ish noise piece with dreamy, mellow
female vocals in the background. Really cool... B.N. tracks are pretty good,
too. I haven't listened to much of their stuff, but I was expecting screaming
over harsh oscillator blips - not dark ambient with melodic vocals over it. I
guess they haven't done that "MOLOCH!!!!!!" thing for a while now, but that's
what I was expecting. This was a pleasant surprise.)<br /><br />MAYHEM DECAY CUDGEL
- "The Scene is You!!!" CDR (Zach Howard released this demo collection on his
label Fuck Music Productions. Up until now I've only heard these guys on
compilations. I think this falls into the accidental noisecore category. It
sounds like they're trying to play "real" structured songs, but the results are
a complete mess. Whether intentional or not, these songs are wonderfully
disjointed, sloppy and noisy. The drums always sound as if they're trying to
keep up with the guitar, the guitar sounds like a buzzsaw and the vocals sound
like a rabid dog devouring humans. Zero progression as a band from one release
to the next, in playing ability or in recording quality. Everything recorded on
a boombox either out of necessity or for maximum noise potential. Only they know
which. I'm not sure it matters.)<br /><br />MIKE LOVE 666 - "Album #12" CDR (I can't
remember listening to this before today. I got it with a huge package from
Reality Impaired years ago and it got lost in the shuffle. This is noisy stuff,
lots of popular music samples looped with garbled noise and spoken samples over
them; equal parts harsh noise, plunderphonics with a touch of
trip-hop.)<br /><br />MINCH - "7" Collection 1990-2006" CD (Everyone into noisy
music knows Minch. They're one of the oldest noisecore bands here in America and
one of the most revered. This CD collects all of their vinyl output. I had this
long thing typed out about how I didn't really like any of their material except
for the first EP and the split with Mamarracho thinking maybe it was a case of
too many cooks: fans of the original Minch incarnation getting involved and
diluting it somehow, but listening to this again today I've decided that was a
bunch of horse shit. Most of this stuff is really great, but I will say that the
improved sound on the recordings from 1998 on loses a lot of the charm from the
earlier stuff. There's a lot of surface noise from the vinyl transfers this
material was taken from. It's a shame the original masters couldn't have been
utilized for this CD, but it is what it is. This, too, is out of print
now.)<br /><br />NASTY SAVAGE - "Psycho Psycho 2 Minute Sampler" CDR (I've never
listened to this before today because I wanted to hear the whole album intact. I
never got around to buying a copy (shame on me, they're one of my favorite metal
bands). This CDR has every song on the album, but only the first 2 minutes of
each song. Every song cuts abruptly at the 2 minute mark. Sucks, because this is
really fucking good. This is classic Nasty Savage, no updating their sound at
all. This sounds like a natural progression from "Penetration Point", recorded
really well, too. Those great backwards sounding riffs are still here, solid
drumming and Ronnie's vocals sound excellent. I really need to find a legit copy
of this now. I feel stupid for not buying this already. Fuck.)<br /><br />NAZARENE
WHORE - "Black Vulva Christ EP" CDR (8 minutes of 2-3 second trax of drum
machine noisecore with pitch-shifted gore vox. No guitars, just the same drum
machine blast for 8 minutes. Every song sounds identical.)<br /><br />NOCTURNE FOR A
DYING PLANET - CDR (It took me a long time to figure out what this CD was when I
ripped it. There was no title on the front, no label on the CD, etc. I Google'd
the first song title hoping it would dig something up and it ended up being the
band/project's name. You'd never know that by looking at the cover, though.
"Nocturne For a Dying Planet" was listed in the same font, same size and
directly in line with the same spacing as the other titles. Just as it was
difficult figuring out what this was, I'm having a difficult time formulating
words to describe the sounds on this disc. It's dark and minimal most of the
time. Not quite "noise", but not active enough to be considered music exactly.
The whole thing has sort of a thriller/horror soundtrack quality to it. The
tracks flow seamlessly into one another and give this a narrative
quality.)<br /><br />NOISE NAZI / CEDRIC'S LETTUCE - split CDR (Fuck, all of this
noise is wearing on me. N.N. sounds like it might just be one dude. This is
really lo-fi noise stuff, sounds like pre-existing recordings ran through loads
of distortion and effects. It's not particularly harsh or interesting. I did
like the song with the repeated "Nazi faggots" sample throughout. That was
funny. Cedric's Lettuce are the better of the two projects, for sure, but their
material on the Anal Sadness split was better. This is still really harsh, lots
of stupid keyboard playing treated with mountains of distortion. Some of the
tracks are better than others, but mostly this is pretty good.)<br /><br />NOJSBOJS
- s/t 7"<br />FILTHY CHARITY / S.R.M.P. - split 7"<br />MAMARRACHO - "Fifty-Nine"
7"<br />IMPALED NORTHERN MOONFOREST - s/t 7"<br />PROJECTILE AFTERBIRTH - "Hats Off
to Larry" 7"<br />BRAINBOMBS - "Stigma of the Ripper" 7" (This is a CDR I made
from 7"s I ripped. Nojsbojs - pronounced "Noise Boys", I assume, are a fantastic
noisecore band from Sweden. This was one of my favorites in the late 90s, sounds
even better today. The noise blasts are great, but there's lots of interesting
stuff going on between them. Sadly overlooked, this band...Filthy Charity are a
decent grind band from France with ridiculous vocals. Sounds like a drum
machine, too. S.R.M.P. are really sloppy, but noisy and enjoyable. This record
always sells cheap when I see it. Not sure why it's not collectable like those
other Psychomania releases are... Mamarracho are pure insanity, one of the
greatest noisy bands ever. Nobody else sounds like them and all of their
releases are excellent. Another one of my regrets with Mortville was that I
couldn't make that discography CD happen. I tried... INMF was Seth Putnam's
short-lived acoustic black metal project. It's a funny idea, but enjoyable for
about 2 minutes. Still, I'm happy to have this in my collection... To my
knowledge, Projectile Afterbirth only did this one release. I didn't find out
until recently that one of the guys from Stench of Corpse was behind it. I guess
this is a tribute of sorts to "Wildman" Larry Fischer. His vocals are sampled
over tense background noise and explosions of harsh noise and distorted vocals.
This really is a strange record, not at all what I expected given the name of
the project. The noise just underlines Larry's mental illness and makes it
really dark. This is creepy stuff... Brainbombs are consistently great, of
course, but in recent years I've given up on collecting all of their records.
Under-pressing things on purpose is just stupid and I'm not playing that game.
I'll still listen to their records, though, if I can find rips of them. If they
don't want people downloading their music, they should press enough copies to
meet demand. Fuck them.)<br /><br />NUCLEAR VULVA / LARVATUS - "Black Mass Dysentery
/ Unholy Demo 1" CDR (Nuclear Vulva do a weird mixture of techno/dance music with
noise blasts, the kind of stuff I imagine Eurotrash listen to while stuffing
themselves full of drugs and hanging out at all-night raves looking for sluts to
creep on. It's all really bouncy and happy sounding and the noise parts fit in
seamlessly. I'm not really into this, but it seems like its well done. Larvatus
are great! Total blasting grind/noise with everything completely blown-out on
the recording. The first trac is cut-up not unlike Aunt Mary's recordings, but
the rest either fade out at the end or end abruptly. I wish the whole thing was
cut-up like the first song.)<br /><br />PENIS ENLARGEMENT / SAUERKRAUT - split CDR
(The cover that came with my CDR is a cassette cover, so I don't know if this
was released on CDR or not. Penis Enlargement are an Italian noisecore band made
mostly of members from 2 Minuta Dreka, I believe. I never understood why a
change in style required a whole different band. I love it when bands change
styles completely between releases. Anyway, P.E. are great. It's nothing more
than talking between noise blasts, all recorded on a boombox or single input
recorder. Everything is in the red, so the noise blasts are nice and maxed out.
Sauerkraut are amazing, the little band that could. They get better with each
release, but it's their shortcomings that make them great. They sound like all
those South American grindcore bands that are always "off" somehow. There isn't
much to complain about on this release, though. Sure, the recording is a little
strange, but the playing is fairly tight. The vocals are ridiculous on the
entire recording, but that's a mark in their favor. Lots of cover songs, as is
usually the case for these guys. This stuff oozes charisma, that's what makes
them so great.)<br /><br />PESTILENT DECAY - "Traces of a Massacre" CDR (I don't
remember where I got this, but there was a note written inside the cover from
"Rodrigo" explaining that this was his new band. The only Rodrigo I know was
from Sweden and ran a label I traded with. Anyway, this is decent grindcore with
dual vocals: one pitch shifted, the other doing highs. This kind of sounds like
those old Retaliation recordings, but not as good. Sounds like they're using a
drum machine, but it doesn't sound generic like they often do. If the vocals
were better this would be really good. The whole thing is less than 6 minutes
long.)<br /><br />POOP SHIP DESTROYERS - "Live @ Paroxis '94" CDR (Paroxis was an
annual live music event put on by a local zine, Real Life, and hosted by my
friend Mike in his basement. Poop Ship Destroyers were a short-lived band that
probably played more than this one show, but this was the only time I saw them
that I can remember. I guess this would be considered punk, but it's not very
aggressive in style. It sounds as if they're making the songs up as they go and
between songs you can hear them discussing song structures. Everything is really
sloppy and out of tune, the vocals are barely audible (mostly because of the
strange mix coming out of the PA) and when they're present they're mumbled. On
it's own, this is pretty lousy. It's a nice piece of nostalgia for me, but if
you weren't there when it happened, it probably wouldn't interest
you.)<br /><br />RHINESTONE RASH - "Strange Sessions" CDR (My friend Travis played
with these guys for a while. I only got to see them play once before things fell
apart. They played a show with BCM at Travis' studio, but the singer didn't show
up for some reason or other leaving the guitarist to take over vocal duties for
the night. Outside of that one show, this three song CDR is all I know of them.
The first thought I had while listening to this was how much the singer sounds
like Doc Corbin Dart of the great Crucificks. So much so that it's unbelievable
to think he's never heard them before, but apparently that's the case. These
guys were inspired by the old LA scene, specifically X, and Crucifucks never
entered their consciousness. This is "punk", not "core", everything well played
and with that song writing economy that goes along with that genre. No parts
wasted, just enough to get things done, not skimping on anything in the process.
The recording, of course, is spotless. I can't imagine many people heard this.
Too bad...)<br /><br />SCHNAUZER - "Live 11/30/2002" @ The Phantasy" CDR (Spotless
soundboard recording of these Ohio goofballs. I think most of this ended up as
bonus tracks on the "When Your Bitch is in Heat" CD. The banter between songs is
really stupid, so I don't listen to this very often. I love their records,
though. I guess those are just stupid enough. 45 minutes of this at once is a
bit much to endure, too.)<br /><br />SCREAMING AFTERBIRTH - "Milwaukee Metalfest
2003 Promo" CDR (No clue how I obtained this one as I haven't attended any of
the fests. I suppose as far as death metal in 2003 goes, you could do a lot
worse. Nice recording with tight drumming and a pingy snare sound, pig squeal
vocals and solid guitar playing. There's a Terrorizer cover on here, so at least
they're influenced by the right kind of bands. These six songs ended up on their
split CD with Mincing Fury and the Gutteral Clamor of Queer Decay, so if you
have that one you aren't missing anything here. Not too
shabby...)<br /><br />SMOKESTACK AND THE FOOTHILL FURY - "Ain't Gonna Pine" CDR
(This guy jumped on a show I saw in Iowa City at the last minute <span style="font-size: small;">last year</span>. It was pretty impressive; he was playing guitar, drums and singing all at
once. His drum set consisted of a kick and a snare, both operated by a modified
double bass pedal. He was a true one man band and the audience loved him. He had
a stack of these CDs up by the stage while he played and told people to feel
free to take one, but urged them to donate some money if they could since he
wasn't getting paid for the show. I was happy to throw in a couple of bucks to
get a copy. This is high energy, raucous bluesy stuff with lots of slide guitar.
Think Mojo Nixon on his earliest albums, but without the stupid lyrics. I was
initially let down by how good this CD sounded after his raw performance on
stage, but while over-produced, this sounds really good. The songs are performed
with just as much energy here. I'm really enjoying this today.)<br /><br />SPAZZ /
LACK OF INTEREST - "Double Whammy!" split CD (I had this on vinyl, too, but sold
it and kept this CD for the bonus tracks. I haven't listened to it since the
90s. Again, Spazz sound painfully average to me. No clue how they blew up as big
as they did. I don't know who's vocals are who's, but the deep death metal
vocals and the Infest-like vocals are stupid. I've always thought L.O.I.'s
vocals were stupid, too. I actually prefer the original guy's vocals. Somewhere
I have mp3s of an LP they recorded with Trevor but never released. It's pretty
good. If you can look past these vocals, the rest of their music is pretty
enjoyable. The bonus material from both bands is live, both with good soundboard
quality. There's 20 minutes from Spazz and 7 from L.O.I..)<br /><br />SYSTRAL -
"Fever" CD (These guys had a lot of buzz surrounding them while they were still
together in the mid-90s. I picked this CD based on a recommendation from my
friend Zeno, but I could never get into it. It sounds like all those
pretentious, apocalyptic crust/HC bands that probably heard Neurosis and tried
to do something similar (I'm not crazy about Neurosis either, btw). If the high
vocals weren't so pansy sounding I could probably bring myself to like this more
than I do, but it's too emo for me. The longer it plays the more I hate
it.)<br /><br />TDFNTFOTCFISOHOTDN / SAUERKRAUT - "2009 Split" CDR (Amazingly
enough, that first band name is an acronym, but I can't remember what it stands
for now. This sounds like a metal version of Buka, even the recording sounds the
same. This is really sloppy, but in no way jokey. Another case of a band
reaching too far and coming up short. Sauerkraut are fairly noisy on this
release. Lots of short songs and sloppy covers of classic grindcore songs. The
recording is complete shit, sounds like a garbled mp3 at 32 kbps.)<br /><br />TOTAL
YOUTH - "Destroy Corporate Hardcore" CDR (A convincing jab at hardcore punk by
Poopy Necroponde and company (maybe it's just him?). This shit rules. The songs
are short, fast and tough with shouted vocals about fake punks and about how
metal sucks. The cover art has a quiz on it to determine if you're punk or not.
I've listened to this a ton and it's always fun and entertaining. One of my
favorite Poopy releases.)<br /><br />TRAUMA / CALLIGERY - split CDR (This Trauma
stuff is great, sounds like a lost Deicide demo from the 80s. The music isn't
quite as metal, but the vocals are 100% in line with that style. This is raw
death metal, but with quite a bit of melody. I dig it. Calligery also play death
metal, a little less dark and melodic and a bit more thrashy than Trauma.
They're also less interesting as a result of being tighter. This whole thing was
pretty good, though.)<br /><br />VAMPYRO / SPERMSHOT SOLDIERS - "Is This Good Enough
For the Radio?" CDR (Vampyro play a weird mixture of techno, hardcore and black
metal. Their vocals are annoying, but that guitar sound is raging! Sounds like
Scroungers or the guitar on the Wadge demo. I guess this kinda sounds like
Impaled Nazarene, but a bedroom version. S.S are a strange bunch. The first song
sounded like a one man bedroom black metal project recorded on a boombox, then
the second song sounded like a sloppy punk song. Third song was nearly
grind/noise, etc. It's all really Lo-Fi bored-core stuff, but not too
terrible.)<br /><br />VENTILATOR - "EP + Unreleased" CDR (I downloaded all of this
stuff from Toni/Anal Massaker on soulseek years ago. Ventilator are one of those
German noisecore bands I heard about early on, but didn't get to hear until
years later. To my knowledge, the only released the self titled EP and a split
7" with DSFA which I only recently obtained, but a search of Discogs shows two
cassette releases I had no idea even existed before today. This CDR has four
recording sessions, the first of which the s/t 7" came from. The second the
split with DSFA. There are songs from both of these sessions that didn't make it
on to vinyl and another two sessions totaling 37 minutes in length that weren't
released at all. This stuff is more on the grinding end of the spectrum, but
every song ends in a blast of noise. This is typical of most of the German
noisecore bands of that era. If you like B.R.B., W.B.I., etc, it's safe to say
you'll like this too. The last two sessions on here sound similar to Tumor. At
least one of these guys is playing Slaughter of the Innocents now and they're
also really good.)<br /><br />VITAM ETERNAM - "Blackened Dreams of Nocturn" MCD
(It's worth noting that this might be the first black metal band from Iowa,
certainly the only black metal band from Ottumwa, and with the exception of
Angelkill, they're probably the only Iowa band to have released something on
Wild Rags. Having said that, I'm not into this at all. I don't like black metal,
even when good friends of mine are playing it. Everything is played really well
and the recording sounds great, but I don't give a fuck about this kind of music
at all. EDIT: I listened to this a few times since and with repeated listens
have grown to really like a lot of the guitar riffs on here. The vocals are
still really annoying to me, though.)<br /><br />WILSON, BRIAN - "A Conversation
With Brian Wilson" 2CDR (I bought this at a record convention in Des Moines, IA
sometime in the early 2000s. I guess this was broadcast over the radio because
there are commercial breaks (edited out) on here. The very beginning of the
first disc says "DIR is proud to present a conversation with Brian Wilson", but
I have no clue what DIR is. Those don't sound like radio call letters. Maybe it
was TV? There are two interviews on here, both from 1977, totaling 2 hours. The
first interview talks about the career and history going back to their
childhood, how they got along as brothers, Brian's views on pop music, his song
writing approach, drugs, self-hypnosis, etc. The interview is cut-up with
segments of their music reflecting the time period they're discussing. The
second interview takes place at Brian's home and they cover "Smile", their
impact on their audience, his future plans and "music nausea". I listened to
this once on the drive home after buying it, then never listened to it again.
I'm really enjoying it today. It's a nice break from all the harsh noise I've
been spinning.)<br /><br />WORMROT - "Noise" MCD (First time hearing these guys. I
picked this CD up at the Immolation show as it was sitting on the table along
with some Scion literature. 6 brief minutes of fucking fast grindcore with
brutal vocals and tight drumming. The recording kind of sucks (not noisy enough
to enhance it and not good enough to do these songs justice), but there's some
quality playing going on throughout this release. I dig this one.)<br /><br />XYSMA
- "Swarming of the Maggots" Demo<br />XYSMA - "Fata Morgana" 7"<br />XYSMA - "Above
the Mind of Morbidity" 12"<br />ABHORRENCE - "Vulgar Naecrlartry"
Demo<br />CREMATORY - "Denial" 7"<br />(I've written about all of this Xysma stuff
when I listened to that 2CD set earlier this year, but I kept this CDR for the
other stuff at the end. I downloaded all of this shit from soulseek years ago
when it was impossible to track down. This stuff rules, but I still like their
rock albums more. Abhorrence and Crematory are both great, too.)<br /><br />Z.A.T.H.
- "Zebra Amplified Turd Harpoon" CDR (Z.A.T.H. is a project Food Fortunata does
with Sluggisha. On each release, the letters stand for something different. They
split up vocal duties evenly, alternating every song. Sluggisha's vocals are
high, silly and almost freestyle rap-like. The music behind his tracks sounds
like it was played on a cello or upright bass. Most of Food's vocals are pitch
shifted really high, but towards the end we hear his natural voice. The music
behind his tracks consist of drum machine and distorted electric bass, I think.
This is a long CD, but it wasn't difficult to sit through like some of Food's
releases can be.)<br /><br />V/A - "Black River Recordings Compilation Vol.1" CDR (I
haven't even thought about this CD since I got it, and that's been a really long
time ago. Here's the line-up: Ethodius, Desolation Iced, Reality Check Review,
Euphoric Downslide, The Pakman, Sonovox, Savage Acid, Mythodical Age, Self
Inflicted, F2RC and something listed as Black River Improvisational. Most of
this is synth based experimental stuff, some noise stuff thrown in, most of it
is instrumental. All of it is fairly mellow and listenable. Not a bad way to
spend 74 minutes, much better than I thought it would be.)<br /><br />V/A - "Now
Who's Crazy?" CD (This is a Drag City Records sampler I got from my friend Mike
who worked there for a while. I'm not very familiar with most of this stuff, but
a few of these artists I have full lengths from - also through Mike. The Loose
Fur song is good, but the vocals are annoying. The music itself is minimal and
hypnotic growing more active towards the end. Neil Michael Haggerty does sort of
a folky song that I'm not much into. Azita's song is a nice piano backed
singer/songwriter piece. Sounds like something you'd hear on one of Nilsson's
older albums. Imitation Electric Piano are great, from a couple of the people
from Stereolab. Musically they're quite similar. (smog) aren't too bad, but not
something I'd reach for anytime soon. Continental/OP do an ethnic sounding
instrumental. Scene Screamers are irritating. Monade sounds like something you'd
hear on one of Morricone's film scores. Sounds like the woman from Stereolab
singing. Alasdair Roberts does a straight-up folk song. Papa M is pretty mellow,
but the song and singing are both pleasant. Bonnie "Prince" Billy is a name I've
heard thrown around a lot, but this is the only song I've heard of his. It's
okay, I guess. I suppose if I listened to more of his songs this might grow on
me. The Suntanama sounds like a wimpy version of Roky Erickson.)<br /><br />V/A -
"Promo" CD (This is the first Relapse Records promo CD from 1997, the one with
"PROMO" in black on an all white background. I've had this for years, have never
listened to it. It's not terrible, and a lot of these bands I've not heard
before today. The only bands I had heard from this were Xysma, Brutal Truth,
Gore Beyond Necropsy, Merzbow, Dissecting Table and Mortician. I'll probably
never listen to this again, but it was okay.)<br /><br />V/A - "Riot on Ramsay St."
CD (This was compiled and released as a fund-raiser for a bookshop in Australia.
Most of these bands are HC with some other shit mixed in. I'm not feeling up to
a track-by-track breakdown, but the stand-outs on here are Phobia (not that
Phobia), Stand Against, Walsh Street Cop Killers, Vicious Circle, + Self
Reliance. Most of this was lousy.)<br /><br />V/A - "Solid" CD (Like the above CD,
I've owned this for years and have never listened to it. In fact, this one was
still sealed. Brutal Truth tracks were okay. Today is the Day did nothing for
me. First time hearing Unsane, really liked them. Bongzilla are stupid and
combine two things I hate: stoner rock and black metal vocals. Nightstick are
terrible. Anal Cunt are great (duh!), but I'm sick of hearing this song. Soilent
Green are better than I remember them being, but still not really my thing.
Incantation's song is great, one of the best on here. Nile is cheesy fun.
Agoraphobic Nosebleed are pretty good, too. I really haven't heard anything of
theirs since their old 7" days. Blood Duster are terrific and these songs are
from their best album, in my opinion. I can really only stomach 2-3 Mortician
songs at a time, so this works for me. Those intros are so fucking long, though.
Does anyone actually enjoy sitting through those fucking things? The Hemdale
song on here is from their full length that was never released. It doesn't
appear on their discography CD, either, so it's exclusive to this promo CD.
Abscess are great. This song is really hardcore sounding, great leads. C.S.S.O.
were one of the greatest bands ever and this is from their best period. Flesh
Parade were a standout on here. First time hearing them, too. Benumb were great.
Deceased were great on here, too. I need to get some of their stuff. Mindrot
were heavy, but not very good. Karanoudjan aren't my thing either. If you can
look past all the stoner rock, this is an okay sampler.)<br /><br />V/A - "Wreckage
Noise Compilation" CDR (This disc rules. Ronnald from Purulent Shitface put it
together (why can't I ever remember the name of his label?). A list of the
bands/projects on here says it all: Gore Beyond Necropsy, Ulcerrhoea,
Nihil-Fist, Princess Army Wedding Combat, Government Alpha, Senseless
Apocalypse, Fast Forward, Sickness, Gore Fuck Damage, Arsedestroyer,
Noisecorefreak, T.E.F., DxIxEx, Circuit Wound + Nikidorei. There's no
information listed at all and I don't think these songs are exclusive or
anything, but this is a nice collection of harsh sounds.)</span></span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-48548480725383570032012-11-27T05:24:00.000-06:002012-11-27T05:24:35.794-06:00CAPTAIN THREE LEG / SHITNOISE BASTARDS - Split Tape Out Now!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6TCK3oB2PAtvQl89C28YUsoSeKm23i6vdla3AwU_QEm7x88CXne3K1t9JxHZjIbfjqSi1XkGK0Dl7s_lPm1TOu_iotyZ6lvbsVtD0RKSnuZLhq6jJ6A2bbdI1uz9r9S6YEV3LQwnWZCI/s1600/C3LSNB.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6TCK3oB2PAtvQl89C28YUsoSeKm23i6vdla3AwU_QEm7x88CXne3K1t9JxHZjIbfjqSi1XkGK0Dl7s_lPm1TOu_iotyZ6lvbsVtD0RKSnuZLhq6jJ6A2bbdI1uz9r9S6YEV3LQwnWZCI/s400/C3LSNB.jpg" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">I've just gotten news that the C3L / SxNxBx - split tape is finished and available for purchase. It was co-released by a few labels, so find the one closest to you to save on shipping costs.</span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">From the </span></span><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><!--[if gte mso 9]><xml>
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</xml><![endif]--></span> </span><a href="http://fastdierecords.blogspot.com/2012/11/captain-three-legshitnoise-bastards.html?m=1">FASTDIE
RECORDS website</a><span style="color: black;"></span><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">...</span></span><br />
<br />
<h3 class="post-title entry-title" itemprop="name" style="text-align: center;">
CAPTAIN THREE LEG/SHITNOISE BASTARDS split tape is out now!
</h3>
<div class="post-header" style="text-align: center;">
</div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Grindgreeting to all!</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">We're very excited to announce that our new release is officially out now!</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">The more exciting part,this is split with one of the legendary u.s grindcore/noisecore band <b>CAPTAIN THREE LEG!</b></span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>C3L</b> started making and produced their stuff <i><u>since 1995</u></i>.They already made many of releases(demo,EP,full-lenght,split) including split with <b>ANAL MASSEKER</b> and <b>UNHOLY GRAVE</b>.<i> Andy</i> from <b>C3L</b> also is a <b>MORTVILLE NOISE</b> owner.</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">On the side A is <b>C3L</b>
side.They produced 7 new tracks in the new recording session that
happened on Mei 2012.What the interesting for this tracks C3L featuring <b>Food</b> from <b>SOCKEYE</b>(80's
punk-rock,tardcore legend from u.s) on vocals. Nothing we can say
except this is very awesome session by this legend!This can be concluded
as <b>C3L</b>+<b>SOCKEYE</b> experimental session!</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">On the side B is <b>SNB</b> side. They produced 10 songs in this split including 1 cover version song from <b>INSECT WARFARE</b>. Their session is still raw-shit -grind as usual.</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">This split tape was release in <u><i>pro tape format</i></u> and released in <span style="color: red;"><b>200pcs</b></span> co-operated between</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"> <i><u>6 co-labels release:</u></i></span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>TOMBS IN THE VALLEY PRODUCTION</b>(u.k),<b>STOCKED DISTRO</b>(aus),<b>DIY NOISE</b>(u.s),<b>FASTDIE RECORDS</b>(mal),<b>COFFIN CRAWL RECORDS</b>(can) & <b>SINISTER UPHEAVAL LABEL & DISTRO</b>(u.s).</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Since
got 6 labels from worldwide there is no reason why you can't grab this
split tape.To all grindcore follower, you guys must have this in your
collection cause this is very super class session by <b>C3L</b>!</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">To get this tape kindly contact with the labels.</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">*check the interview section, we has done the interview with C3L </span></div>
<br />
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b><span style="color: red;">Label Contact:</span></b> <b> </b></span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"></span></span><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>FASTDIE RECORDS</b></span></span></b><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">(mal) - fastdie08@yahoo.com</span></span><b> </b></span></span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>SINISTER UPHEAVAL</b>(u.s) - sinisterupheaval.dat@gmail.com</span><br />
</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>TOMBS IN THE VALLEY PROD</b>(u.k) - tombsinthevalley@gmail.com</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>DIY NOISE</b>(u.s) - e.carrillo@gmail.com</span></div>
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>COFFIN CRAWL RECORDS</b>(can) - cereghini_49@hotmail.com</span></div>
<div style="text-align: center;">
<div style="text-align: center;">
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>STOCKED DISTRO</b>(aus) - facebook.com/STOCKEDISTRO </span></div>
<div style="text-align: center;">
<span style="color: red;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><b>*kindly contact with the nearest label with you</b> <b>for the cheapest postage.</b></span></span></div>
</div>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-73556240110442117332012-11-22T05:40:00.000-06:002012-11-22T05:40:19.147-06:00Captain Three Leg Interview for Fastdie Records<!--[if gte mso 9]><xml>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Hazree from the great <a href="http://shitnoisebastards.bandcamp.com/">SHITNOISE
BASTARDS</a> and <a href="http://fastdierecords.blogspot.com/">Fastdie
Records</a>
has done an interview with C3L for his website. It's the first interview I've done in several years. It was fun doing an interview again, and I'm flattered people are interested enough to learn more about our history. The C3L / SxNxBx - split tape should be released any day now. Until then, feel free to read this thing if you're so inclined. </span></span><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span><a href="http://fastdierecords.blogspot.com/p/here-is-interview-session-with-captain.html">http://fastdierecords.blogspot.com/p/here-is-interview-session-with-captain.html</a></span> </span></span><br />
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<br />gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-68916484343971822572012-10-28T07:20:00.000-05:002012-10-28T07:20:54.792-05:00MORT:066 BEARTRAP - "Ascending Oranges" free download<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg57xuwlZo97V3UJV2od20PlQS2Oi5EjSfVD5bf8dzlfj2mTl28eRW0AM6aneiEx3z4kD7NGOdq3qy2h63eW_zDxqLVtHYl6P5vFB7GDg5IJ33LDWUvWcKq5GUpPtuXpupzWaWcFPpe04o/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg57xuwlZo97V3UJV2od20PlQS2Oi5EjSfVD5bf8dzlfj2mTl28eRW0AM6aneiEx3z4kD7NGOdq3qy2h63eW_zDxqLVtHYl6P5vFB7GDg5IJ33LDWUvWcKq5GUpPtuXpupzWaWcFPpe04o/s400/front.jpg" width="395" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Here's my Halloween treat to all of you! Instead of rotting your teeth with sugary candy, rot your brain and destroy your ears with one of the finest noisecore outfits going today. "Ascending Oranges" is a collection of two unreleased recordings: a studio session from 2010 and a live recording from 2006. 46 tracks total of tuneless, noisy mayhem fronted by one of the coolest people ever, all free for the taking. Long live Beartrap!</span></span><br />
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</xml><![endif]--><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Download it <b><a href="http://mortvillenoise.bandcamp.com/album/ascending-oranges">HERE</a></b></span></span><br />
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><b><iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=452875312/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://mortvillenoise.bandcamp.com/album/ascending-oranges">Ascending Oranges by Beartrap</a></iframe><br /> </b></span></span></div>
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gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com2tag:blogger.com,1999:blog-6769628625974601288.post-62515927924081827022012-10-19T06:36:00.001-05:002012-10-20T20:36:52.058-05:00My Two Cents: The Box of Skinnies Pt. 2<div class="separator" style="clear: both; text-align: center;">
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<i><span style="font-family: Georgia,"Times New Roman",serif;">Continuing adventures through the box of CDs I rarely listen to because of their odd packaging. Again, I don't consider myself to be a writer or an expert on anything. These synopsizes are a product of too much time on my hands at work and nothing else to do. I contradict myself often and find myself typing the same things over and over again. </span></i><br />
<i><span style="font-size: x-small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span></span></span></i>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">ABSTAIN - "Defy" 3" CD (This is a lot better than I remembered it being. I have
a bunch of their releases, but I always remembered them being generic sounding,
therefor I haven't listened to any of them in years. Maybe the music has just
gotten shittier in the years since making this sound better by comparison, but I
can't find a single thing to complain about on this CD. Abstain were a two piece
grindcore band from California. There isn't a bass player, but the guitars are
recorded really well and sound heavy enough without bass. The music is both
metallic and crusty with tight drumming and lots of blasting. The vocals sound a
bit like Bob from Dropdead, but not as high. They kind of sound like the vocals
on those early C.F.D.L. records, too. My copy came in a limited edition gatefold
cover With the regular 3" cover inside. This was short and powerful and I really
enjoyed listening to it today. I'll have to go back and listen to my other
Abstain stuff now.)<br /><br />ABSTAIN / ARSEDESTROYER - "Live Aboard the MS
Stubnitz" CD (Released on the short lived In League Wit Satan Records, as the
title says, this was recorded live on an old war ship. This Arsedestroyer stuff
was confusing to me when I first heard it. I remember hearing that the original
vocalist died and I want to say it was a suicide, so I guess this was the first
release with the new guy and it didn't sound anything like the old stuff. Now
there are more Arsedestroyer releases with this sound than with the original
line-up, but at the time is was shocking to me. The between song banter is
ridiculous, sometimes funny, but the songs are fucking raging grindnoise.
Completely manic and over the top, unrelenting noisy grindcore. Abstain's set
sounds tame in comparison, but on it's own it would have been killer. They
should have put their tracks first on the CD and finished strong. They added a
bass player on this tour, I guess, but the bass track sounds like a fart on this
recording. The rest of it sounds great, especially the vocals. Great CD all
around.)<br /><br />AUBE - "Metal De Metal" CD (I don't remember where I got this
one from, but it's my favorite of the Aube CDs I own. All of the sounds on this
were generated from metal. Even the cover is made out of metal. The majority of
this is really mellow, almost dark ambient, but there are some tense moments
that bring this thing to a boil on occasion. There's one lengthy section that
sounds like a fork being scraped across a gong in a circular motion, but it's
totally soothing - almost consuming. Writing about this doesn't do it justice.
This is really fucking good, trust me.)<br /><br />AUBE - "Purification to Numbness"
CD (I'm positive I ordered this from the Resound catalog. I've always liked
Aube, but I prefer his more ambient stuff. I'm not sure what made me check him
out, but I bought his "Metal De Metal" CD and loved it. The first track on this
CD is really busy, harsh and multi-layered, but it sounds like multiple tracks
of the same sound stacked on top of each other and panned to create a stereo
effect. The second track is considerably less harsh with some interesting
textures going on and some annoying high frequency noise that shows up way too
often for my ears' health. The third track is the longest and sounds kinda
similar to the first. I only have a few of Aube's releases, and while I still
enjoyed this, it's probably my least favorite. In a different environment as
background music I'd probably enjoy it more, but while focusing my full
attention on it for over an hour I became bored towards the
end.)<br /><br />AVULSION - "80 Trax" CDR (I made this CDR to collect all of their
recordings I had. I used to do that all the time years ago. Has the following
releases: "Crimes Against Reality", split 7" w/ Laceration (who I still think
are terrible), "The Green Scare" 7", split 7" w/ Forced Expression, Pneumatic
Values / Vilently Ill - split 7", their track from the third Slap a Ham comp,
"Prince of a Thousand Theives" 7" and most of the "Crimson Foliage Hit" CD. I
had to omit two tracks from the CD to make it all fit. Slavestate were one if my
favorite bands from ray powerviolence scene. Avulsion were excellent, too, but
slightly less so. Super fast and technical, aggressive and pissed. That "Green
Scare" 7" was one of my favorites in the mid-90s.) <br /><br />BEARTRAP - "Live in
Japan" CDR (I fucking love Beartrap. What's not to love about it? Their brain
behind the project, Tim, is a German native living in Japan working as a
teacher. While still in Germany he released a few records with the great Cadaver
Feast. Tim possesses no real skill as a guitarist, but his Sahara-dry sense of
humor makes for great song titles (often referencing death metal bands and album
titles) and between-song banter. From what I've gathered, he has a revolving
door line-up consisting of whoever he can convince to perform with him. All of
their recordings are entertaining, mostly because of Tim's intros, but the noise
itself is fun and sloppy and would be listenable on it's own. I'm pretty sure
this wasn't released. There's cover art, but I got a copy because I asked them
for unreleased material for "Small Doses" and he told me to choose something
from this CDR. If you liked the two songs from "Small Doses", this is where they
came from. This is fantastic. It's a shame more people don't know about
Beartrap.)<br /><br />BILL BASSET BAND - "Juvenile and Boring" CDR (BBB was my very
first musical project that wasn't just me recording solo. My friend Mike and I
went to an all-day bluegrass festival a couple of towns over and recorded the
first BBB tape that night. It wasn't exactly bluegrass or folk, but it was all
played on acoustic guitar and a makeshift drum set fashioned from tin cans,
glass jars and whatever else I could hit with a stick. The music and lyrics were
all improvised and everything was recorded on a crummy tape recorder in the bomb
shelter in Mike's basement. We recorded two more times, then gave it up and
started playing punk rock later under the name Unisex. Nobody outside of Ottumwa
heard these tapes with the exception of a few zine editors that Mike sent copies
to (one giving a favorable review from which the title of this CDR, out of
context, came). Years later Mike pieced together this CDR from the best bits of
the three recordings and sent me a copy. I had no idea he was doing it, so it
was a nice surprise when I got it. Of course it's impossible for me to listen to
this objectively, but it's a fun CD with silly lo-fi songs that often break out
into laughter, percussion that's too loud 100% of the time and decent guitar
playing. It also serves as a time machine sending me right back to high school
with nostalgia. Man, those were fun times.)<br /><br />BLOOD - "Impulse to Destroy"
CD (One of the greatest death metal albums recorded. To the end Blood were
great. Even after they learned how to play they kept things simple and retained
that scummy 80s sound. This CD is on a whole different level, though. Everything
about it us great. The mid-paced parts crush and the blasts are awesomely
sloppy. The guitars sound as if they're being played through broken amplifiers
in an empty warehouse. The vocals have effects on them the whole time making
them even more ridiculous. The songs, however, can not be fucked with. So many
catchy riffs on this thing. It's incredible, an absolutely perfect death metal
album. The copy I have is the reissue on Morbid Records, I believe the first
time it was issued on CD. The "Recognize Yourself" 7" is on the end as bonus
tracks, also excellent.)<br /><br />BONESAW - "Live By the Bone... Die By the Saw"
CDR (Great old-school Scottish death metal. I met Paul on MySpace and we traded
a few times. I'm pretty sure this is their first demo. While their second demo
was a huge improvement, this is pretty great. It never really gets too fast,
sta<span style="font-size: small;">y</span>ing in that great plodding mid-paced speed Autopsy did so well. The vocals
are deep and gruff and the guitars are filthy sounding. Everything is recorded
perfectly for this style of death metal. This is a solid debut from a band that
got consistently better with each release.)<br /><br />BOTTLE WALKING SNAKE -
"States" CDR (50 states, 50 songs - all in alphabetical order. This is mildly
entertaining as the songs are all funny and short, but it's not something I'll
want to revisit any time soon.)<br /><br />BOTTLE WALKING SNAKE / KOLOB TRUST FUND -
split CDR (So what do BWS sound like? I didn't cover that above. It would be
folky indie rock in someone else's hands, but it's too retarded to be classified
as such in this instance. Lyrical content aside, this is sonically stupid.
Food's vocals are high and irritating in the same way they are on one of his
other projects, The Poops. It's mostly acoustic guitar and keyboard, but often
it sounds like the keyboards were recorded without even listening to the guitar
track. KTF, I think, is a project with Wheelchair Full of Old Men dudes and Erik
from Sonic Disorder. KTF are just as dumb, but at least there's some punk and
core in their music, so it's more in line with my interests. The vocals are
lazy, lyrics "offensive", but mostly this is just silly.) <br /><br />BOY IN LOVE -
"But Mama, I Love Him" + "Pracise Make Perfec" CDR (This collects the first two
Boy in Love tapes, both excellent. When I posted about "Gleegle Eagles" earlier
I said there was a folk influence, but couldn't explain what made me think that.
I had forgotten, but a lot of those songs appear on these tapes with just vocals
and acoustic guitar and they're just as good with that minimal arrangement.
Again, Scott's vocals are what makes this great. His voice is so sincere
sounding and the lyrics are sometimes innocent and child-like, sometimes
offensive, always funny and ridiculous.)<br /><br />BREATHILIZÖR - "For the Ultimate
Pain of Medusa's Love" CDR (This is arguably the best release from Ohio's most
metal band. Breathilizör have been kicking around for a long time now releasing
a couple tapes and a split 7" w/ Faxed Head ages ago. Then, after years of
silence they started recording again and took their music more seriously
(maybe?) than before. It could be they just became better musicians during their
hiatus, but the playing on here in excellent and the addition of a spotless
studio recording really showcases all of the greatness. The lyrics are some of
toughest and most evil things ever captured on tape, all delivered with
completely venomous rage. Originally released on this CDR, this recently was
pressed to vinyl by Rescued From Life and should be fairly easy to track down at
this point. It's terrific, one of my favorite releases coming from the
Wheelchair camp.)<br /><br />BREATHILIZÖR - "Something of Something Part 3" CDR
(This CDR collects two of their early demo tapes. It's a lot more primitive, but
just as awesome. Those brutal breakdowns that happen in every song never get old
and the reverb-soaked recording of the first demo sounds like it was recorded in
an abandoned cave filled with the bones of posers. The second demo is a little
clear<span style="font-size: small;">er</span> sounding, but none of the evil or brutality was lost in the process.
This is essential listening.)<br /><br />CAPSULE - "Blue" CD (Robotic Empire sent me
this loose replacement disc with the Floor set I ordered, as a promo, I guess,
or maybe because they had stack of them laying around. Today is my first time
listening to it and it's way too active and noodly for my tastes. I don't even
know what label people give to stuff like this, but it's all over the place with
tons of changes, tight drumming and active guitar playing, but completely devoid
of anything to grasp on to. It kind of sounds like Dillinger Escape Plan's old
stuff. Occasionally there will be a cool slower part that works well, but it
just switches to something discordant, fast and spazzy again after that. No clue
if this is any good or not as I don't listen to this kind of stuff. The
recording is really good, though, and these guys can play. I'm sure someone
loves it, but I can't get into it.)<br /><br />CAULIFLOWER ASS & BOB - "Bad Luck
Rising" CDR (CA&B are fantastic. It's <span style="font-size: small;">s</span>ome of the most miserable and
depressing stuff ever recorded. Cauliflower Ass' voice is the sound of complete
desperation with lyrics mostly about drinking and falling on hard times. The
guitar sounds as if it hasn't been tuned in a good long time, but who has the
energy to tune when life is as shitty as this music portrays? Bob's trumpet
playing is even more pathetic, like it was lifted straight off a Brainbombs
record. The recording itself sounds like it was done in a bathroom. Together it
all paints a miserable picture, but one you can't turn away from. This is one of
CA&B's better releases, just don't listen to it in the wrong
mood.)<br /><br />COLICO / DEEP FRIED EMBRYO - split CDR (I almost HAD to release
this disc. People considered me to be well versed in noisecore and I've released
so much of it on my label that it only made sense for me to take on this project
with two of the best and most prolific noisecore bands of that time. I think it
was Mario from Colico that initiated it, I chose D.F.E. as the other band.
Absolutely no progression from either band, just the same noise they've been
churning out for their released on the own perspective labels (Meirda En La
Cabeza + MMR) Colico's half is made up of 100s of short noise bursts, D.F.E.
grinds out 23 sloppy + harsh tracks. I made 100 copies of this thing. It took a
while, but I eventually sold all of them.)<br /><br />D.F.A. - "Destined For
Assimilation" CDR (I got this at a Rambo show in Des Moines years ago. Rambo's
drummer said they played a show with them a few days earlier and that this demo
was the best thing in his distro box. He oversold it for me. I listened to it
once when I got home and never had the urge to listen to it again. This is
metallic crossover hardcore with group shouts, fast guitars and tight drumming.
It sounds like it could have been recorded in the 80s and that's probably why I
wasn't into it at the time. That bandana thrash retro thing was all over the
place in the early 2000s and I thought it was stupid. I still do, actually, but
this isn't nearly as lame as I remembered it being. I don't care what the dude
is screaming about, but he sounds pissed. The recording is really good,
especially the drums, but it could use a little more bass guitar in the mix. Not
bad.)<br /><br />DIMENTIANON - "Rehearsal Demo 2K2: Advance Songs From Seven
Suicides" CDR (First time listening to this, too. Sort of black metal tinged
metal with thin production and alternating gruff and Popeye vocals. Needless to
say, I'm not into this. I don't even remember how I got this. When I pulled it
out of the box I had no recollection of seeing it before.)<br /><br />DISABUSE /
PARKINSON - split CDR (Disabuse are from the Philippines. This recording is a
mess. It's good in a good/bad sense. It's totally inept and sounds like those
great South American grind bands that are unintentionally noisy. The recording
changes for their last few songs, but it's still great for the same reasons
listed above. Parkinson are from Malaysia and are a bit tighter than Disabuse.
There are both crazy high vocals and weak low grunts, the music is sloppy grind
with a lot of punk influence. I imagine I would hate this most of the time, but
for some reason this is working for me today.)<br /><br />EARTH - "Extra-Capsular
Extraction" CD (I bought the first three Earth CDs from Hagamoto when he was
thinning his collection years ago. This one came in one of those cardboard
pocket sleeves. Every other copy I've seen came packaged in a jewel case. It's
no "Earth 2", but it's really good. "Ouroboros is Broken" <span style="font-size: small;">i</span>s excellent. It's
difficult to imagine a time when this stuff would have been innovative and
ground breaking after all the years of shitty bands that came after. Earth made
the right move when they abandoned this style and left all the pretenders to
feed off it's corpse.)<br /><br />EGO DEATH / MIXTURIZER - split CDR (When I ripped
this to my iPod I found 10 extra covers stuffed inside the sleeve. I guess I was
supposed to make my own copies to sell, but that didn't happen. Oops... This is
probably my first time listening to this, too, because I'd have remembered this
Ego Death stuff. Again, no clue how this noise was made or how to describe it
properly, but this stuff rules. Harsh harsh harsh with lots of texture and
stereo panning. Mixturizer are less interesting, but still pretty decent. 30
minutes of this stuff is enough, though.)<br /><br />EMBRYONIC CRYPTOPATHIA /
FANTASMI DI SODOMA - split CDR (EC are amazing, completely filthy and brutally
fast grindcore with sewage vocals. A lot of their songs are only a few seconds
long and the tape stops abruptly chopping them off. Downtuned and scummy stuff
with an appropriately thick recording. FDS is an occult themed drum machine
noisecore band with several one second stabs of noise over cheesy dirgey synth
and horror movie samples. It's funny in the same way Apator and Exmortes are,
but not something I'd listen to on my own. On a car ride with someone else to
torture them? Sure.)<br /><br />FACIOUS KHAN - "Bomb in My Gut" CDR (This isn't as
good as the "Snowbush Fight" CDR, but it's still really good. Ripping hardcore
punk with ridiculous lyrics and a snarling vocal delivery. Food's aggressive
vocals are awesome, it's a shame he doesn't use them more often. Nice riffs and
guitar sound on this one and still a healthy amount of Greg Ginn-like noise, but
the drums aren't as tight as before. It sounds like this might have been put
together quickly, but the results are great considering. I love hearing songs
skewering Mike Patton. Fuck that guy. This was a lot of fun.)<br /><br />FACIOUS
KHAN / BILLY SICKNESS - split CDR (Take what I wrote above and flip it for this
one. The drums are tight and punchy and the guitar sound is thin and strange
sounding. The rest is consistent with the above synopsis. Billy Sickness sounds
like Food playing all the instruments and Poopy doing the vocals. It's more punk
than hardcore. The vocals are pretty good and the music mostly sounds like
Fossil Fuel with a better drum machine. Every once in a while there's some
stinging guitar leads that made me laugh out loud. This stuff is okay, but
Facious Khan were better.)<br /><br />FATAL ERROR - "The Drinking Sessions '88/'92"
CD (My friend Scab sent this to me years ago. This is some really old Dutch
grindnoise, a collection of both demos, and unreleased compilation track and a
full live set (the highlight of this CD). This is total old school greatness
along the lines of Fear of God, demo-era Blood, old Agathocles and Sexorcist:
sloppy drums, brutal noisy guitars and really exaggerated vocals. The recording
quality varies from one session to the next, but it's all very listenable. I can
only assume this their entire discography, but I really don't know for sure. I
don't pull this out very often, but I'm always surprised by how great it is when
I do.)<br /><br />FLÄCHENBRAND - "Völkermord" 3" CD (This was the first release of
this German HC/powerviolence band, released on R.S.R. with a normal sized CD
booklet in a tight poly bag making it difficult to get to the CD inside. I've
only listened to this a handful of times because of this. At least one of these
dudes was in the band Necrophiliacs. I know the vocalist is the same, but I
think there was at least one other guy. It wouldn't surprise me if the drummer
was the guy from W.B.I.. Those great ham sandwich vocals are here over more
structured, shorter and much faster songs. the guitars sound weird, but the rest
of this is brutal. Their cover of S.O.B.'s "Raging in Hell" is almost as fast as
Napalm Death's. This shit smokes. I should probably leave it on my iPod so I
don't wait another 15 years to listen to it again.)<br /><br />GHOOM - "Ghoom '94"
CDR (Ghoom were a band from my hometown that my friend Mike did after Unisex
broke up. I don't really listen to this kind of stuff, so I don't know what to
call it exactly, but I'll just call it indie rock or "alternative". Fuck it.
Anyway, they recorded one demo, "Mostly", which was released on our in-house
make believe label, Jack Mackeral Records. In reality, though, Ghoom financed,
released and distributed the whole thing. I don't think I ever sold a copy of
it. These songs are catchy and well played, and while the mix is unbalanced (I
think it was recorded through a 12 channel mixer live to cassette tape ruling
out any mixing), you can easily hear everything. Threeskin played a lot of shows
with these guys, so I've heard these songs many times. There are some live songs
at the end of this CD (most of which you can hear me cheering on), including
many unreleased songs and a covers of the Ventures, Minutemen + Threeskin. Their
bass player released this CDR on his Mighty Feeble Lo-Fi label, but I'm sure
nobody heard it. I uploaded it on my "This is a Tiny Town" blog if you want to
grab it there. It's noteworthy to mention that the guitarist/vocalist, Greg, is
currently living in NY and playing in the doom/sludge band Batillus. Don't
expect any of that doom to surface here, though.)<br /><br />GREEN TERROR - "Death
and Destruction" CDR (Somehow I befriended their singer on Facebook last year.
One day he posted about sending out free CDs to people if they wanted them, so I
took him up on it. Apparently he does this often, or at least did at one point.
This is pretty good and has a strong 90s feel to it. This must be one of their
earlier releases as they've sped things up a lot on their other releases, but
this CDR really sounds like Depressor when they added a live drummer. This is
heavy and mechanical sounding, lots of samples taken from horror movies and the
recording is a little fuzzy, but everything can be made out clearly. This is
good, well worth looking into.)<br /><br />GREEN TERROR - "Heathengrind" CDR (Really
short, less than 6 minutes long, but these 4 songs pack a punch. Still really
sounds like Depressor, and I love Depressor. I can't tell, but it sounds like a
drum machine this time around. Nothing is lost or gained if it is a drum
machine. The songs are still heavy and mechanical. The recording is better on
this one, too. A lot better.)<br /><br />GREEN TERROR - "Heathengrind Holocaust" CDR
(A lot faster and with a clearer recording this time around. The riffing is more
metal making me think there were some line-up changes. There's also more dual
vocals than on the above discs. The Impetigo cover was a lot of fun and this was
a great listen overall.)<br /><br />GREEN TERROR - "Heathengrind Warfare" CDR (The
entire "Heathengrind" CDR occupies the first part of this disc, then "Death and
Destruction" closes it out. That's okay, I didn't mind listening to this stuff
twice in a row.)<br /><br />HERMIT - "Pain Machine" CDR (This was among the first
CDRs I ever bought way back in 1997 or so. I haven't listened to it in years and
I'm amazed it still plays. I've always liked Hermit. This CD is one 14 minute
track. It's kinds mellow, rhythmic and there's some interesting textures going
on throughout. It builds up to a noisy finale, but it never goes full-on harsh
noise.)<br /><br />HOLY BONER - "Crunch Crunch Woosh Rattatta Blaaargh" CDR (Nik
from Super Fun Happy Slide sent this to me along with their demo. It took some
digging to figure out where I got this as there's fuck all information on the
cover, but an email from an Aussie sorted it all out. This is a jam room
recording (totally blown-out) of really loud and messy noise. 5 songs in 9
minutes, the first being the longest and most structured. It starts out really
sludgy, then things dissolve into almost total noise from there on out, just
blasting, feedback and screaming. Needless to say, I fucking loved
it.)<br /><br />HONKY TONK OVERLORDS - "Sci-Fi Fish Fry" CDR (HTO was a short-lived
project I was involved with for a few months. All three members on this
recording were in C3L, and in all honesty, this should have been released as a
C3L recording as it would have gotten more exposure if so, but this was Spence's
baby and he wrote most of the songs and structures. Brian got involved because
he and Spence lived in the same house, so it made sense. They asked me to play
guitar and I agreed. If I remember correctly, I was unhappy with my overdrive
sound, so one day I decided to play clean and with reverb and it changed our
sound completely. After that I started writing surfier guitar parts instead of
just following the bass and the style changed even more. This was the only
recording we did, done on 4 tracks, and it sounds terrible. I recorded the
entire drum set on one track, bass and guitar on another leaving the other two
tracks open for overdubs. I think Spence had originally planned on doing vocals
over this, but ultimately decided to just record a bunch of noise instead. The
noises came courtesy of a Boss DR-5 drum machine and an reverb-delay pedal I
had. If you dialed back the rate as a loop was going you could create this great
noise like a spaceship zooming by at warp speed. The drum machine noises were
done by our friend John, no clue how he created them. After the recording was
done we continued playing for a while, but Brian started missing rehearsals and
Spence wanted to play shows, so we kicked Brian out and replaced him with Tom
(from local doom/drone band Scat). The songs didn't work too well live without
the noises, so I started playing with distortion again and we sped the songs up
a bunch. We made some copies of the demo to sell at shows, but since Tom was the
current drummer, he was pictured on the back cover. Brian's always been pissed
about that, even to this day. We just talked about it at a show a couple of
months ago. Whenever he brings up this recording he refers to it as "that stuff
we did with Spence" and it takes me a while to figure out what he's talking
about. I don't remember how many of these were made because we made them as we
needed them, but I can't imagine it was more than 50. I think we played live 4
times. Tom eventually became unreliable, too, then things eventually just fell
apart. Often I forget about this band even existing.)<br /><br />HOT L.Z. - "How Do
You Live Like That?" CDR (More tough stuff from the Wheelchair crew. This one is
detuned and dirgey, sloppy and barely structured, but I'm enjoying it in spite
of (because of?) those qualities. It sounds as if this was mostly improvised and
vocals were added later. Food's vocals are great on this, really angry and
harsh. If this was either shorter or better rehearsed it would probably be
really good. I suppose that's missing the whole point, though.)<br /><br />IMPETIGO
- "All We Need is Cheez" CD (This is a CD reissue of their first demo, recorded
live in 1987 if I remember correctly. It's a soundboard recording and it sounds
pretty good. A lot of these songs are more HC sounding, less serious. I actually
like these goofy songs more than what came later, they remind me of Stikky.
Stevo's stage banter is awesome, sometimes funny, sometimes abusive. I have a
bunch of their old shows on VHS from this era that I got from their guitarist,
Mark, with similar abusive remarks hurled at the apathetic audience. As a
citizen of Iowa, I can relate. This is a fun release, reminds me of my late
teenage years. Weird hearing a Skafish cover on here.)<br /><br />INHUMATE -
"Ex-Pulsion" CD (I used to get death metal promos all the time when I did
Mortville. I'd accept them, send something back in trade and we'd spread each
other's flyers around. Inhumate sent me two of their promo CDs and I wasn't into
either of them at the time. In fact, with the exception of Krabathor that whole
late 90s death metal scene didn't appeal to me at all. Listening to this again
today for the first time in over a decade I'm still not into it. It certainly
seems well played and the vocals are brutal, but I'm not enjoying
it.)<br /><br />INHUMATE - "Growth" CD (Growth? Not really. This sounds about the
same as the above CD.)<br /><br />THE KILL - "Demo" CDR (This is the CDR version of
the demo tape, limited to 100 copies. Most of these songs were released on their
split 7" with Retaliation, too. If I remember correctly, this CDR happened
because I took to long to get the 7" out and they were eager for people to hear
this material. It didn't effect sales of the 7" any. It sold out quicker than
most of my releases. I had the opportunity to sit in on one of their rehearsals
before this was recorded and knew right away I wanted to release something of
theirs. This is still my favorite The Kill recording and Neil was the best
vocalist they had. His vocals fit perfectly with the hyper-fast blasting
grindcore they were doing. The tinny recording works perfectly, too. Love this
shit.)<br /><br />KITA - s/t CDR (Mid-90s stoner rock from Iowa City with songs
about cars, sluts, drinking and drugs. There was a period where they seemed to
open for every single band I saw at Gabe's Oasis. Musically they're fairly one
dimensional. The songs all hinge on the one riff repeated for 5 minutes or so.
The vocals sound okay when he has a lot of words to sing, but on the slower
songs there's a tendency to draaaag oooout aaaaalll the words on the vowel
sound. I don't know any of these guys, but from what I've heard from other
people, they're the real deal. Their songs aren't fantasies put to music. If
this stuff sounds sleazy and dirty, it's likely they're singing from experience.
For me, that's equally impressive and off-putting. When you remove that tongue
from the cheek it becomes a whole lot less fun, and when you're not really into
this style of music in the first place you're not left with much. The recording,
however, is awesome, especially the thick fuzzy bass that carries most of this.
If you're into Cavity, Eyehategod and Buzz'oven, you'd probably dig this. I'm
not really into any of those bands, either.)<br /><br />LABRADFORD - "Mi Media
Naranja" CD* (Man, this CD is great. Totally mellow and soothing with lush
guitars, simple drum accompaniment, rolling organ sounds and minimal piano.
Again, it's the lack of those silly post-rock dynamics that makes this a stand
out in that genre. Everything creeps along at a steady pace perfectly. This
reminds me of some of Vangelis' earlier stuff and of Eno's excellent ambient
albums. It's a bummer about the vocals on here, but they're infrequent enough to
forgive.)<br /><br />LABRADFORD - "Prazision" CD* (This one starts out with a long
dark ambient piece, then moves into similarly dark post-rock stuff and returns
to more noisy dark stuff throughout. There's more vocals on this than on their
other albums, but they're all mumbled and really low in the mix. Occasionally
things cheer up a bit, but it goes right back into more sombre sounds. This CD
is great, but way different from the above disc. I appreciate this kind of range
from a band.)<br /><br />LASSE MARHAUG - "Science Fiction Room Service" CD
(Reeeeeeeeeeee!!!! Skrshrrrrrrrrrr!!! Xxxxxxshrhkkks!!! Bdrpbdrpbdrpbdrp!!!
Wrrrrghrrrsh!!! for 62 solid minutes.) <br /><br />LEBPROSIAKA - "6 Song Promo" CDR
(Seb from Antigama sent this to me years ago, said it was a "punk" band he was
playing with on the side. I guess this <span style="font-size: small;">m</span>ight be "punk" in comparison to
Antigama, but there are a lot of grindcore bands that strive to be this heavy
and come up short. Most of this is thick and crusty with super heavy guitars and
pitch-shifted vocals that sound like the first Haemorrhage album. I can't tell
if they're using a drum machine or a live drummer. The drum sounds are totally
realistic, but they're stiff and mechanical. This is pretty good, but I don't
remember hearing anything more about this band after this promo.)<br /><br />LETTUCE
VULTURES - "Egregious" CDR (Lettuce Vultures are great. I like Food's work the
most when he works in aggressive styles of music. While the recording on this
CDR sounds fairly wimpy and the drum machine isn't anywhere near as tough as
"the punk drum beat maker", these are really good punk/HC songs. Played by
anyone else this stuff would be tough as fuck, but the strange recording and
vocal delivery makes this unique. I'd like a little more snarl on the vocals,
but this works for me.)<br /><br />MACHETAZO / ABSCESS - split MCD (I had copies of
this for sale once and forgot to keep a copy for myself. I was happy to find a
copy years later in someone's sale list online. Machetazo are great. Sure, I
like their old demo material better, but they do a decent job of capturing that
old death metal feeling with these tracks. The drumming is way fast on here and
the guitars are filthy sounding. The high vocals are a little irritating, but
the lows sound great, especially on the blast parts. Their last is a mid-paced
song that crushes. Abscess are hit and miss for me. Most of the time I just want
them to sound more like Autopsy, and there are too few moments on these tracks
that do. Those guitar solos however? Fuck.... So damned good. The production is
good, but some more bass would have been nice.)<br /><br />MASSICK - "Discography"
CD (These German grinders are all over the place with adding different genres
to their music. It's not unlike Le Scrawl's approach, but instead of clean
breaks into different kinds of music, the genre changes sometimes take over
entire songs. There's some straight-up grindcore, crust, pop punk, jazz, ska,
funk and indie rock thrown into the mix. Somehow it all works, and I usually
hate this kind of stuff. It reminds me of Mexican Power Authority, who I
love.)<br /><br />NETJAJEV SOCIETY SYSTEM - "New Tracks 2004" CDR (Magnus sent this
to me as a promo, I assume because he was looking for a label. I had too much on
my plate at the time, else I would have jumped on it. 12 songs on here, all of
the scuzzy fast variety channeling Rupture. I don't remember which releases
these songs ended up on, but this stuff rages. The recording is a little thin on
the second half, but the songs are solid. The cover is a folded up piece of
black construction paper with a sticker on it. I wonder if it's worth
anything?)<br /><br />NIHILIST COMMANDO - "Demo 2002" CDR (NC were a breath of fresh
air for the noisecore scene when they came around. A lot noisecore shit was
getting stupid and sloppier, all jokey. Nihilist Commando came along and made it
all sound dangerous and serious again by playing furious, stripped down blasts
of angry noise. This wasn't a throwback as Mikko's been doing this stuff since
it's heyday. Instead, this plays as a complete rejection of all of the
innovation that's happened over the years. This is completely stripped of humor
and completely fucking angry.)<br /><br />NIHILIST COMMANDO - "Demo 2005" CDR (Same
scenario as above, only longer in duration and with shorter songs. An
unrelenting barrage of hate and noise.)<br /><br />THE POOPS - "Sandwich Cake Glob"
CDR (The Poops are like the Special Olympics version of Renaldo & the Loaf
and "Commercial Album" era Residents. I want to like this, but it's just so damn
stupid. I will say that the longer this plays the more I seem to like it, but
I've got a long way to go. Some of the percussion tracks are really inventive,
so points are awarded for that alone. 73 minutes of this stuff is
excruciating.)<br /><br />SHOCK TO THE SYSTEM / THIS VIOLENT WORLD - "Deathgrind
Massacre" CDR (I'm pretty sure these were both pre-Green Terror projects. Shock
to the System play solid mid-paced death metal with some "chugga-chugga" riffs
and breakdowns that happen often enough to wear out their welcome, but there are
some decent riffs, great recording, etc. It's a little silly, but most death
metal is. This Violent World has more of that mechanical Depressor sound that
Green Terror has. It's definitely a step in the right direction.)<br /><br />SLOTH -
"It's Not Our Worst AKA Progress?" CD (This might have been my introduction to
Sloth. I listened to this thing all the time when I got it and it was still in
heavy rotation for years after that. This is a compilation of songs from their
earliest releases with a couple of unreleased tracks mixed in. Wonderfully
sludgy stuff, well written with interesting vocals, great sound quality and
great use of dynamics. This is excellent, though I would have liked a little
more info in the scant one panel insert. Listening to this now makes me hate
their new shit even more. If they still sounded like this I'd still be going
crazy trying to pick up every release.)<br /><br />SNOWY PLOVER - "The Best of Snowy
Plover" CDR1 (I got this from Dave of Wuzor and Funeral Shock fame. This was one
of his bands before Wuzor. This doesn't sound too different from Wuzor,
actually, only recorded a lot worse. These songs are a mixture of sludge/doom
and rock, in the same way the Melvins blend the two. Some of the ideas are more
developed than others, but it all works and there's lots of overdubbed noises
and samples throughout. The recording sounds like it was done on a 4 track, but
it often sounds sort of distant. The slower, sludgier songs are crushing and
sound like old Sloth. I used to listen to this a lot when I first got it, but
it's been several years since I've heard it. I really enjoyed it today. I
haven't heard from Dave in years. I wonder what he's up to today?)<br /><br />SNOWY
PLOVER - "The Best of Snowy Plover" CDR2 (This is pretty similar to the first
disc. I probably could have written about them both in the same entry. The
recordings on this disc are worse than on the first. A lot of it sounds like it
was recorded live and the sound is completely blown-out on some of the songs.
The songs themselves are still really good, though.)<br /><br />SOCKEYE / PUNKU BOI
- split CDR (This was released by Lost Frog in Japan, limited to 100 copies and
was difficult to track down. Recorded right at the tail end of Sockeye's run
when their music had dissolved into almost total noise and the lyrics seem to
have been made up on the spot. This is my favorite era, totally stupid, like a
group of drunk friends fucking around having fun. A couple of these songs are
really good, but all of them are fun. Punku Boi are really, really fucking
noisy. It's probably just two people (maybe just one) as you never hear more
than one instrument and vocals at a time. The first track is drums, screamed
vocals and loads of feedback. The rest are just bass guitar and screamed vocals,
screamed so high and loud that this actually gave me a headache. This is a
single mic recording with loads of treble, completely harsh.
Fuck...)<br /><br />SPACEBOX - s/t CD (Guru Guru went to shit after Uli Trepte left.
Great bass players leave holes that can't be filled. Average bass players are
interchangeable. I never appreciated just how much he contributed to Guru Guru's
sound until I heard this CD. This sounds more like Guru Guru than their albums
that came after Trepte's departure. This is really jazzy, really experimental
and progressive. I suspect this would be difficult listening for a lot of people
as it's all over the place and his strong Teutonic vocals seem just to be spoken
at random over everything. I love this, though. The CD came housed in a
cardboard box with the name stamped on the front. I have the second album on
vinyl, but I haven't listened to it in years. I need to dig it out
again.)<br /><br />VIOLENT HEADACHE - "Rare Sessions 1991-97" CDR (Toñyo sent me a
copy of this a couple of years ago. His brother released it on his Face of
Belmez label and nobody got a copy. I bugged Toñyo until he was able to get me a
copy, then offered to re-release it on Mortville. The indexing and volume levels
were a mess on the original. I straightened all of that out and trimmed the
blank space from between the songs for the re-release. This is my favorite era
of their music and these recordings are great. Still really noisy, but lots of
great grind and crust parts. I made 100 of these and still have a bunch of them.
People don't know what they're missing.)<br /><br />WASTEOID - "Peeing Out the Butt
" Tour CDR (This is really early stuff for these guys, definitely before their
LP. Everything was in place from the beginning. Short, fast, manic and silly
songs with no real breakdowns to be found. Decent recording, nice release all
around. It took me almost as long to type this as it did to listen to it.
Cramming 9 proper tracks into less than 5 minutes is the way this shit's
supposed to be done. Good show.)<br /><br />v/a - "Those Were Different Times" CD
(This is a cool document of the early Cleveland punk scene from 1972-1976. The
three bands on here all sound drastically different, but they sound fine
together on this CD released by the great Scat Records in Ohio. The liner notes
say they shared members and sometimes songs. Mirrors are first on here with some
great garage rock stuff. Some of their songs would sound right at home on the
Nuggets box set. Raw guitars, sung vocals, plinky sounding keyboards and a
strong sense of melody. The recordings are mostly good, especially so
considering the conditions in which they were recorded. There's a great cover of
Rocket From the Tombs' "Frustration" with theremin instead of vocals. Their
songs are strong, but they're my least favorite band on here. I picked this up
for the Electric Eels songs, and they're my favorite songs on here. I have a 2LP
collection of EE stuff that's great, and because this CD contained exclusive
material from all three bands I had to pick it up. The Electric Eels were one of
the snottiest bands ever and one of the earliest examples of punk rock. Totally
raw, unrestrained punk rock from sketchy dudes making it up as they went. The
first songs on here with drums are blasts of energy, then shit gets weird after
that. "Now" is a weird, go nowhere song that sounds like they were just making
noise. "You Crummy Fags" is an anthem if there ever was one. With drums it would
have been one of the greatest and most covered punk tunes ever. Their set closes
out with some great live stuff. The audience's laughter is one of my favorite
things about this CD. The Styrenes are last and their chunk starts out with a
track of electronic noise generated by Styrene-o-Phones (broken fuzz pedals
rewired as noise makers). These noises make an appearance between most of the
songs, actually, and they sound especially strange in contrast to the more
folk-sounding songs on here like "Mr. Crab". There's some krautrock-ish
electronics stuff on here that was probably pretty groundbreaking here in the
states. All of The Styrenes stuff is strange and the songs all sound different.
I think I read somewhere that their drummer later joined The Cramps, but you
won't here any of that here. This is a great CD. I'm glad I picked up a copy of
it before it went out of print.)</span></span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com1tag:blogger.com,1999:blog-6769628625974601288.post-79413207320205193892012-10-10T07:13:00.000-05:002012-10-10T07:13:22.373-05:00My Two Cents: The Box of Skinnies Pt.1<div class="separator" style="clear: both; text-align: center;">
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<i><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">After going through the entire alphabet and all of my new purchases, I've decided to listen to all of the CDs in plastic sleeves, odd packaging and sizes. I'm transferring these to my iPod and listening to them in clumps. There's no self-imposed deadline this time, so no need for a daily breakdown. After re-reading some of my previous entries, it's clear that my writing has gone to shit since then. It could be that I'm less familiar with a lot of these CDs and I just have nothing to say about them. Whatever the case may be, here's the first installment. <span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Forgive the typos. I haven't had a chance to proofread this.</span></span></span></span></i><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">7 MINUTES OF NAUSEA - "Old Noises of the Roses" CDR (Another quality R.O.N.F.
release. I often don't like 7MON, but this old stuff is great. Two tracks in an
I'm over this stuff, but all of the stuff on this CD is good if you're listening
to less than 30 minutes of it at once. The live stuff on here sounds like
garbage, but it's really fierce sounding. The Rudi Rat CD tracks are my
favorite, though.)<br /><br />A.M.Q.A. - "Mutant Cats From Hell" LP<br />V/A - "Always
Catchin' Snot in the Wind" LP<br />IRON CHRIST - s/t 12"<br />C.O.C. - "Technocracy"
12" <br />(A collection of stuff I have on vinyl, but wanted to listen to at work
and in my car, so I ripped them and made this CD. I first heard of A.M.Q.A. in
the pages of Metal Mania zine sometime in junior high, then looked for this
album for several years based on the album title alone. I finally found a
cassette copy in 1997 at Wax Trax in Denver, then the LP at a record store in
Australia in 2000. It was everything I had hoped it would be: sloppy, fast,
thrashy and stupid. There are some guitar fuck-ups on the album left in, I
assume because they didn't have time to do another take before running out of
money. No matter... Compared to their more HC sounding 7" which I found a great
deal later, this one is more thrash metal/crossover in style. The vocals are
especially snotty, lyrics are really stupid most of the time, but occasionally
serious. This is great, too bad more people didn't hear it. "Always Catchin'
Snot in the Wind" is a great compilation released by Half-Assed Records
(probably their only release) in the late 80s at the tail end of the thrash
metal scene when the bands that didn't start playing death metal got really
heavy and fast. This is a D.I.Y., lo-fi affair, right down to the one color
cover art. Most of the bands' material sounds as if it was recorded under less
than ideal conditions, almost demo quality, but the songs are ripping fast and
aggressive. I searched forever trying to find more material from these bands
finding only a self-released 12" by MALICIOUS GRIND in Wild Rags. Just this past
year mp3s of MANIACAL GENOCIDE's demo surfaced and they were excellent, too.
Sadly, other recordings from RMSD (the best band on this LP) and THE DOUCHE
LORDS (Dino, pre-FEAR FACTORY), FUCK IT and MORTIS haven't turned up. This turns
up all the time in record stores and I always give it my fullest recommendation
to friends. I found this IRON CHRIST 12" in Australia, too. I had their "Getting
the Most Out of Your Extinction" cassette since junior high and didn't know they
even released anything before it. It's less technical, way heavier, faster and
more aggressive than the cassette I had. The vocals aren't nearly brutal enough
for these songs, way too much singing. It's pretty decent, though, well worth
picking up if you see it - but you probably won't. I think "Technocracy" was
probably the first C.O.C. album I heard, borrowed from my friend Chris. I prefer
their earlier material, by far, but this is still wholly enjoyable. It's also
the last C.O.C. release I can get into. I had this on cassette for years, but
picked up the 12" in Iowa City for a few bucks sometime in the late
90s.)<br /><br />ABERRAĆION / COLICO - split CDR (ABERRAĆION is a solo noise project
from Guayaquil, Ecuador. As noise goes, this is fairly mellow. There's some
rhythmic qualities to it, some pink noise sprayed over other noodling, some
speech samples, etc. I hate trying to describe this kind of shit, mostly because
I don't understand how it's made. It's very listenable, though, and held my
interest. Most of the time this stuff just bores me. COLICO, also from
Guayaquil, have been around for years and excel at the short blasts of noisecore
style. This recording, though, it treated with some weird effects and it's hard
to tell what's going on, which instrument is making what sound, etc. Most of the
tracks are only a few seconds long, as long as the blank spaces between the
tracks, so there's this weird start/stop thing going on at all times. It's like
a gapper effect was added to the entire session breaking it up at random
intervals. It probably would have been more enjoyable had they left the session
one long track without the spaces.)<br /><br />ANAL INAUGURATION / DEEP FRIED EMBYRO
/ STAN DARSH - 3 way CDR (I have no idea where A.I. and S.D. hail from. Jason
from D.F.E. released this and sent it to me. A.I. do a total sewage harsh-noise
thing with lots of feedback and vomiting vocal sounds. Definitely lo-fi, but not
so shitty to make me want to skip past their tracks. I can handle this sort of
think for up to 10 minutes or so. Luckily, it was over with within that span and
it was still enjoyable. D.F.E. are great, never straying far from the
noise/grind formula. This material sheds structure almost entirely leaving just
short noise bursts broken up with funny samples. It sounds like a 4 track
recording. The drums are a little weak in the mix, but everything else blends
together nicely to make a big audio mess. This STAN DARSH stuff isn't very good.
Its some guy screaming through a distortion pedal over Casio drums. Everything
is pushed into the red so the recording crackles throughout. There's audio from
an entire episode of Beavis & Butthead on here as an outro.
Weird...)<br /><br />ANTI-CIMEX - stuff CDR* (Some of this stuff I downloaded, some
I ripped from my vinyl. The "Anarkist Attack" 7" is on here along with the
"Raped Ass" 7", "Victims of a Bombraid" 7" and the "Scandinavian Jawbreaker"
12". The second and third EPs are the best, but the first is really good, too.
I'm not too into the 12" on here, but burned it after downloading it thinking
I'd grow to like it. I didn't. It reminds me of those POISON IDEA albums I could
never get into.)<br /><br />ARMENIA + POTABILIZADORA - "Armenbilizadora" CDR (This
was an endurance test to sit through, but mostly because of it's length. Two
greats in the underground noise scene hooked up for this collaboration and the
results are pretty much what I expected: throbbing, mechanical noises with
layers of feedback and distortion over it. I have no idea how this was recorded,
but it sounds as if both parts were recorded separately then just dropped in so
they both play at once. Even if this were the case, it sounds good this way. I
heard what I thought was a sample from a porno movie half way through, but it
was so far in the background it was hard to tell what was gong on exactly. Not
quite HNW, but there's no letting up on this CD. It's brutal the whole way
through.)<br /><br />AXEMRANGERS - "AxemRangers Super Shit! Promo" CDR (I have no
idea where I got this one. So many of these CDs were sent to me and I never got
around to listening to them. When I go to load music on my iPod, I always go to
my CD wall, never my box of CDs in sleeves. I had no idea what this even sounded
like until just now. Turns out it's more harsh noise stuff, 68 minutes of it. I
get the urge to listen to this kind of stuff once or twice a year. I couldn't
even comment as to whether or not this is any good. I can only say that I didn't
enjoy listening to it at all, but probably because my ears are fried from the
ARMENIA + POTABILIZADORA collaboration. Sorry if anyone from AXEMRANGERS sees
this and feels shorted because I didn't give this a proper
run-down.)<br /><br />BARTHOLIN - "Demo 2010" CDR (This is the new project of Mike
from GOD'S DICK. Instead of spazzy HC/powerviolence stuff, these three short
songs defy classification. There's a slight black metal quality to it with all
the blastbeats and buzzsaw tremolo picking, but it's equal parts noise and doom,
also. I didn't like it when I first heard it and I'm still not sure about it
now. It's just too short and it changes too much to tell what the hell is
supposed to be gong on.)<br /><br />BENO - "Demo" CDR (BCM played a show with these
guys back in 2005 or so and I picked up this CD from them. By some strange
coincidence I worked with their drummer a few years later and had no idea it was
him until we started talking weeks later. Anyway, when we played with them they
played all instrumental post rock stuff, but this CD has a couple of punk
sounding songs with vocals on them. The majority of it is instrumental, though,
with lots of reverb-laden guitar playing plinky stuff that eventually crescendos
into an epic explosion of volume and cymbals. That whole style is predictable
and boring, but there was a time when it wasn't. When I bought this, that stuff
was still fairly new to me. This is pretty good, but I could do with a slightly
better recording. I love a noisy recording, but not on this kind of music. The
sound does improve greatly towards the end of the CD. There's some nice noisy
bits added as overdubs, too. Those sort of added touches are nice.)<br /><br />BIRTH
CONTROL - s/t CD (BIRTH CONTROL were a German rock band that existed for a long
time and released lots of stuff. Most of it was pretty terrible, but their first
album from 1970 is great anglo-style rock 'n' roll with lots of bouncy organ
playing. A good chunk of this is instrumental, but when there are vocals they're
soulful and very American sounding. There are long instrumental passages on here
that remind me of the earliest DEEP PURPLE albums. Musically, the two are
comparable, but DEEP PURPLE did this sort of thing much better. I loved this
when I bought it and listened to it all the time, but I'm not feeling it today.
Weird... My copy came in a round plastic case shaped like a birth control
container. There's another standard version with bonus tracks that came
later.)<br /><br />BITCHSHITTER - "Don't Fuck It!" CDR (This gem came from one of
the guys in SEÑOR LULULALO. I can't remember the guy's name now, but he used to
work for Rhetoric Records doing mail-order. I met him at a DROPDEAD show years
ago and we wrote each other off and on for a few years. This stuff is really
noisy, sometimes sludgy and always sloppy. There are songs that go nowhere, some
short and to-the-point noise blasts and some slow doomy tracks. It sounds like
these songs were all improvised, played once, recorded and never re-visited.
These guys are tuned FLOOR low and the guitar sounds are similar, but they sound
nothing alike. I haven't listened to this in ages and forgot how good this is.
Sounds like they had fun recording this stuff. The CD came in a hand-sewn cloth
bag with the band name spray painted on with a stencil.)<br /><br />BLOODY RECTUM -
"I Watched My Lesbian Die" CDR (Noisecore in the vein of FESTERING PUKE from
northern Iowa. Silly spoken/sang intros followed by a mess of noise. This isn't
anywhere near as hateful or offensive as FESTERING PUKE, though, just silly and
sophomoric. Fine by me, the world needs more of this kind of stuff. The
recording is pretty good on this one. Strangely, the vocals sound loads better
than the rest of the band does. It even sounds like there was some reverb added
at post-recording. I prefer Jason's other band, DEEP FRIED EMBRYO, but this was
a short fun CD.)<br /><br />BLOODY RECTUM - "10 Years of Beer Shits" CDR (I suppose
this is a celebration of their ten year anniversary as a band, but it doesn't
sound like a "best of" release. I could be wrong, but this all sounds like it
came from the same recording. These songs are even less structured than on the
above CD. No spoken intros, either, just straight-up noise. The drums aren't
particularly fast, and there's very few riffs at all. When there are discernable
riffs, they're almost always thrashy. This CD is a mess. Sounds like a bunch of
friends getting drunk and destroying their jam room. Sometimes pretension-free
garbage is better than everything else because it's done for it's own sake. If
you've never participated in a recording like this, you'll never know how great
this is.)<br /><br />BOY IN LOVE - "Gleegle Eagles" CD (I must have sold 80+ copies
of this thing over the years, maybe more copied than anything I've sold through
my distribution. As many as I sold and as long as I carried this, I forgot to
keep one for myself and it took some work tracking down a copy. Much like
Sockeye, I didn't like this much when I first heard it. Often is the case that
some of my favorite albums require some effort before it clicks for me. This is
an incredible CD, though, and the extra effort paid off. The singer, Scott
McHenry, is the real draw for this band. His vocals are at once irritating,
soulful, passionate and a complete disgrace. At times snarling, other times
slipping into falsetto for seemingly no reason, but most of the time just
sleazy. That he's singing so passionately about such ridiculous subject matter
is what makes this so interesting. The lyrics, I assume, are filled with
in-jokes, irreverent humor and numerous attacks on fat people. As a fat person
myself, for the longest time this kept me from fully enjoying this until one day
I decided I didn't give a fuck. I was a fool for being offended by a band who
wrote a song called "Sensitivity is Ignorance". Joke was on me, apparently. The
music is punk, but with somewhat of a folky overtone. I can't exactly pin what
makes me think that, either. Occasionally we're treated to some trumpet and what
might be the pussiest sounding keyboard ever recorded. These songs are catchy,
filled with hooks and you'll find them popping into your head randomly after
listening to it. This is a long CD with both old and new songs. The recording is
4 track, I think, but sounds great. Everything is well defined and mixed
properly. I wonder how many of the 1000 people that bought this appreciate how
great it is?)<br /><br />BREAKFAST ON JUPITER / DEEP FRIED EMBRYO - split CDR
(B.O.J.'s half is great improvised, mostly instrumental noisecore with sci-fi
synth noises in the background. It sounds like something CSMD might have done
early on in their existence. Nice boombox recording, too. D.F.E. are great, as
usual, but B.O.J. wins this round.)<br /><br />C.H.U.D. - "The Motherfucking CD"
CDR* (C.H.U.D. existed first, but all of their members but one ended up playing
in BLACK MARKET FETUS. They formed as teenagers in high school in the 90s out of
a love for HC, broke up, then got back together after most of them joined BMF.
They found they had an opening slot for just about every BMF show since their
equipment was already there on stage. Switch out the vocalists and BMF became
C.H.U.D.. I met them after they reformed and saw them live at least a dozen
times during that period. I became friends with all of them and offered to
record them on my 4 track. The results were just okay, mostly because of the
limitations imposed by only being able to record on 4 tracks, but the playing
was spot on. I know Zach was never happy with his vocals, but he never had any
confidence in his ability as a frontman. On stage he could hide behind
ridiculous antics, costumes and props - but playback on the tape was a sobering
experience, I guess. They released it as a demo, but I don't think anyone heard
it. I loved it, and C.H.U.D. were one of my favorite local bands (still are).
After the demo, Zach and I talked about co-releasing a C.H.U.D. 7", so they made
the trek down to my house again and did another recording. The songs were faster
and heavier this time around. They recorded the vocals somewhere else and they
sounded a lot better this time around. Zach ended up moving and we lost contact
with each other until recently. The 7" didn't happen and these recordings went
unheard all this time. I made this CD of the two recordings to preserve them in
case I lost the tapes. The band was always confused as to why I supported them
to the extent that I did. BMF was a better band musically, but there was an
innocence and humor that existed with C.H.U.D. that appealed to me. Zach wasn't
a great singer, but he did it and put 100% of himself into his performances. The
shortcomings were what made the band interesting to me. As with my tastes in
grindcore, that sound of things nearly falling apart is the most interesting and
exciting aspect of this music and C.H.U.D. were at that line often. I love this
stuff and can't wait until more people have the chance to hear it.)
<br /><br />CARCASS GRINDER / HASHDUM - split CD (I really thought this idea of
releasing a split 7" worth of material on CD would take off, but it never really
did. Not sure what happened to this label (Oriental Noise) because I didn't
follow them, but their first two releases were in this format. CARCASS GRINDER
were an excellent violent/fast HC band that bordered on grindcore, but they had
a bad habit of releasing the same songs on every release. Their material here is
great and sounds good, too. If you owned a few of their other releases, though,
this is non-essential. HASHDUM are great, too. Their recording is totally
blown-out and distorted, super noisy Japanese HC. I would guess that most people
would be turned off by how noisy this recording is, but I love
it.)<br /><br />CATHETER - "Doomed to Not Exist" 3"CDR (These tracks came from a
recording for a full length they did but was scrapped for some reason. It was
recorded during that brief period when Nate from BMF was doing vocals for them.
It's dirty sounding, but easily as good or better than the other CATHETER
releases I have. I'd like to see the rest of this recording released some day,
but I doubt it will happen. Good luck tracking one of these down, I think it was
limited to 100 or so.)<br /><br />CHADBURGER - "Demo" CDR (UK fronted Korean HC
band. This is their only release, I think, and it's pretty good. Tight, fast HC
with shouted group backing vocals. I suppose it was inescapable, but it sounds
like a mixture of late-80s UKHC and Japanese HC, like CONCRETE SOX meets GAUZE.
The recording is a bit too clean for my taste, but the rehearsal recording at
the end is too lo-fi. Somewhere in the middle would have been nice, but for a
demo this sounds pretty good. The vocals are painfully high (in pitch, not
volume) and sound as if they caused the singer a great deal of pain in the
process. Maybe his voice is just naturally that high? Who knows... I was told
they started only writing songs about wrestling towards the end and that they
played their last show in August of 2012.)<br /><br />COLICO / CACASONICA -
"Clitorisario" CDR (COLICO are back with another total noisecore attack. No
structure, just short noise bursts 3-10 seconds in length on average. Rehearsal
quality recording, but a little "distant" sounding. Good stuff, but tedious
after a while. CACASONICA are terrific, the perfect blend of chaotic HC and
noisecore. They're my favorite band from Ecuador and this is one of their best
releases. One foot in the old school, for sure. I sold a bunch of these things
through Mortville.)<br /><br />COLICO / HANDICAPPED HANDJOB - split CDR (COLICO
again, not straying from the formula one bit. This sounds exactly like the CD
above, like it could have came from the very same recording session. H.H. are a
sloppy affair. This is my first exposure to them, so I can't say if this is
their (his?) usual sound, but it's reminiscent of old DECHE-CHARGE, but nowhere
near as good. Just a drum machine, a vocal mic and lots of feedback - repeat for
10 minutes. The beat doesn't even change, just a constant rhythm and "woo! woo!
woo!" for 10 minutes. There were only 30 of these made. That's probably a good
thing.)<br /><br />COLICO + ARMENIA - "Collaboraćion" CDR (I'm not sure what to make
of this CD. It sounds like Colicowas used as source material for ARMENIA to work
his magic over. Much like the G.B.N. and MERZBOW collaborations, the source
material is barely recognizable. It's cool because the result is several short
noise pieces, much shorter than usual for this kind of noise. The bad thing
about it is that all of it kind of sounds the same, but then again, all of
COLICO's material sounds the same so it's kind of inescapable. Half way through
this CD I lost interest.)<br /><br />COLLINS, PHIL - "Soft" CDR* (10+ years ago I
downloaded a bunch of Phil Collins songs and burned them to CDR, one with all
the upbeat and angry songs ("Hard") and this disc full of ballads. I've since
bought a bunch of his CDs legitimately, but saw no reason to throw these away.
Phil Collins rules, that's all you need to know. I've been a fan pre-American
Psycho, so fuck off.)<br /><br />DECHE-CHARGE / BIG FIST JOHNNY - split CDR (My
friends Bill and Brian from JUHYO came down from Minneapolis to play the very
last BILLY CRYSTAL METH show. While they were here, we recorded a bunch of
noisecore stuff. Brian had never played bass before in his life, but that was
the instrument he was assigned. Bill had some experience as a drummer, so we
just started blasting away. Nothing was written or rehearsed beforehand, just
recorded straight to tape with no mixing or overdubs. We all thought the
recording turned out pretty well, so I found a band to split it with.
DECHE-CHARGE were my first choice, and surprisingly they agreed to do it. Their
half of this split sounds like 3 recordings played at once: one on the left, one
on the right and one dead center. The result is a giant wall of sound, non-stop
blasting and noise. This was released right at the end of my physical product
days and at that point I had given up on trying to sell anything. I made 200 of
them and still have a good chunk of those left. If I ever made a trip to
Minneapolis, BFJ will record again. We already have a concept picked out and
everything.)<br /><br />DEEP FRIED EMBRYO - "5 Years of Shitty Noise" CDR (9 minutes
of maxed out noisecore cut-up with silly samples. This particular release is
really aggressive sounding, total sonic violence. The vocals sound like a
cornered animal fighting for its life. The stupid samples really conflict with
how intense this noise is. It's strange hearing them paired with stuff this
brutal. This is really good.)<br /><br />DEEP FRIED EMBRYO - "Asshole Casserole"
CDR (I think this is one of their older releases. It's not as fast or as intense
as some of their later recordings, but as far as modern noisecore goes, it's
still really good. 20 songs in 6 minutes, no intros or riffs on this
one.)<br /><br />DEEP FRIED EMBRYO / CxWxCxFxLx - split CDR (D.F.E. are great on
this one. Same style as the others, just more precise. The recording is really
good and everything works this time around. No clue who CROCODILE WITH
CROCODILES FOR LIMBS is or of they have other releases, but it sounds kinda
wimpy after D.F.E.'s assault. Drum machine, metalcore guitar stylings and spazzy
Mike Patton-like vocals that I find annoying. I'm not into their side at all. At
least their songs are short. This was limited to 40 copies, probably long gone
now.)<br /><br />DEEP FRIED EMBRYO / HANDICAPPED HANDJOB - split CDR (At this point
I've run out of things to say about D.F.E.. They're consistently good, so if
you've liked one of their releases you'll probably like them all. H.H. sounds
pretty much like they did on the COLICO split, a bad impression of early
DECHE-CHARGE. Ten minutes of a single beat with screaming over it, no variation
whatsoever. I'm not enjoying it anymore this time around. It's not terrible,
just terribly lazy. Limited to 30 copies.)<br /><br />DEEP FRIED EMBRYO / NOISE
HELVITI - split CDR (This is my first time hearing NOISE HELVITI, and it's the
only time I've even heard of them. It's hyper, always changing harsh noise stuff
with a lo-fi recording. No clue how it was created and usually this kind of
stuff is irritating to me, but it was over with before that irritation set
in.)<br /><br />DEEP FRIED EMBRYO / NOISE NAZI - split CDR (NOISE NAZI is one guy
from France, I believe. He used to post on the Swampfoot forum when it was still
around and he asked, like, every user if they would do a split with him. I'm
sure I have other splits with them in my collection, but I had no IDE what they
sounded like before today. More harsh noise stuff, decent recording, and shorter
songs that sound like multi-track recordings. Each of their tracks sound
different and within the songs there are lots of different sounds going on
instead of one constant noise the whole time. This is a lot better than I
thought it would be, but still not something I'll listen to
often.)<br /><br />DERANGED INSANE - "Grinding Audio Terror: Three Demos" CDR (I got
a handful of these from Old Grindered Days along with some other stuff.
Comparing these songs with my demos I ripped and posted online, I'm pretty sure
they're the exact same files. D.I. were a grind/noise band from Brazil that
relocated to Japan, then moved back to Brazil, added more members and changed to
more of a straight grindcore sound. These three demos ("Death", "Deranged" and
"Lament") are from their old grind/noise days and are similar in style to
demo-era TUMOR, especially on the third demo when Cynthia switches from bass to
guitar. Competent drumming, solid playing and angry vocals. Their newer stuff
I've heard is great, too, but this was the material that made me want to do a
release with them on Mortville.)<br /><br />EARWIGS / HAM SANDWICH AND THE DONALD
FLASHBACK MACHINE - split CDR (I'm beginning to think all I have in this box of
CDs is harsh noise and retarded shit.)<br /><br />FACIOUS KAHN - "Snowbush Fight"
CDR (I'm going to go out on a limb and say that this is my very favorite
post-Sockeye project from the Wheelchair crew. It still kinda sounds like
Sockeye, but super-charged and really angry with the same stupid/tough lyrics
that made "Beefing Ting Ting" great. The recording is spotless, courtesy of
Poopy and Moondog Studios, and Food's vocals are mixed loud enough to make out
every brilliant line. There's even a blastbeat or two, for fucks sake. All of
the WCFOOM releases are great because they're genuine and free of pretension
(music recorded for music's sake), but occasionally it's just fucking great no
matter what. This is one of those instances.)<br /><br />FARTMONSTER - s/t CDR (Man,
what a mess of a CD. The brainchild of B.C.A. of The Earwigs fame, his goal was
to record the most disgusting shit ever. The end result is stream of
consciousness guitar playing with the occasional recognizable riff and vomited
vocals, fart sounds, etc. All of this is chopped up with farting, pissing,
coughing, spitting, puking, belching + nose blowing noises. Sounds like
everything was recorded on a boombox, occasionally maxing-out the condenser mic.
This is really funny, but 60 minutes is way too long for this sort of thing. I
think this CD compiles two different releases, though.)<br /><br />FEEBLE AXIS - s/t
CDR (How to describe this stuff? It's vaguely "Hardcore"-era Devo-like with
vocals similar to Booji Boy's, but it also sounds like mid-70s Residents. It's a
lo-fi affair, very mellow and plinky; both techno and punk, like a less
aggressive version of Volkswhale.)<br /><br />FUNERAL MONGOLOIDS - "New Wave of
Mongoloid Heavy Metal" CDR (Brilliant old school style noisecore from Finland.
20 minutes of short noisy songs, probably all improvised, with a blown-out
recording that makes it impossible to decipher what exactly is going on. You
can't even tell there are drums behind this mess most of the time. A beautiful
mess, one of the best recent noisecore bands.)<br /><br />FUNERARY BOX -
"Hell-Hammered" CDR (First wave death metal with a touch of black metal and a
sense of humor courtesy of Poopy Necroponde and Doug from Brody's Militia. It's
clear these two love metal and they pull it off really well. It doesn't sound
jokey, exactly, but there's definitely shenanigans going on throughout. The
vocals sound like Robert Deathrage most of the time, probably unintentionally.
These 6 songs are fun, heavy and memorable. Look out for a MLP on Rescued From
Life in the near future.)<br /><br />GORGONIZED DORKS / DEEP FRIED EMBRYO - split 3"
CDR (Today is my first time listening to this. GD sound different on all of
their releases, this time around it's a mixture of noisecore, electronics and
harsh noise with really stupid vocals. Their half is mostly good, though
occasionally annoying. If this were on an unlabeled split with The Earwigs you'd
have a difficult time figuring out which project was which. There's a strong
shit-noise vibe throughout, in a good way. D.F.E.'s material on here is intense.
Really fucking harsh, like the recorder was placed inside the guitar amplifier
somehow. Short and to the point, just as it should be.)<br /><br />HEADS KICKED OFF
- "Discography 1996-1999" CD (Their 7" was one of my favorites back in the 90s.
I didn't even know they had other releases until I picked up this CD a few years
ago. Like a lot of great 90s bands, this straddles hardcore, crust + grindcore
equally. Jay later played drums for The Kill and fronted Fuck...I'm dead, and
those grindcore tendencies here here in H.K.O., too. Lots of nice blasting,
pissed off screaming vocals and sped-up crust riffs ala Napalm Death. This is in
the same vein as fellow grinders Warsore + Captain Clean Off, but a little more
hardcore sounding. Those Aussies knew what they were doing in the 90s. So much
quality shit, so many great bands. These guys were right up there with the best
of them.)<br /><br />HEP*Z - "Sings the Great North American Songbook" CDR (This
time around Ohio's sleaze merchants do a CD full of cover songs, everything from
ZZ Top to Circle Jerks to No Doubt. The results are about what you'd expect and
it sounds like they had a lot of fun recording this, but I'd rather have another
CD of originals. The cover of Glenn Frey's "Partytown" is excellent. I'm kicking
myself in the ass for not covering it in my own band.)<br /><br />THE INCINERETTES -
"Cthulhu Selassic" CDR (I'm sitting here listening to this with no recollection
of where I got it, who's behind it, etc when the bass sound gave it away. After
confirming it with the man himself, this is one of Macka (Scroungers) many
projects and he sent it to me as part of a trade many years ago. I'm embarrassed
to admit that today is my first time listening to it. I've enjoyed all of
Macka's output I've heard (and there's been a lot of it), so I'm not sure why
I've been sitting on this one all this time. Most of these songs are
instrumental with guitar, bass, drum machine and synth arrangements. When he
does sing, it sounds somewhat like Ian Curtis: haunting and desperate. The songs
are lose and fluid-like, like the soundtrack to a 90's indie film. At times it
takes on a sci-fi feel reminiscent of what Matthew Akers is doing now, but this
pre-dates Akers' work by a few years. Everything is really well done, not
complex by any means, but cleanly executed and with nice melodies. It's great
hearing those Scroungers tones in a different context. This is excellent, I
thoroughly enjoyed it.)<br /><br />JUHYO - "Mast" CD (This is great, but I'm
probably going to fag out on describing it like I do most noise releases because
I'm clueless as to how to do so. I like "noise" that tells a story and goes
somewhere. There seems to be a story behind this (obviously of a nautical
nature), but more importantly the sounds evolve and are sonically linear.
Describing the individual sounds seems pointless, but the transition of sounds
and the illusion it creates is what makes this great. "Mast" is one 30 minute
piece, but it goes by quickly. As a bonus, you get the same piece performed live
in it's entirety. There are subtle differences in the performances, but I know
from talking to the guys behind this that these pieces are mapped out and well
rehearsed. A wall of noise is sometimes very satisfying, but I'd much rather
listen to more stuff like this.)<br /><br />THE KILL - "Blast Beat'n the Shit Outta
PBS" CD (This is great. Fast, intense, pissed and sounds great for being a live
radio recording. I don't know who's doing vocals now, but he sounds like Bob
from Dropdead. Enough with these EPs, though. When do we get a full
length?)<br /><br />LABRADFORD - "E luxo so" CD* (It's been a long time now, but
years ago when I was listening to Godspeed You! Black Emperor I took to the
Internet trying to find similar artists. I mostly consulted Amazon's "people who
bought this also bought..." suggestions, then hit up WinAmp at Sandi's house to
download stuff because she had cable Internet and I didn't. I grabbed a bunch of
Labradford's stuff and burned it to CDR. Most of it was great. I don't know
anything about these guys, just their music. They seem to rely less on dynamics
and crescendos (those tired cliches of the post-rock genre) and more on lush
tones and creating melody. I didn't like this as well as GSYBE because of that,
but it's the lack of those forced dynamics that make this great now. Everything
is super clean, mellow and soothing. Lots of reverb, slow piano and the
occasional string arrangement make this a winner.)<br /><br />LABRADFORD - "Fixed
Context" CD* (This one is darker sounding, but still great. I seem to remember
putting their Peel Session at the end of this disc. I know the recording changes
towards the end of this CD and those tracks are even darker sounding, at times
crossing over into dark ambient territory. The above disc is better, I think,
but the first song on here is amazing.)<br /><br />LABRADFORD - s/t CD* (I can only
assume this was their first release. There's a lot more vocals on this one
compared to the others. There's also some shit that sounds like it could have
been lifted directly from one of GSYBE's albums. Still pretty good, but less
so.)<br /><br />LABRADFORD - "A Stable Reference" CD* (My second favorite after "E
luxo so". Still more vocals than I would like, but they're easy to ignore. I'm
ready to listen to something else, though.)<br /><br />LOBOTOMIZED - "Sperming
Through Scotland Promo" CDR (One of the guys in Bonesaw sent this to me as part
of a trade. They played some shows with them and had a few to spread around, I
guess. This is fun stuff, more than capable sleazy old school metal with nice
production and snarling vocals, but with some of the stupidest lyrics ever.
"Drinking beer with Satan"... "I came beer in your face"....These lyrics are
stupider than Dead's lyrics, but if you just have this playing in the background
and aren't paying attention, it's pretty good. There's even a Mentors cover on
here. Nothing I'd seek out or pay money for, but pretty good.)<br /><br />MALEVOLENT
SNEAKER TOOTH - "House Broken" CDR (A blast from the past! I used to trade with
this guy, but forget who it is now. He also did a band called Metric Cheese
Head, I think. I had also forgotten completely what this sounds like or if I
have even listened to it before now. Sounds like this could be a one man
project. This is a weird mixture of thrashy death metal, Sabbath riffs and 90s
alternative/grunge rock. The guitars are sharp and precise, sometimes chuggy and
the vocals switch between somewhat growly to properly sang. There's even some
rapping going on in one of the songs. It's unfortunate the drum machine doesn't
sound more realistic, it would improve my overall opinion of this if so. As is,
it's a nice break from all the noise I've been listening to, but not something
I'll listen to again anytime soon.)<br /><br />MARAX / DISTANT TRAINS - "Napalm
Zombie" 3" CDR (My friend Charles from Distant Trains gave this to me (thanks,
Charles). I have a lot of D.T. stuff downloaded, but this is the only release I
own a physical copy of. Marax do the harsh noise thing, loud and abrasive with
some nice squiggly noise that sounds like knives being sharpened under running
water. There's some vocal samples buried under this stuff, too, but you can't
make out what's being said. C3L is doing a split 3" with Distant Trains soon
with leftover material from our Homogenized Terrestrials split and, strangely,
it sounds fairly similar to this Marax stuff. We probably spent a lot more time
to achieve lesser results, though. D.T. is a solo affair of one Mr. Centipede
Farmer, a man with wide ranging musical interests and pretty good at whatever he
touches, musically. I suppose you could call this sound collage as it's not
really music. The first track has drum machine, bass and some other noises going
on creating a tense, creepy piece. The second track is a noise track created by
bass guitar (?) centered around a Nut Screamer sample illustrating the
awesomeness/ridiculousness of Steveggs. The other two tracks are even harsher,
but interesting throughout. I like noise with short tracks that change sound
frequently. This was pretty decent.)<br /><br />MASHER - "4 Demos" CDR (It's
difficult to tell if Masher were attempting to be a legitimate grindcore band
and fell short or if they had intended to play really primitive, sloppy
grind/noise. Regardless, the results are fantastic. Simple one part songs that
almost always end in a blast of noise, guitars out of tune and often out of
synch with the drums, two vocalists who sound as if they're ripping through the
speakers. Each song with a spoken introduction ala 7MON, this is a pure joy to
listen to. Those Brazilians really knew their noise. Bands like this were what
made the 90s great.)<br /><br />THE MIGHTY ACCELERATÖR - "Back From the Dead" CDR
(This is our second release. We made physical copies to have something to sell
cheaply ($2.00) at shows and put all of our first EP, "Soccer Mom", at the end
as bonus tracks. We recorded these songs last year right before our lead
guitarist moved to Nashville. I wanted to get his guitar playing on this
recording and thought it would be easier to do it at his studio and just have
him overdub his parts. After moving he found he was a lot busier than he thought
he would be any only got the rhythm tracks done. He sent me the tracks and I
ended up mixing them at my house with less than stellar results. In all, I think
it sounds closer to our live shows than the first EP did, but it's a bit more
abrasive sounding. I really like how the guitars sound, but overall the mix is a
little off. The songs aren't as good, either. Everyone picks their best songs
for the first release, as they should, so these were the songs we had leftover.
"This Hand Needs a Job" wasn't even worked out all the way when we recorded it
for this EP, but it ended up being my favorite song from this batch. Now that
we've added a second guitarist, we can finally start playing it out. This one is
bittersweet for me, but it's still pretty good, I think.)<br /><br />MOLOCH -
"Humane to Sheeps" CDR (Is "sheeps" even a word? Another one of those mystery
CDs I have no memory of, but has been sitting in my collection for a while. Two
long noise tracks, both of which sound like they came from a single sound source
ran through loads of reverb: slow moving and minimal, and really loud. This CD
reminds me of some of Stockhausen's noise experiments from the 60s. Cool
stuff.)<br /><br />MONGOLOID WITCHCRAFT - "Fetus of Our Demise" CD (I've probably
said this elsewhere, but Ian (the drummer and vocalist) was a mutual friend of
Ace's and I spent a week with both of them in Denver years ago writing and
recording some grind songs. Nothing ever happened with those songs, but while I
was there Ian explained that all of Mongoloid Witchcraft's material came from
long, totally improvised recording sessions. The best bits were chopped out and
vocals added after the fact. Once you know that, it's a little easier to enjoy
this stuff. It sounds like a grind band working out new material and having fun
in the studio. Some of the "songs" work better than others, some with more
structure, but all of it is nicely disjointed and bizarre. It gets better with
repeat listenings, too. If you see this, Ian, drop me a line.)<br /><br />NATURALS -
"Want Anal Sex" CDR (I'm not sure if that's the title or not, but it was the
only thing written on the disc other than the band name. This came in a broken
black plastic case with spray paint on the front, apparently limited to 17
copies and containing a mere 10 minutes of "music". Naturals is the noisecore
project of Andres from Cogs & Sprockets. The drumming on this is crazy fast,
the guitars and vocals barely audible over the blasting drums. A forced
comparison could be drawn to bands like ASHIAIP and Purulent Shitface, bands who
easily could be labeled grindcore if they toned things down a bit,added some
structure and recorded a little better. Where's the fun in that, though? The
sample to music ratio is about 1:1, a little irritating, but I suppose that was
their goal. This is great, too bad you'll never hear it.)<br /><br />NEOS - "End All
Discrimination + Hassibah Gets the Martian Brain Squeeze" CD (Fast, frantic and
super noisy early Canadian HC and an early example of accidental noisecore if
there ever was one. Their two 7"s collected on one CD by Break Even records.
Words can't describe how great this is, it simply must be heard to be believed.
The second EP is the better of the two, but both are great. This is some of the
greatest music recorded, period.)<br /><br />NETJAJEV SS - "Discography 2005-2006"
CDR (This was one of my releases. Magnus approached me about doing it since a
lot of his releases were going out of print. I loved NSS and jumped at the
opportunity to do it. Zach from Not Very Nice Records read about in in one of my
email updates and offered to go in on it with me, so it ended up being
co-released with him. I don't remember offhand which releases are on here and it
doesn't matter seeing as it's out of print now, but you can grab a free download
elsewhere on this blog. I went looking for my copy of this earlier this year and
found I forgot to save one for myself. Thanks to my friend Mike for procuring a
copy for me. I still get people emailing me looking for a copy of this all the
time, maybe more than any other Mortville release with the exception of the
Warsore 7", but Magnus has firmly placed his projects in that record collecting
scene playing into it completely. It's a shame. I really like everything I've
heard of his, but I'm not willing to play that game at this stage in my life.
I'm sure I've missed out of heaps of great music as a result.)<br /><br />NOISE
WASTE - "Demo '95" CDR (I'm pretty sure I got this from one of my Ecuadorian
friends. Noise Waste was a short lived noisecore project Mikko Aspa did in the
90s. I'm pretty sure I have a split 7" of theirs, but I can't remember for sure.
This sounds a lot like German noisecore bands W.B.I. and B.R.B., especially
during their blast parts. Really basic parts played as an intro, then erupting
into noise. The vocals are silly and crazed, really stupid like a lot of those
German bands were. It's remarkable that there's absolutely no crust influence on
here at all seeing as they're from Finland. The second side of this demo is a
lot heavier, both in style and sound. The songs are a lot shorter and a good
chunk of them don't have any real parts at all. Great stuff!)<br /><br />NOTOKEN -
"Detin Marinde Dopingue" CD (Notoken are Ecuador's longest running hardcore punk
band. I was first introduced to their music by way of their excellent split tape
with C.F.D.L., picked up one of their 7"s shortly thereafter and it was equally
great. Years later I found this CD in Crimes Against Humanity's website for
$4.00. It's a little slower and not quite as good as the other releases I have,
but still pretty good. The guitars are out of tune for the duration of this
entire CD. Normally that sort of thong doesn't bother me, but it does here. This
is anthemic HC with lots of group shouts and sung choruses, etc, but
ocassionally the vocals are all harsh and screamed - not in an emotive way, just
crazy and pissed like. The occasional sloppy blastbeat will creep in, too. I
can't pin what it is I like about these guys so well, exactly. Maybe their
borderline incompetence as musicians?Who cares?)<br /><br />ORBITAL BULL CHALLENGE
MISTAKE - "The Bo Diaz Machine" CDR (I really have to be in a certain mood to
enjoy most of Wheelchair Full of Old Men's releases. Today this isn't working
for me. Tomorrow it might, though. This is a copout, I know. Deal with
it.)<br /><br />PATISSERIE - "Kaibou No Dougu" CDR (You get used to listening to
something a certain way and it's already awesome, then something like switching
out a drum machine for a live drummer happens and it pushes everything over the
edge of awesomeness. I don't know what the story is behind these 4 songs, what
they were recorded for, etc, but I'm happy as hell I got a copy of it. I could
listen to this on a loop for an hour or more, but there's all this other shit I
have to listen to instead.)<br /><br />PATISSERIE - "Sarcofagal Necrofology" CDR
(The very first Patisserie release recorded when they were a 2 piece band. I
haven't listened to this in a long time. The riffing and drum programming are a
lot simpler than what followed. A couple of the songs sound like Dead or Butcher
ABC. There's even some dual guitar parts and harmonies that shocked me this time
around. It's still pretty good, but it doesn't sound anything like
Patisserie.)<br /><br />PIGBITCH / DEEP FRIED EMBRYO - split CDR (Another short one,
8 minutes this time. Pigbitch do short drum machine songs with toilet bowl
pitchshifted gore vocals. This kinda sounds like Gruesome Toilet, in fact.
D.F.E. are far more enjoyable. No progression from one release to another
(good!), just consistently pulverizing lo-fi noisecore.)<br /><br />PITBULL &
SCUM - "Unplugged Punk" CDR (Not sure if that's the title or if this even has a
title, but it was written on the disc. It's not really unplugged, either.
They're a duo from Australia consisting of a guy playing bass through an amp and
another guy playing one of those "Paper Jamz" toy guitars and singing. No drums.
It sounds like a mixture of Australian HC band Eunuch and Rancid Hell Spawn with
lyrical topics ranging from eating dog food, dumpster diving, diarrhea, etc.
It's pretty good in small doses. I don't think this is an official release, just
something the guy threw in with an order I made. If it was recorded a little
better it would be slightly more palatable. As is, this is pretty
rough.)<br /><br />POOPY NECROPONDE - "All You Need is Toilet Rock" CDR (Poopy's
solo outings have all been great. Working alone, I assume he has more time to
work things out. The songs are better written as a result, musically at least.
Some of the lyrics sound as if he just came up with a theme and made it up as he
went. I remember him saying he wasn't entirely happy with how this one turned
out, so he overdubbed a bunch of guitar noise over it to take focus away from
the songs themselves. The songs themselves are fine, but the added guitar noise
does add an interesting extra layer of sound that works well over this,
especially on the Flipper cover. There's already some nice noisy Greg Ginn-like
guitar noise on here as is. Lots of different genres on this one, all nicely
executed, and the recording is excellent, too. The label is selling these really
cheap, so there's no excuse for not checking it out.)<br /><br />POOPY NECROPONDE -
"Burlap" CDR (This one is even better than the above CD. It's a lot heavier and
darker, some songs sounding like Neurosis and Pink Floyd. There are some fun
bluesy romps mixed in and a terrific funk song, but primarily this is a heavy
album and it's done really well. Same great recording as above (minus the added
guitar noise), same great low price, too.)<br /><br />POOPY NECROPONDE - "A
Psychological Ku Klux Klan Meeting" CDR (I'm finding it difficult to write about
these albums because there's so much going on on each release. The one seems to
jump genres every song. Doing everything yourself allows this kind of freedom.
Even on the more earnest songs there are lyrical passages that bring laughs (see
"Power of the Lord"). Throughout listening to all of these I've been
consistently impressed with the quality of song writing and
playing.)<br /><br />POOPY NECROPONDE / WHALE FUCKERS - split CDR (Poopy's songs on
this one are really loose and jammy, with almost jazzy bass and drum
arrangements and surfy improved guitar playing. If this were instrumental it
would sound like the soundtrack to "Even Hitler Had a Girlfriend", but that's a
reference maybe three people will get. Whale Fuckers have a similar loose, early
90s soundtrack-like vibe on their half of this split. The vocals/lyrics are
stupider, but not enough to be annoying. There's a funny song about Erik
Disorder on here thats either mean spirited or good natured ribbing. This is
pretty good. I'd listen to more Whale Fuckers if the opportunity presented
itself.)<br /><br />PTAO - "Advance CDR" (I'm pretty sure this is the same material
as that series of three 3"CDs released by Kaz Records a couple of years ago.
I've already commented on those in my A-Z listening, but will say again that
this shit is awesome.)<br /><br />PURULENT SHITFACE - "Absturz Beim Kletterkurs" CDR
(PSF were an excellent grindnoise band from Germany that came and went pretty
quickly. I knew the guy behind this project from a message board and we traded a
few times. I loved their stuff so much I asked them to do a 3-way CD with C3L
and Whoretorn, but they broke up right after they agreed to do it and backed out
of the project. They were excellent, though, completely boiling down grindcore
to it's essentials leaving only screaming/blasting grindnoise devoid of any real
structure. They sound like an exaggerated version of Unholy Grave, but heaps
noisier. This is a short CDR, less than 15 minutes, and I'm not sure what sort
of distribution it got, but it was pressed to a 7" and should still be available
from someone if you wanted to check them out - and you should!)<br /><br />PURULENT
SHITFACE - "EEYOW 10 Songs" CDR (10 songs in less than 2 minutes. Nothing more
needs to be said.)<br /><br />RUPTURE - "Supernatural Sleaze Merchants" CDR* (Doug
from Brody's Militia put this together, I guess as a Rupture primer for the
uninitiated. It's a nice mix of songs, not the mix I would have made, but it's
enjoyable from start to finish. It would have been nice to have had less studio
and more of the rough sounding tracks, but it was a free download, so fuck it.
The flow of songs on "Jubilee" works better, but this works, too. I should host
this on the blog so people can download it and make their own
discs.)<br /><br />SAMUEL LOCKE-WARD - "Barely Regal Beagles" CD (SLW is a
singer/song writer/home recording weirdo from Iowa City. Some of my readers
would know him as the vocalist from Cop Bar who recently did a split CDR with
C3L. There are times I can listen to any one of his albums and be jealous of how
great it is. Sam has a knack for writing hooks that I'll never be able to
achieve and that really eats at me. Other times I can listen to the exact same
album and just be annoyed by it. I'm straddling the two today, but the last time
I listened to it I really liked it. Sam is extremely prolific, recording 3+
albums a year is nothing for him. In fact, he just released a 40 song double CD
last month. Music pours out of him at an alarming rate and I suppose some of it
is bound to be less than stellar, but the majority of it is really fucking good.
The sound on this CD is mostly good, probably a really good 4 track recording.
The songs are great, too. The problem this time around is his vocals. I know Sam
can sing really well - I've heard him do it on other releases, but his tendency
to fuck up his own vocals by over-singing for an exaggerated effect and pushing
them into the red is near constant on this CD. I'm sure his doing this and his
offbeat sense of humor is responsible for a large portion of his fanbase, but at
the same time, it probably keeps an equal number of people from listening to him
with any regularity. Like I said above, the last time I listened to this it
didn't bother me at all, but today all I could think about was how great this
could have been if he had just sang normally.)<br /><br />SCAT - "Final Mix" CDR*
(This was labeled "final mix", but there are subtle differences between this and
the finished version of "Addicted to Hell. None of them are worth going into
because this version isn't going to be made available to anyone, but I kept it
because of those differences instead of just throwing it out. There's a long and
detailed history of Scat I typed up elsewhere on this blog, so I'll give you the
condensed version here. They started out as a free-form doom/drone band years
ago, then slowly started adding more structure to their songs until the thrash
riffs took over and they kicked out one of the founding members because he
really couldn't play anything. After adding a second guitarist and tightening up
their sound even more I offered my services on bass to fill out their sound.
Things went kooky after that and I was kicked out of the band (read the other
post), but not before I recorded this CD with them. I can't listen to this and
enjoy it now because of the bullshit history behind it and the stupid shit that
went down. I can only enjoy it on a technical level because it sounds quite good
for one of my 4 track recordings, especially during that period. The guitars are
a little out of tune, but other than that it sounds really
good.)<br /><br />SCREWTAPE - "Let Noise Be Vomit" CDR (More harsh noise stuff, this
time from Australia courtesy of Andrew McIntosh. I don't know at what point
Macka started recording noise under all these different names or why, but with
the demise of The Scroungers he started doing noise recordings under the name
N:FIOS (Noise:For It's Own Sake). I always liked the idea of noise stripped of
all imagery and ideology. I mean, why couldn't noise just exist with having to
be about something? Attaching imagery to noise is sort of a copout, really.
Sound itself can't be about anything. I haven't my N:FIOS tapes in ages, but
this seems to be a progression in sound and in recording quality from those
days. Again, I'm not too big on this kind of noise unless it's in small chunks
and this stuff is broken up with interesting and engaging samples every few
minutes. The noise itself changes often, too, making this an interesting
listen.)<br /><br />S.D.S. - "Mandatory Recordings" CD (A guy I know released this
bootleg in the 90s, not because he wanted to make money from it, but because he
loved the band and was frustrated that most of their material was out of print.
Right after he made these, MCR did an official 2CD release making this obsolete.
I never realized how much S.D.S. sounded like Taste of Fear (particularly on
their s/t CD) until today. The vocals are quite different, but musically they
were pretty close. This is crusty, metallic, cheesy and filled with guitar leads
that don't really fit. The vocals are really over the top, sometimes bringing to
mind Sakevi's growls. I've never been able to get into this stuff, and I've
tried several times. Most of this Japanese HC stuff falls flat with me and this
style of crusty metal stuff does nothing for me at all.)<br /><br />SHITHOUSE -
"Lies, Stupidity and Cowardice" CDR (Abrasive one-man Australian noise rock(?).
I'm not sure how to label this stuff, but it reminds me of some of those
Amphetamine Reptile or Sub Pop bands like Six Finger Satellite or even The Jesus
Lizard. Sonically this is crammed full of treble and has more in common with
Rancid Hell Spawn (how many more times can I drop their name?). I love Macka's
vocals. Even when he's not singing HC style he approaches cartoon levels of
anger. All of the songs run into each other making this play as one long piece,
but it goes by quickly. This was difficult listening because of the guitar
sound, but I was smiling the whole time.)<br /><br />SHITHOUSE - "Relaxed and
Comfortable" CDR (Compared to the above CD, this is angrier sounding, the
guitars are a lot heavier and the vocals are easier to make out. Musically it's
more aggressive, too, almost tough sounding. Usually "tough" is insulting when I
say it, but not in this instance.)<br /><br />SMOTHERED BROTHERS - "Promo '05" CDR
(Man, I haven't played this in years. I knew this guy from the Relapse board and
got a bunch of these for distro. This is crazy drum machine grind with over the
top vocals and banjo and ukulele breaks. This is really well executed and heavy
as shit, fans of Monastat 7, Naked City and Exit 13 would probably like this
stuff. There's a great version of "Turning Japanese" on here, too. The best
thing about this, though, is that there is 30+ minutes of great 1940s big band
and traditional ukulele music tacked on the end, most of which is
Excellent!)<br /><br />SOCKEYE - "Red Salmon 2012" CDR (To coincide with the CD
reissue of the first Sockeye demo, key players in the Wheelchair camp got
together and re-recorded the demo in it's entirety. The addition of drums alone
goes a long way towards improving this seeing as the original demo was mostly
just guitar and vocals. They did a nice job of not changing things too much.
It's still really sloppy, stupid and fun. People that have bought this from me
have said they liked it more than the 1988 recording. I tend to
agree.)<br /><br />THE SONS OF SKIP SKIFFINGTON - "Warlords of Mars" CDR (A whole CD
of guitar abuse with what seems to be some sort of a spoken story over it, but
who the fuck could tell with the way these vocals were recorded? Every vocal
line is fried and distorted because of the fucked up recording. The "music" is a
single guitar track shredding on an amplifier as fast as possible making a god
awful wall of guitar noise. Nothing else, just the guitar noise and spoken
vocals that cut out constantly from being recorded all fucked up. 20 minutes in
a second and more structured guitar part joins in, but the original track of
guitar abuse is ever present. I can't say I enjoyed this one much. Sorry,
Skip.)<br /><br />SORDO - "Collection '08-'12" CDR (The earliest stuff with the drum
machine sounds almost exactly like Vilently Ill. Following that is a lengthy
looped segment of mellow-ish noise with mumbled, indecipherable vocals over it.
Here we get into the meat of the disc: angry HC powerviolence played by kids
half my age in California. Losing a guitarist, but gaining a live drummer, Sordo
sound similar to the powerviolence bands from years past. Often the vocals sound
like Infest or Lack of Interest. Most of the lyrics are in Spanish, so I have no
clue what the songs are about, but the stupid samples they chose to use between
their songs show they don't take themselves too seriously. There are a couple of
tracks on here that are sped-up versions of their split, but for the most part
they get increasingly better as a band as this CD goes on. I'm looking forward
to hearing what comes next.)<br /><br />SPLATTERREAH - "Reh/Demo '89 #1" CDR (I have
a cassette dub of this I got from Dan Charge that sounds like shit. I traded for
this CDR from a guy in South America hoping it would be an improvement, but it
sounds even worse. From what I can hear, this is killer old school death grind
with one of the most monstrous bass sounds ever. The drums are almost inaudible
on this CDR, though. Someone needs to release this shit
officially.)<br /><br />SUPER FUN HAPPY SLIDE - "Rehearsal Demo" CDR (This was their
second demo, apparently. My friend Dav sent me a download of their first demo
recorded with a drum machine as a one man project and it's awesome, too. I heard
this one first, though. At one point Mortville was cool and great bands would
send me demos all the time. Towards the end it was mostly shit, though. These
guys play dirty grindcore with pitch shifted vocals, lots of blasting and crust
riffs. The sound quality is clean enough to make out everything fine. I was
worried their full-length would be shit if they cleaned up their sound too much,
but it's nice and dirty sounding, too. Strangely, this demo ends with the same
Airplane sample that was used on the above Sordo CDR.)<br /><br />TEA PARTY VIOLENCE
/ D.F.E. / STUMP - 3 way split CDR (I haven't heard from Mike in a while, but we
used to trade years ago. This stuff is weird, a mixture of techno, gore,
hardcore and noise. D.F.E. sound like they always do. Jason needs to collect all
these 5 minute splits and put them on one huge CD. Stump is decent drum machine
goregrind with pig vocals and lots of samples.)<br /><br />THAT ONE BAND - "Cripple
Sandwich" CDR (This collection CD was released by Wheelchair Full of Old Men.
Man, if you ever wished Sockeye recorded more material (and who doesn't?), you
should turn an ear towards That One Band. They're similar enough that you might
have been able to trick me into thinking it was Sockeye at one point in my life.
Musically TOB is slightly heavier sounding, but Tim's vocals sound really
similar to Food's. I could go on more, but that's all the endorsement you need,
really. This is excellent. Someone needs to release that Schlitzkreig stuff
now.)<br /><br />THEE PRETENTIOUS BANDNAME - s/t CDR (Instrumental rock from Macka,
recorded while he was still doing Scroungers, I think. This is pretty good, and
there's some nice use of dynamics on here. Im at a loss as to finding bands to
compare it to, but that's okay. Nice 4 track recording with the bass guitar way
out in front. Really melodic and upbeat sounding, a departure from the harsh
sounds he usually generates, but I dig this. At 80 minutes, though, this is an
awful lot to sit through at once.)<br /><br />TRAVIS - "Digitillation" CD (I think I
got this one from Reality Impaired. I don't think I've listened to it before
today. It's another one of those difficult to describe albums that doesn't
really fit in any genre. Some of the tracks are really noisy, others are just
weird. The singing reminds me of early Suicide. Most music this noisy and messed
up doesn't have as many vocals as this. There's singing over pretty much all of
this and it's at odds with the music behind it. I'm not into this at
all.)<br /><br />VENNT - s/t CD (This is really good, like Khanate and M.I.T.B., but
with slight black metal overtones. Slow, plodding, brutal drum and bass doom
with a high pitched theremin-sounding noise over most of it and tortured,
screamed vocals. The whole thing sounds desperate and bleak.)<br /><br />VOMIT SPAWN
- "Promo 2001" CDR (This is even better than I remembered it being. I've been a
fan since their demo, but my tastes were changing around the time Ern sent this
to me and I don't think I listened to it more than a couple of times before
filing it away. This is great; totally spastic grindcore with crazy as fuck
vocals and full-on blasting drums. The guitars could have been a little heavier,
but that might have just pulled focus away from the drums and vocals. I'd have
to check and see what this was an advance for, but I'm thinking it was the 3"
they released.)<br /><br />WARSORE / DISPEPSIAA - split CDR (I love Warsore as much
as the next guy, but the live gig on this split CDR sounds like garbage. There's
no reason to listen to garbage versions when my 7"s still play just fine. It's
cool to be able to say your band did a split with a legendary grindcore band,
but I'd rather hear two younger bands on a split working things out and killing
it than throw-away tracks from a band that no longer exists. Bands like
Dispepsiaa from Brazil that showed promise even on their earliest recordings and
ended up wiping the floor with the competition towards the end (okay, so there
is no competition. Give me a break, I'm sick of writing this shit). Their tracks
on here are nice Napalm Death styled grindcore with a swell home recording. The
high vocals are funny, but the rest of this is raging.)<br /><br />YESMEANSYES /
7MON - split CD (YMY are an old Finnish noisecore band. I have a bunch of their
stuff on tape and vinyl, but I hadn't heard anything from them in a long time
and thought maybe they had broken up. This was released a couple of years ago
and it's really good. The YMY tracks are great and sound a little like old
Senseless Apocalypse, but less "fun". A lot of time 7MON's material falls flat
for me. I've been on the fence with these guys since first hearing them, but I
keep buying their stuff thinking some day it will click for me because I know I
should like them. This isn't doing anything for me.)<br /><br />ZILLION / PATISSERIE
- split CD (I'm not really into this sort of lazy goregrind stuff, so I couldn't
say if it was any good or not. None of these bands striving to sound like Gut
have been any good, ever. In the process they've made me like Gut's music a lot
less. Patisserie, on the other hand, are great as usual. This recording is
great, everything sounds perfect. Totally sick and unrelenting.)<br /><br />v/a -
"Audio Terrorism" - CD (This thing is a nice snapshot of the 1990's
noise/powerviolence/HC scene. 99 bands in 50 minutes, only three tracks break
the 1 minute mark, two of which belong to the guy that compiled this. It's great
to hear so many stupid bands (Tear You a New Asshole, Soiled, Lord Zillablaster,
Sockeye, etc) mixed in with all the heavy "real" bands. I had no memory of
Rupture being on here. Weird... Having put together one of these monster
compilations myself, I know how much work it was and they pulled it off really
well. I still think it's stupid for doom bands to be doing 10 second songs, but
the rest of this is awesome. I'm glad C3L got to be a part of this mess. You can
download this for free at Grindcore Karaoke now.)<br /><br />v/a - "Building the
World Out of Shit and Cork" - CDR (Another gem from WCFOOM. Dick Panthers do
some cheesy lounge music with stupid lyrics. The results are quite good and
they're probably the best band on here. Lörsson are a really noisy punk(?) band
from Finland with a boombox recording. Their songs go nowhere, but are over with
quickly. Loving Couples are pretty stupid, but occasionally funny. The music is
cartoony and the vocals are really, really dumb. Compared Meats are pretty good,
too, doing a couple of Rolling Stones covers with silly vocals. After Dick
Panthers, they're the best band on here. Someone is Tired closes out this thing
and are pretty dumb, too.)<br /><br />v/a - "Crimes Against Humanity Records
Sampler" - CDR (Nick tossed this in with one of my orders. I didn't order from
CAH often, but he did have some great stuff in his distro. As a label, he tended
to release grindcore that was more on the crusty end of the spectrum or shit
that sounded like later Neurosis and a lot of it didn't interest me. This
sampler works as it's own release, though. I just don't think I could sit
through an entire release of most of these bands.)<br /><br />v/a "Cucumber Tart" -
CDR (Another WCFOOM compilation of silliness. Rotting Geese starts things off,
sounds like Food on vocals over some broken acoustic jams. The Bible Thumpers
are up next and feature at least one of the dudes from Vaginal Discharge singing
faux-blasphemous folk songs. L. CaMINO sounds like another one of Food's
projects. The guitar sound matches Fossil Fuel's almost perfectly. This is
pretty forgettable, really. Vaginal Discharge's songs are live, but great. Bison
sounds like drunken bedroom-core from Poopy Necroponde. It brings to mind that
old Crotch Damage tape he recorded years ago. Slop Cake is noisy, weird stuff.
Blllloclingk the Newton Sprangk rules, totally pathetic and desperate in the
same way Cauliflower Ass & Bob is. Beeber and the Gab Gads offer up one song
only.)<br /><br />v/a - "Everything Make You Shock" - CD (I have no clue what this
is or where I got it. I don't know any of these bands outside this CD, either.
There's a nice mixture of grindcore, crust, fast HC, etc with varying levels of
performance and sound quality. Nothing stood out as being great, though. I doubt
I'll listen to this again anytime soon.)<br /><br />v/a - "Folk War: Fuck the
Bastards Broadcasts" CD (I think I got this from the C-UTTER guy in a trade.
I've only listened to it once before today. I like some of the old dustbowl
folk, but the idea of playing it today sort of turns my stomach. I keep
visualizing punk/hippies (they're one and the same, after all) sitting in coffee
shops playing their stupid songs and patting each other on the back, etc. Adding
curse words to folk music doesn't make it edgy, just stupid. There's some
interesting noise stuff on the second half of this (apparently the definition of
folk has been expanded), but for the most part this is just folk. Making matters
worse, this CD is really long. I'll be giving this to my friend Jake next time I
see him. I'm positive I'll never listen to it again after today.)<br /><br />v/a -
"MT6 Records 2007 Sampler" - CD (I've had no previous exposure to any of these
bands on this CD. I don't remember where I got this and I don't think I've
listened to it before today. There's a lot of indie/alt rock sounding stuff on
here, but there's some other stuff mixed in, some of which is really good.
Social Junk's track is noisy and dark sounding. Needlegun is noisy and obnoxious
with great skronking saxophone noise over it. Myo do some nice power electronics
stuff that sounds like R2D2 having an epileptic seizure. Heroin UK's track was
fun, too. There's a few more, too, and this was mostly good. Lots of variety,
held my interest just fine.)<br /><br />v/a - "Orchestral Manures in the Dork" - CDR
(This is one of the older WCFOOM compilations, originally released on a sold out
CD, then on CDR because there were leftover covers. This rules, everything is
authentically weird or just plain good. I always assume most of these newer
bands are contrived and stupid just for the sake of being stupid, trying to
emulate this old scene, but the bands on this CD sound like they're really into
what they're doing. These are the bands that would be doing this wether anyone
was listening or not. Lots of classic Wheelchair bands on here: Sockeye, Fossil
Fuel, Kill the Hippies, Boy in Love, Olson. Lots of other great projects, too:
Colon on the Cob, Sludgecrypt, Nine Year Old Mudflesh, Kingdom Scum, Gang of
Pork, etc. This one is worth seeking out, folks.)<br /><br />v/a - "Small Doses" -
CD (I wrote a great deal of text for the liner noted of this release explaining
how I had lost interest in doing my label and wanted to go out with something
substantial, so I'm not going to cover all of that again here. I've always liked
those compilations with hundreds of short songs and wanted to do one myself. It
turned out pretty good, I think, but mostly the only feedback I got was about
how great it looked. I still consider it to be a success as I can enjoy
listening to it from start to finish. I'm only bummed that a couple of the bands
ended up using their material elsewhere even after I asked them not to and that
I gave the douche behind Molecular Cloud a spot on the compilation only to have
him say later that he didn't care if he was on it or not. Fuck that guy. I'm
thankful so many people contribute towards making this thing happen by way of
co-releasing it with me, donating their time setting up artwork files or by just
donating money to help ship copies to the bands that participated. For the first
time in years I felt a sort of cooperation and camaraderie with the bands I was
working with instead of just funding something people should have been paying
for themselves. The amount of work, however, turned the process into something I
wish never to revisit again. Even compiling "Incident at Ape Canyon" (which I'm
still in the middle of) with only 9 bands instead of 100 has proven to be more
work than I wanted to take on.)<br /><br />v/a - "050901 Compilation" CDR
(Cauliflower Ass & Bob are terrific, one of my favorite projects from Food
Fortunata. It's so miserable and desperate sounding. Wax Whales are really
stupid and tough, great in the same way Fossil Fuel are. Ranger Dump do a long,
noisy, go-nowhere track. Hogwood is sort of mellow sounding and, dare I say,
bluesy. The Poops are really fucking dumb and obnoxious. Monotoneato is
instrumental, loopy and noisy. Not bad, but nothing to get excited about.
Tutufrongo closes this one out with another mellow number with crummy guitar
playing and vocals that sound like Booji Boy. This compilation was okay
overall.)</span></span><br />gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-29477557225046504362012-10-08T20:49:00.001-05:002012-10-08T20:49:35.483-05:00CAPTAIN THREE LEG / DISTANT TRAINS - split 3" CDR out now!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH4TIKikMX12yTmhyg2IcTgmXLkHUnR30VUZF9zc7QU3fgdJT4_lpFiJeyEnrIM1SwUuDum2hH4uZTGxNCiiIPZ7SdT1AWIGvvFztKe0xa_nGIVW-gZSDwB9BCT-yxCfQnbKRfxQE5OjY/s1600/C3L+++DT.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH4TIKikMX12yTmhyg2IcTgmXLkHUnR30VUZF9zc7QU3fgdJT4_lpFiJeyEnrIM1SwUuDum2hH4uZTGxNCiiIPZ7SdT1AWIGvvFztKe0xa_nGIVW-gZSDwB9BCT-yxCfQnbKRfxQE5OjY/s400/C3L+++DT.jpg" width="346" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Out now from The Centipede Farm, CAPTAIN THREE LEG / DISTANT TRAINS - split 3" CDR limited to 50 hand painted/hand numbered copies. C3L's 8 tracks were recorded during the same session that yielded our split w/ HOMOGENIZED TERRESTRIALS in 1997 and are of the electronic, industrial + harsh noise variety. DISTANT TRAINS is the brain child of Iowa's own Charles Hoffman. His two songs consist of weird digital drum machine HC and a longer sound collage piece. </span></span><br />
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Download the split for free and see if it's for you. If you like it, pick up one of the 3"s for $3.00. </span></span><br />
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Download it <!--[if gte mso 9]><xml>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">See what else Charles has to offer <b><a href="http://music.centipedefarm.com/">HERE</a></b></span></span></div>
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<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=2783765364/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://captainthreeleg.bandcamp.com/album/split-w-distant-trains">Split w/ DISTANT TRAINS by Captain Three Leg</a></iframe><br /></div>
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</xml><![endif]--></span></span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-78859668694103226902012-10-03T05:14:00.001-05:002012-10-03T05:24:09.008-05:00MORT:063 ARTORTURED - "Dimensions of Suffering" free download<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuykKuLVjTM_E75SLAV-kxaaZJuix9oCVNvxPYXCA8VkBsqF5wS0tD0NueXNncCSaroMlgX2efAIW9L5IqX3CYDiBRPT3QxbImR5qSvGR3yOWf_1d8R8wafuNF5LyrRMLprZjWuAjTczw/s1600/699002803-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuykKuLVjTM_E75SLAV-kxaaZJuix9oCVNvxPYXCA8VkBsqF5wS0tD0NueXNncCSaroMlgX2efAIW9L5IqX3CYDiBRPT3QxbImR5qSvGR3yOWf_1d8R8wafuNF5LyrRMLprZjWuAjTczw/s400/699002803-1.jpg" width="397" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">15 tracks of desert-baked, hyper-blasting noisegrind from Santa Fe, New Mexico
featuring members of Ear Bleeding Disorder, Sistema Nervioso, Dismembered Fetus
and Noisear. The band was short lived and only recorded an 8 track demo, a split
7” with Crisis Rebirth and was featured on the Bad People Records Comp “Hymns
For The Hearing Impaired” in the mid nineties. They performed only a few shows
in their short existence with bands like </span></span><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Assück</span>, Logical Nonsense, MITB, Neurosis,
Spazz, The Fanatics, EBD, His Hero is Gone, Agents of Satan, Dead Bodies
Everywhere and Dead and Gone. This was their only full length, recorded at Free
Reeling Studios in Denver, CO in 1998, and never saw the light of day
until now. </span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Thanks to Dorian for unleashing this monster after all this time and for allowing me the honors. Dedicated to Joshua "ACE" Stough - RIP</span></span></div>
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</xml><![endif]--></span></span><span style="font-size: large;"><a href="http://mortvillenoise.bandcamp.com/album/dimensions-of-suffering">HERE</a></span></div>
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<iframe allowtransparency="true" frameborder="0" height="100" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=1483545239/size=venti/bgcol=FFFFFF/linkcol=4285BB/" style="display: block; height: 100px; position: relative; width: 400px;" width="400"><a href="http://mortvillenoise.bandcamp.com/album/dimensions-of-suffering">Dimensions of Suffering by Artortured</a></iframe>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-74773885532567280592012-09-30T18:08:00.000-05:002012-10-01T05:45:03.225-05:00Here's a C3L Video I Made<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Here's a crude, quickly put together video I made featuring one of the Captain Three Leg songs that will be appearing on the "Incident at Ape Canyon" CD. </span></span><br />
<br />
<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/ln8LXZghwug" width="420"></iframe>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-72607476304921596482012-08-30T21:56:00.000-05:002012-08-30T22:34:52.047-05:00My Two Cents: The Chicago Haul<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI2trmRC1m2Lh_gZYrU4quY9KZdTX_2-XlZBNgc4Ll5oeBFZWPggun2CZGOKtcpv_yY6zGURqDoA5UvzNrSpSOOzpQ7kHO7P2O_vtRbuiId5xvYfLbJt1-wdnBdbay2Z8fTlB6VKrIq9E/s1600/reckless.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI2trmRC1m2Lh_gZYrU4quY9KZdTX_2-XlZBNgc4Ll5oeBFZWPggun2CZGOKtcpv_yY6zGURqDoA5UvzNrSpSOOzpQ7kHO7P2O_vtRbuiId5xvYfLbJt1-wdnBdbay2Z8fTlB6VKrIq9E/s400/reckless.JPG" width="300" /></a></div>
<i><span style="font-family: Georgia,"Times New Roman",serif;">Most of this stuff came from Reckless Records in Chicago while Sandi and I went
to see Rammstein last May, I believe. Same deal as the Hastings visit,
everything dirt cheap as nobody gives a fuck about CDs anymore. If you've never
been to Reckless, it's totally frustrating browsing their CDs. Everything is
removed from the jewel case and you're left flipping through thousands of CD
inserts in plastic sleeves. Every sleeve must be fingered to see them all. I'm
sure there was loads of great stuff I missed as a result. There are three locations in Chicago, but we always end up going to the same store whenever we're in town. A couple of my wife's friends went to the Rammstein show, too, and during the time they met us at the record store, I had to go put more money in the parking meter. I gave my stack of CD sleeves to Sandi to hold on to with the FAGGOT - CD on top. One of her friends asked to see what I was buying and they got an eyeful, haha! There's a few other
CDs mixed in here that I got in the mail and from eBay, but most of this stuff came from Reckless. </span></i><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">ALPERT, HERB AND THE
TIJUANA BRASS - "Whipped Cream and Other Delights Re-Whipped" CD (I bought this
thinking it was the "Lost Treasures" album. I didn't even look at it, really,
just snatched it up and added it to my growing stack of CDs I was buying. I
realized my mistake as soon as it started playing. This is fucking terrible.
Herb's music doesn't need updating, not one fucking bit. These remixes with dub
and hip-hop drum tracks and vocals added really miss the spirit of his music and
the original versions are now mangled, trip-hop disasters. I cant believe Herb
sanctioned this release. I'm going to pretend it falls under the "fair use"
clause, he was against it happening but his hands were tied legally. Yep, that's
what I'll do. I won't be listening to this CD again, ever. Fuck this
shit.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">BAD BRAINS - "Black Dots" CD (These demos and their s/t titled
album are the only Bad Brains recordings I've ever liked.This was recorded by
Don whatshisname at Inner Ear, the same guy that did all those great Dischord
records. The playing is slower, but still really tight. The recording is clean,
but the mix is unbalanced. The bass and vocals are really loud, but its sounds
really aggressive because of the weird mix. There are lots of songs here that
don't appear on their first album and some of the between song banter is left
intact. The version of "Regulator" on here is great. "Redbone in the City"
sounds exactly like "God Save the Queen", there's no way that was an accident.
This is an interesting glimpse of the early days of a seminal hardcore band. If
you're a fan, this is well worth checking out.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">BUZZCOCKS - s/t CD (This
was cheap used, so I picked it up not knowing what it was. Turns out it's their
reunion album from 2003 on Merge Records. They're old records were some of the
best pop punk recorded. I only have a couple of them on cassette and burns of
the "Product" 3CD set, but they're all great. This one is okay, surprisingly.
Pete's vocals have this weird, unnatural pinched sound like it's difficult for
him to sing these days, but his pitch is still spot on. He only seems to be
singing about half the time, though, someone else doing the other half. The
songs are catchy and memorable, but nowhere near as good as in their heyday. The
recording is a little maxed out and fuzzy, but everything is clear in the mix.
This is pretty good, but I doubt I'll reach for it before their old records and
I rarely want to hear more than 3 CDs of Buzzcocks at once. This purchase was a
gamble that ended up okay.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">BUZZCOCKS - "Spiral Scratch" CD (First time
this is on CD, their debut EP on Rough Trade with 4 songs and the original
singer who at times sounds like Johnny Rotten. Pete Shelly is playing guitar on
this, just hasn't taken over vocal duties at this point. This is great, way too
short, though. I've played this thing at least 20 times already. I love what the
Buzzcocks turned into, but it would have been cool to have more recordings from
this era. Quality stuff!)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">CARCASS - "Reek of Putrefaction" CD (This is
the fourth time Ive bought this album. I have it on cassette, LP, as bonus
tracks on my "Symphonies of Sickness" CD and now this remastered version with
the demo and a bonus DVD. A lot of people (including the band themselves)
consider this to be unlistenable because of the lousy production, but after
years of listening to bands it inspired with even worse production, this sounds
pretty good in comparison. I'll admit the sound was off-putting as a teenager,
but I wouldn't change a thing about it now. This kind of music is supposed to
sound terrible, a filthy recording for a filthy album. Reading that the band
hated the production ruined this for me, slightly. As a teenager I just assumed
they wanted this to sound as insane as possible. The demo tracks are good, with
their first vocalist, Sanjiv. On the bonus DVD they claim to not even know his
last name and said they haven't spoken to him since the demo was recorded. Jeff
Walker came off as an annoying cunt on the DVD. I probably won't watch it
again.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">CHANCE, JAMES - "Irresistible Impulse" CD1 (I owe my love of
James Chance to my friend Greg who moved from Iowa to NY and dove even deeper to
noisy and obscure music as a result. He came back to visit one day and we
started talking about "no wave" over a game of pool. I had never heard of it up
to that point. When he returned to NY he burned me a copy of his "No New York"
CD and I immediately took to the Contortions tracks. The rest, to this day, I
could take or leave. Shortly after this I was visiting a friend in Minneapolis
and saw this set at Treehouse Records but passed on it because I had already
spent too much and figured I could find it later. Turns out it was out of print
and fetching $100+ on Amazon and eBay. I downloaded it instead and kept an eye
out for the set from time to time hoping it would eventually drop in price. I
ended up finding a beat up copy for $36.00 in Chicago, but the CDs themselves
were in pretty good condition. The set is arranged in chronological order and
this first CD has the "Buy the Contortions" LP and "Theme From Grutzi Elvis".
Sadly, the "No New York" songs weren't included, presumably because they
couldn't get clearance. So, what does it sound like? It sounds like James Brown
being played by angry punk rockers. White, able musicians pulling off really
aggressive funk with jangly guitars, skronking saxophone and vocals that are
often screamed. The only other band that comes close to this sound is Black
Randy and the Metrosquad. The live tracks near the end of this disc are great.
The guitar is completely out of control and super noisy. This first CD is the
best of the set. Things slow down quite a bit on the second
disc.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">CHANCE, JAMES - "Irresistible Impulse" CD2 (A lot of the songs on
this CD are instrumental. The musicianship, while already quite good, has
improved a lot on this disc. I was especially impressed by the bass playing on
the live tracks towards the end of this disc. There are some great songs on
this, but overall it's less enjoyable than the first disc.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">CHANCE, JAMES
- "Irresistible Impulse" CD3 (Pat Place's wonderfully sharp, jangly guitar
playing is missing from here on out, but the new guy does an adequate job and
the rest of the band is as tight as ever. Those funny, bratty female vocals are
more prevalent here. The whole sound is ridiculous, completely over the top.
When Chance's sax buries everything else you can't help but to laugh. This shit
is awesome.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">CHANCE, JAMES - "Irresistible Impulse" CD4 (The last disc in
this set takes on sort of a jazz feel. It's still really funky, but there's some
jazz in the mix, too. This is probably my least favorite in the set, maybe
because the songs are so long, but it's still great. "It Don't Mean a Thing"
jumps out at me as one of the highlights and it's as good or better than most of
the songs on the other three discs. There are a few copies of this set on Amazon
now for less than $40. You people reading this should pick it up before it
disappears again. It gets my highest recommendation.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">CHAOS UK - s/t CD
(I had no idea what that was when I bought it, but it ended up being a
collection of the Riot City years material. My favorite Chaos UK material has
always been the period after this ("Earslaughter" split, "Short, Sharp Shock",
"Chipping Sodbury Bonfire Tapes", etc). This is okay, I guess. It's a bit slower
than I prefer and sounds an awful lot like those Japcore bands I generally don't
care about. I guess you had to be there to appreciate it.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">FAGGOT -
"Faggot Has Your Disease" CD (Trashy scumbag punk rock from Minneapolis from
annoyingly garish sleazebags who, luckily, are capable of writing and playing
memorable songs. So often this sort of thing falls flat because they spend more
energy on looking ridiculous than on writing songs, but that's not the case with
Faggot. Nice metal riffing mixed with KBD punk songs that occasionally crossover
into spacey psychedelic rock ala Hawkwind. Those longer spacey jams are the
highlight of this CD, but the whole thing is decent. Nice and noisy lo-fi
recording and lovely cover art that would offend most people. I'm pretty sure
these guys have broken up already. I'm bummed I never got to see them play live.
Their guitarist, Jason, is making noise with Cock E.S.P. now.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">FUDGE
TUNNEL - "Creep Diets" CD (I bought this CD when it was released years ago, but
sold it because I didn't like it. "Hate Songs in E Minor" is fantastic and has
held up great over the years. I found "Creep Diets" used for $3.00, so I decided
to give it another shot. I liked it a lot more than I remembered. The songs
themselves are fine. The problem lies in it's clean production, way too clean
for this kind of music. It sounds weak and sterile and doesn't do these songs
justice. I wish it all sounded like the last song, "Always", with it's
wonderfully blown-out and distorted recording. Too bad...)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">HAZEL, EDDIE -
"Games, Dames and Guitar Thangs" CD (Famous for being Funkadelic's guitarist,
Eddie played on their best albums. I rank him right up there with the greatest
players of all time. This album was one of the many P.Funk off-shoots released
in the late 70s and it's scarcity made the LP the holy grail of P.Funk
collectibles. It's been reissued on CD a couple of times with different names
and track orders, the copy I picked up is a digipack. Sadly, it doesn't live up
to expectations. Some of these songs I knew already from Funkadelic albums with
different arrangements, and in those cases I prefer the original version. There
isn't a single thing wrong with this album, but it fails to "wow" in any way.
There's a lot of great guitar playing over music that's mostly laid-back, but it
doesn't do a very good job of holding my interest. I was hoping for something
more along the lines of a lost Funkadelic album, but it's nowhere near that
good. Too bad...)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">JACKSON, JOE - "I'm the Man" CD (Joe's second album is
nearly as great as his first. The same quirky, hook-filled pop music populates
this release and his lyrics are as personal and emotive as ever. I love his
vocals, they're passionate, vulnerable and fun all at once, but he makes some
ugly fucking faces when he does it. The bass is thunderous sounding and really
high in the mix. Most of the time the bass is the main focal point. It's a shame
he moved away from this style of music after this release. The other albums I
have are good, too, but he was terrific at writing pop rock
songs.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">MAYFIELD, CURTIS - "Curtis" CD (I love Curtis Mayfield, have
since watching "Superfly" as a teenager. I've had a download of this one for a
long time, but I never see his music in stores anywhere. "Move On Up" I knew
from the opening of "The Groove Tube", but had no idea who it was until I
downloaded this decades later. Upon hearing it again it took me forever to
remember where I heard it before. This and the opening track are the two best
songs on the album, and they're the two funkiest and fastest songs. Curtis'
voice is high, fragile and unique sounding. The instrumentation is full and lush
with nice string and horn arrangements, and the fuzz bass on the opening track
never fails to give me goosebumps. I wish Curtis recorded more funky songs, but
this is all really great. There are some demo recordings on here as bonus tracks
that are nice, too.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">METERS - "Struttin" CD (This is their third album
and it's mostly instrumental. It's the second album of theirs I heard, but the
first one I purchased. I've probably listened to this this 20+ times since
buying it. The Meters were a 70s funk band from Louisiana with really tight
instrumentals with somewhat minimal arrangements. Kind of a less is more
approach; clean and articulate. At times it reminds me of the JBs, but mostly it
sounds like this great current band from Iowa City called The Diplomats of Solid
Sound. No doubt The Meters were an influence on their sound. This CD is great
fun and an excellent lesson in economy in music. Their cover of "Witchita
Lineman" is haunting and really stands out from the rest of the songs on
here.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">MÖTLEY CRÜE - "Too Fast for Love" CD (I didn't hear this album
until the 90s when I was in high school. I bought it on cassette at a pawn shop
then, but never got around to picking it up on CD until now. I don't really have
anything to say about it, though. It's another one of those albums everyone's
heard, so there's no point in describing it. This CD is the recent reissue with
5 bonus tracks. As with most bonus tracks, they're not very good. If they were,
they would have been on the original release. Years ago Brian and I worked up a
cover of "Piece of Your Action", but we never recorded it. It's probably for the
best it wasn't.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">POISON IDEA - "Feel the Darkness" CD (I'm not sure why I keep
buying Poison Idea releases. I haven't really liked any of them other than
"Pick Your King", which I consider to be the greatest American hardcore record
ever. The rest of it has been at varying levels of "this is okay, I guess." I
don't dislike any of it, but none of it grabs me. There are moments of greatness
on all of their albums, but not enough to warrant repeat listens. Classic case
of a band peaking too early. Can't blame them for sticking it out, I guess. They
haven't done anything embarrassing to tarnish their legacy, but nothing since
has lived up to their glory days.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">PRÄPARATION-H - "8 Hits From Hell" 3"
CDR (Doug sent this to me earlier this year with a pile of old H-Records tapes
he loaned me to make digital transfers from. It was very kind of him to trust me
with his tapes, even nicer of him to toss in this gem as a gift. This is the
harshest and noisiest Präparation-H material I've heard, bordering on noisecore.
5 minutes of straight blasting with a deliciously filthy recording broken up
with samples of the great "Zebraman" from Heavy Metal Parking Lot. Short and
sweet leaving you wanting more, just as it should be. Great
stuff.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">RUPTURE - "Jubilee: 49 Greatest Hates" CD (Not only would this
make a nice starting point for those curious to check them out, it's wholly
satisfying as a career retrospective for people who are already fans. Each
period is represented here with terrific sound (not just ripped from vinyl),
nice track selection and flow. Stumblefuck put the master together and, unlike a
lot of others in the HC scene, he's not only taken great care of the master
tapes, but he's done a nice job of remastering everything. I picked this up for
my collection thinking it would sit here and collect dust, but I've already
listened to this way more than I thought I would. This was co-released by a few
labels and might already be scarce, but I'm sure it's out there if you wanted a
copy.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">TRACY, GENE - "69 Miles to Gene Tracy" CD</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">TRACY, GENE - "Sweet
Sixteen" CD</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">TRACY, GENE - "Talks Trash" CD</span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">TRACY, GENE - "Gene Tracy
Serves You" CD (There's no reason I can't talk about all of these at once seeing
as they're so similar. Gene "Mr. Truckstop" Tracy is the king of trucker comedy.
My stepfather drove a semi truck when I was in elementary school and I was
introduced to Gene by way of stealing his tapes and listening to them while my
parents were out of the house. I'm sure most of the jokes didn't make sense to
me at the time, but they were funny anyway. I had forgotten all about those
tapes until my wife and I went to visit her aunt and uncle in Florida. While we
were there, Uncle Mike and I hit it off and talked non-stop. Before we left for
home he gave me a stack of comedy cassettes he had to take with me because his
wife's church friends didn't approve of them being in the house. Within this
stack of mostly garbage were two Gene Tracy tapes that rekindled my love for his
craft. The "Truckstop" tapes are great, filled with stories and anecdotes about
truck driving, whorehouses, drinking, Pollocks, hair-lips, and just about every
filthy and inappropriate subject you can think of. All of this greatness
delivered by a southern drunk who yells at the top of his lungs for the duration
of the recording. Hearing those tapes again sent me on a search for more of his
releases, and after much digging online for a download I came up completely
empty handed. I decided later that I enjoyed them enough to buy them and turned
to eBay where I found these all for less than $5.00 each. The booklets are bare
bones with no information at all and the sound on most of them is abysmal, but I
can't complain for the price I paid. Gene Tracy was one of the best, I can't
wait to pick up more of his releases.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">TWISTED SISTER - "Live at the
Marquee" CD (This great sounding live CD was released by Rhino Handmade in a
giant gatefold die-cut Twisted Sister logo cardboard sleeve. Neat packaging, but
it forced me to store it with my LPs because of it's size. It was pretty
expensive, but essential for fans. A few of these songs showed up as B-sides of
their early EPs. This CD has the entire show with excellent sound. The setlist
is 90% "Under the Blade" material with a couple of songs from their second album
mixed in. We're treated to all of Dee's great between song banter and it shows
how great of a frontman he is and his ability to whip the crowd into a frenzy.
At one point he calls someone in the audience out for throwing a bottle at A.J.
calling him a "wimp pussy motherfucking bastard" which sends the crowd over the
edge. Since buying this I've listened to it more than any of their studio
albums. It's fantastic.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">TWISTED SISTER - "Under the Blade" CD (I believe
this 2011 reissue is the first time this classic has been on CD. I was watching
clips of their performance at the Reading Festival on YouTube and saw that they
came from the DVD that accompanies this release. Before that, I had no idea a CD
even existed. I grew up listening to the remixed Atlantic Records version, so
listening to the original Secret Records mix was a real treat. It's rougher
sounding than the remix, but no better or worse. It would have been nice to have
the remix on here as bonus tracks, but instead we get the "Ruff Cutts" EP and a
single live song. The real gem of this reissue is the DVD. Their spectacular
Reading performance is here in it's entirety with as good of picture and sound
quality as one could hope for and there's some nice interview footage where they
talk about roughing it in the UK while recording this album in a barn using hay
bales as sound walls. I love Twisted Sister and this is their best album. I was
really looking forward to seeing them live for the first time a couple of months
ago, but I threw my back out the day of the show and had to miss it. I'm still
really upset about it, it was their first time playing Iowa since
1985.)</span><br />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">U.S. MUSIC WITH FUNKADELIC - s/t CD (The first planned P.Funk side
project, apparently, but the LP was shelved and only a single was released from
the recording. The band, United Soul, was discovered by George Clinton who
recorded this album in the early 70s. Soon after, the group was absorbed into
the Funkadelic machine and became part of the group. Two of these songs were
re-recorded for "Cosmic Slop" and "Let's Take it to the Stage". In fact, I'm not
too sure "This Broken Heart" isn't the same recording, just an extended mix.
This shit is fantastic, even better than I expected it to be. I can't believe
they sat on this recording all that time. It really makes you wonder what else
is sitting in the vault. Best song on the disc: "Be What You Is", a dirty
sounding romp with great echo effect on the drums. If you're a fan of those
great early Funkadelic albums, you want to make sure you grab this one. It's
just as good as those, better than most of the other side albums and shits all
over the post-Westbound Funkadelic albums.)</span><br />
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="315" src="http://www.youtube.com/embed/kzmjbuuIvCI" width="420"></iframe><br style="font-family: Georgia,"Times New Roman",serif;" />
<br style="font-family: Georgia,"Times New Roman",serif;" />
<span style="font-family: Georgia,"Times New Roman",serif;">V/A - "Cottage Cheese From
the Lips of Death" CD (I'm pretty sure this is a bootleg, but I don't care. I
never got to hear the LP when it was still in circulation, so I'm happy someone
made it available again. Originally released in 1983, this LP showcased the
thriving punk rock scene in Texas. There are loads of great bands on here:
Really Red, D.R.I., The Offenders, Big Boys, Stick Men With Rayguns, Hugh
Beaumont Experience, Butthole Surfers, The Dicks and a few other bands I wasn't
familiar with before hearing this including Watchtower, an aggressive and
technical metal band that doesn't really belong here, but are excellent
nonetheless. The vinyl transfer is clean and sounds great, but the insert leaves
a lot to be desired. This is only my second time listening to it since buying
it, but I really enjoyed it both times.)</span>gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0tag:blogger.com,1999:blog-6769628625974601288.post-31009093308461432712012-08-30T21:31:00.000-05:002012-08-30T21:37:08.234-05:00Buy These C3L Shirts, Won't You?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcAZTUyZQN2uVsdXSqDDRHmNmk1zC3sjwPPYpkzEu6RoJGdejWFNmUvfUhvlJCuK9bb9tkPLclrJsREYN0mX4JnMyS412RmaClNIMRN42pcClbdladom7aXuJFwNYmyY88AeN7lPv-st0/s1600/460072_293268637427913_1460986187_o.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcAZTUyZQN2uVsdXSqDDRHmNmk1zC3sjwPPYpkzEu6RoJGdejWFNmUvfUhvlJCuK9bb9tkPLclrJsREYN0mX4JnMyS412RmaClNIMRN42pcClbdladom7aXuJFwNYmyY88AeN7lPv-st0/s400/460072_293268637427913_1460986187_o.jpg" width="400" /></a></div>
<div style="font-family: Georgia,"Times New Roman",serif;">
<span style="font-size: small;"><span class="fbPhotosPhotoCaption" id="fbPhotoPageCaption" tabindex="0"><span class="hasCaption">I
have a handful of each of these for sale in L and XL only - 100%
preshrunk cotton. The logo shirt on the left is white ink on dark navy
blue, the shirt on the right is black ink on sky blue. I'm not getting
hosed on shipping costs this time, so they're $13.00ppd in the USA.
Elsewhere, we need to figure something out.</span></span></span><br />
<br />
<span style="font-size: small;"><span class="fbPhotosPhotoCaption" id="fbPhotoPageCaption" tabindex="0"><span class="hasCaption">I'll even throw in a C3L disc of my choice to sweeten the deal. If it's something you already own, you can throw it away or some shit. </span></span></span></div>
<div style="font-family: Georgia,"Times New Roman",serif;">
<br /></div>
<div style="font-family: Georgia,"Times New Roman",serif;">
<span style="font-size: small;"><span class="fbPhotosPhotoCaption" id="fbPhotoPageCaption" tabindex="0"><span class="hasCaption">I have (3) LARGE and (2) X-LARGE of the shirt on the left, (3) X-LARGE of the shirt on the right. E-mail me if you want one; first come, first serve. My e-mail address is on the "About Me" page on the top right of this screen. </span></span></span></div>
gamma693http://www.blogger.com/profile/14328918810067235904noreply@blogger.com0